Ein mysteriöser geisterhafter Frachter rammt und versenkt ein modernes Kreuzfahrtschiff, dessen Überlebende an Bord des Frachters klettern und entdecken, dass es sich um ein Folterfahrzeug d... Alles lesenEin mysteriöser geisterhafter Frachter rammt und versenkt ein modernes Kreuzfahrtschiff, dessen Überlebende an Bord des Frachters klettern und entdecken, dass es sich um ein Folterfahrzeug der Nazis aus dem Zweiten Weltkrieg handelt.Ein mysteriöser geisterhafter Frachter rammt und versenkt ein modernes Kreuzfahrtschiff, dessen Überlebende an Bord des Frachters klettern und entdecken, dass es sich um ein Folterfahrzeug der Nazis aus dem Zweiten Weltkrieg handelt.
- Regie
- Drehbuch
- Hauptbesetzung
- Parsons
- (as Lee Murray)
- Seaman No. 2
- (as Tony Sherwood)
- Self
- (Archivfilmmaterial)
- (Nicht genannt)
- Strangled Sailor
- (Nicht genannt)
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You just know with Richard Crenna up front in the credits you're looking at a B-Grade production from the outset. Live with it! For my money too, give me a REAL ship with REAL people anytime...leaves the digitised variety for dead. The brooding leviathan that (I have to admit laughably) sneaks up on Crenna and the few survivors of the opening rammed-ship sequence (yeah, that wasn't great either!) is all menace from the opening scenes. Big brute too! one would wonder how 35-40,000 tons of ship can sneak up on four people floating in the Atlantic without a sound! Anyway, lets not get into semantics..it DOES and our intrepid bunch board the seemingly deserted vessel and make a most unpleasant if not illogical discovery. (Don't ask how the vessel has been cruising around for forty odd years without a grease and oil-change, never mind a re-fuelling!)
Some intense and really quite chilling scenes manage to lift the film way above the dialog which rarely gets past high school work-experience level. Some quite effective camera work too supports the view that the film has its moments and does not deserve to be consigned to the junk bin. Actually it plays way better these days if you go watch GHOST SHIP first. Not one in 2000 of today's viewers has ever heard of DEATH SHIP so the makers need never have been concerned with viewer comparison.
George Kennedy playing right against type is a hoot as Captain Ashland, who by degrees loses it, as he is "possessed" by the ship's original Germanic complement of officers. Trust me, it gets better after multiple viewings over twenty years.....and I paid $5 for it!
The plot is reasonably simple but inarguably bizarre. In the opening scenes, a luxury cruise ship packed with holidaymakers collides with some kind of ghastly black vessel in the middle of the ocean. The cruiser sinks, killing almost everyone on board. There are only about eight survivors who sit floating in a lifeboat, waiting for someone to come and rescue them... Unfortunately the only sign of life for miles is this horrific looking black ship that's just lingering ominously in the ocean. The cruiser's curmudgeonly Captain (George Kennedy) is becoming increasingly ill, having nearly drowned, so the group of survivors decide that they will have to board the evil looking vessel in order to get food, drink and shelter. It doesn't take long to find that the ship is completely deserted and, although no one can rationalise how or why, it seems to be running itself! Worse still, we start to see through a series of unusual events (ie: people being hit over the head with flying objects, doors locking folks in spooky old rooms) that the ship appears to want its new passengers offboard as soon as possible.
It's all quite "Twilight Zone" to begin with but as the film moves along, it gets increasingly horrific and frenzied, hurtling towards a (quite literally) crushing climax. The film is shot mostly onboard the ship and it's a wonderfully unpleasant set. From the moment they first board and get covered with oil and grease, you can virtually smell the rust on the ancient machinery and, as it develops, the stench of putrefaction. Oh, and THE SMELL OF FEAR (oh c'mon, it's a George Kennedy movie, I had to make at least one "Naked Gun" joke!)... Seriously though, it's clearly low budget, but I really enjoyed the rough and raw directorial style - the darkness and the frequent use of shaky, hand-held camera angles and really lend it an air of madness and menace. I felt the energy of the direction coupled with such genuinely ugly and sinister set pieces combined to create a very unique atmosphere that is, from start to finish, thoroughly unpleasant. There are certain scenes, mostly in the chaotic second half, which just make your skin crawl - the murder scenes aren't particularly *gory* as such, but they're shot in such a feverish manner as to prove really quite unsettling indeed. When the real identity of the ship is finally revealed and we discover what befell of the 'crew', it's an almighty suckerpunch and, again, the use of maniacal camera-work and some utterly disgusting sets just add to the overall effect.
As I said before, I can't understand why "Death Ship" gets such a bad rap. As a haunted house movie, it's one of the better ones I've seen - on top of the rabid direction and deathlike atmosphere, we even have some real quality actors in this one (Kennedy is particularly menacing as the cruiser Captain whom the death ship begins to drive slowly mad) *AND* a cracking script to boot. The storyline moves at just the right pace (the first half builds up creepily and then the second one is a breakneck descent into the inferno) and it's unusual enough to make "Death Ship" an extremely memorable horror movie. I'd give this one an easy 8 out of 10 on the Horror-O-Meter. If you can find a copy, it's well worth seeing!
The story is about a cruise ship with ultra-stuffy Captain Ashland (George Kennedy) on his final voyage. They crash into this mysterious ship and are sunk. The few shipwrecked survivours are in a lifeboat and come across that very ship that sunk them. Inside they begin to find horrific secrets and must escape before their very lives are taken.
Film also has a pretty darn good cast that also includes Richard Crenna, Nick Mancuso, Kate Reid and Saul Rubinek. Yet, in the end it just misses the mark.
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- WissenswertesWhen the crew of the ocean liner picks up the echo of the approaching ghost ship on their radar, the close-up of the ship's radar imagery is a reverse-image video clip of the fog-covered "Skull Island" taken from King Kong (1976).
- PatzerWhen Captain Ashland emerges in the German naval uniform atop the ship, three separate long shots of George Kennedy reveal a crew member and camera are plainly visible on the left side of the shot.
- Zitate
Trevor Marshall): Where do you plan to sail her?
Ashland: Into eternity, Marshall. Eternity.
- Alternative VersionenThe German TV version was cut by several minutes including nearly all scenes of violence, dead bodies and Nazi content. The old Videoversion (VPS Video) is uncut.
- VerbindungenEdited from Höllenfahrt (1960)
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Box Office
- Budget
- 4.500.000 CA$ (geschätzt)