Das Tagebuch der Anne Frank

Same thing happened with the 1979 TV adaptation of "The Miracle Worker" - the too-tall, too-old Gilbert got to play Helen in that very sunny, CA adaptation funded by her production company (Hint: see the superior 1962 film instead). For this one, Gilbert is too perky & too American as Anne. Also annoying - Doris Roberts as Mrs. van Damm. Clive Reville I had not seen since on the screen he played Fagin in the 1968 film "Oliver." Joan Plowright & Maximillian Schell are the best of the cast, but this adaptation is still too bright & sunny. Better to stick with the 1959 film version.

After watching this you'll be willing to tell the Nazis where Melissa Gilbert and Doris Roberts are hiding! On the positive side Maximillian Schell does a decent job in his part... Melissa Gilbert is something to watch as an older teenaged girl pretending to be 13 but acting more like an 8 year old Laura Ingalls, and still trying to run out of as many scenes as possible in tears. (well it worked on Little House) This film has "bad TV play" written all over it. The actor who plays the teenage boy was also decent in his role. I believe he is the same actor who played opposite Jody Foster in "The little Girl who lives down the lane". He and Mr. Schell are the only ones who avoided bringing shame to the final product.

I saw this on television when I was in the 7th grade and at the time knew absolutely NOTHING about the Holocaust. Yes, Melissa Gilbert's Anne is real perky, the whole movie is, well, a little perky, which only STUNNED the 12 year-old me when I found out these people were MURDERED. This shock got me very interested in this period of time. I believe this is an excellent introduction to a terrible and interesting and sad chapter in human history.

Some stories don't need to be dramatised. The weight of the genuine events that took place in the life of the Franks, the awful reality of the suffering of those who died in concentration camps and the terrifying implications all these events have for the nature of the human are beyond the grasp of all but the most brutal and bleak of film productions.

Enter Melissa Gilbert of Little House on the Prairie, skipping gaily, full of life and joy and entirely lacking in depth or gravity.

As a country girl of ludicrous naiveté in 'Little House' Gilbert is nauseating enough but to watch her trample all across the character of a young Jewish holocaust victim is bordering on offensive.

Some cast members are convincing and assured enough to carry off the roles to which they have committed themselves but the truth is that these are in the minority. The overall picture comes across as a poor taste 6th Form production put together by minds too young to realise the blasphemy of their actions.

I have the misfortune of having to show this drivel to pupils at the school in which I teach. It makes me feel uneasy to think I'm polluting the minds of young adults with such low culture.

Keep away.

As a devotee of Ms. Frank, I remember being so excited that the play was being re-made for TV. That is, until I saw it... This film is a prime example of how IMPORTANT casting is, and how directing plays such an important part in creating the sense of purpose. The casting of any CENTRAL role is CRUCIAL to a production of this sort...shows like AUNTIE MAME and MAN OF LA MANCHA are totally dependent on the charisma of the lead actor. And in the cast of this movie, the whole thing is destroyed by the atrocious casting of Melissa Gilbert in the lead role. There is not ONE SINGLE MOMENT that Ms. Gilbert even comes close to inhabiting the sensitive, mature spirit of Anne- Ms. Gilbert is "white-bread" throughout the movie... the only time I was close to tears was during the reading of Anne's most haunting line: "I still believe, in spite of everything, that people are truly good at heart"- this is spoken by Ms. Gilbert so rushed, so lacking in conviction, that she might has well burped and achieved the same effect. Film and dance legend Marge Champion was the dialogue coach for this production- she should have refunded her salary! Despite Ms. Gilbert ruining DIARY, other performances are satisfactory for the most part- special kudos to Joan Plowright as Edith, Scott Jacoby as Peter and Clive Reville as Mr. Dussell. Maxmillian Schell does not have the deep-rooted soul and spirit as Otto as does the creator of the role on stage and film(Joseph Schildkraut), but he's okay. Doris Roberts and James Coco as The Van Danns are relatively superficial in their parts- they're shrill and bombastic, but again, only on the surface. This COULD be due to the fact that the pacing of the project is way too rushed(as noted in previous postings)- this film clocks in 45 minutes shorter than the film version- the difference owing to the pauses for dramatic effect, which apparently is necessary to propagate the appropriate MOOD for the story. This is NOT mandatory viewing, especially for youngsters learning about Anne Frank for the first time- stick to the original film version, and or even better, the TV production of ANNE FRANK: THE TRUE STORY starring Ben Kingsley, which is the CLOSEST thing to capturing the heartbreak and reality of Anne's situation ever filmed! Note: Especially appalling is the fact that Melora Marshall, who plays Anne's sister Margot, is NOT included in the opening credits along with all the other members of The Secret Annex... she's listed in the post-credits along with the actors playing Miep and Mr. Kraler. If I was Ms. Marshall, I would have SUED!