Invasion aus dem Weltall

According to the opening credits for "The Day Time Ended", four writers are credited with developing the story and writing the screenplay. And none of them apparently were able to make the movie's story make much sense. I'm not sure even if you can call what's in the movie a story - much of the movie seems to be just a series of random supernatural events, and even the resolution at the end doesn't answer what the intents of the creators of the events are. Though the problems of the movie go beyond the bad script. Director John 'Bud' Cardos makes much of this theatrical movie have the feel of a made-for-TV movie of this period. Is there anything positive to say about this movie? Well, some of the special effects aren't bad for a movie that had a pittance of a budget. But I'd rather have a good script with bad special effects than a movie with good special effects and a bad script.

Have I been watching the same movie as some of the other reviewers here?

The first thing to realise before you sit down to watch this tedious plonker is that it is going to be a totally fruitless and unrewarding experience. The movie is plot free. Don't get me wrong - things happen - but nothing any of the characters do or say affects anything that happens throughout the whole movie. They just bob along, buffeted by a series of unexplained events that are totally outwith their control and they are powerless to change.

Basically what happens is this: after an interminably long montage of starscapes with a pontificating, portentous voice-over - always a dead giveaway that you are about to watch a REALLY bad SF movie - an all-American family move into their new home in the desert. Strange things start to happen, giant UFOs buzz the house, giant dinosaur things appear in the yard and try and eat each other, tiny UFOs invade the house (curiously these appear to have the ability to fly through windows without breaking them but have to use lasers to get through bedroom doors), tiny green people appear and tell the tiny UFOs to go away (bad UFO!). The house is mysteriously hurled into the future. Mom and little girl wander off and are lost in a swirling vortex of bad SFX. Rest of family are hurled even further into the future (?) get on their horses and ride off for no particular reason. Almost immediately they meet Mom, who hasn't died or been eaten by dinosaur things or learned to act, who says "it's all OK!". The end.

Seriously. That's it. Nothing is resolved. Nothing explained. No characters develop. Nothing.

Oh! I forgot the other "plotline". After dropping his family off at their new house, Dad has to go into the city to work. Dad decides to come home. Dad crashes car and finds horse. Dad rides home and witnesses firework display and vanishing house. Dad reacts to his entire family disappearing in front of his eyes with the same slack-jawed sonumbulistic non-acting with which he has shambled through the rest of the movie.

I assumed from the fact that Jim Brown gets to say "My God!" about 27 bejillion times through the course of the film and his "maybe it was meant to be... this is where we will make our new lives" speech at the end that in the end this was some sort of Christian allegory - and a bloody poor one at that.

Students of bad acting - and as a bad actor myself I watch out for this stuff - will enjoy Dorothy Malone's "awe" at the end. She looks like a fish having an orgasm. And since when has anyone in real life taken two steps forward to admire something in the distance? It happens all the time in bad movies. Think about the last time you saw a beautiful sunset. Did you take a step forward? "Oh look, the horizon is 20 miles away, the Sun is 93 million miles away I'll take a step forward to get a closer view." Cobblers!

This is a bad film. Most of it is boring. None of it makes any sense.

Normally I laugh uproariously when a movie of this fashion comes out. I normally am not thrilled by dodgy cinematography, flubbed lines, and the like. However, this film, despite its flaws, was great!! I really don't know how I can explain it. There were a number of loose ends, with parts of the movie not making sense, yet with all of this, it still seemed to work! The little girl, Natasha Ryan, really carried the movie and another aspect I liked was the "Close Encounters" type of feel to the movie. Also, the aspect I enjoyed the most was when the family is re-united and they are upon the hill looking upon the fabulous City of Light at the end. There was such a spiritual feel to this scene. Very well done. There were flaws in this film, yet the special effects and the interesting plot seemed to give it a redeeming quality. 7/10 stars.

I recently returned to this film after having watched it 12 years ago on VHS. (This time, I watched the 4:3 frame DVD included in the Brentwood 4-DVD collection "Time Travelers," which, apparently, is the best of the transfers out there; I've read the standalone transfer isn't as good and contains atrocious artifacts.) Anyway, I remembered originally liking the film for its peppy pacing and its honest intentions. I was pleased to see those elements still intact. The film whipped along a brisk pace, the characters were likable and acted well enough, and the late 1970's "desert house of the future" provides a pretty unique setting.

As is evident by the reviews already listed here on IMDb, it seems you are either a fan of the film or feel compelled to hound it for its technical shortcomings--shortcomings, by the way, which are many. (Let's at least be honest while we temporarily kneel at the alter of director John "Bud" Cardos.) I understand the stop motion prehistoric creatures are animated by none other than icon Dave Allen, and there are precious matte paintings by film artist extraordinaire Jim Danforth, but let's face it. The low budget nature of the flick really shines through (in a bad way) during the effects-heavy scenes—which account for about half the film. As many reviewers have pointed out, "The Day Time Ended" does at times feel like a very-poor-man's "Close Encounters of the Third Kind." Considering this film was screened 2 years after "Close Encounters," the Spielbergian influences can't be hidden. You've got low-flying, multicolored UFOs whipping down deserted highways that stretch through the mountains. You've got the little child (inevitably kidnapped) who is inexorably drawn to the aliens and their technology, etc. (By the way, if this film reminds anyone of "E.T.," remember you are a few years too soon—that film wouldn't be made for at least another two years after "The Day Time Ended.").

Correct me if I'm wrong, but this film was made on the cusp of the made-for-video revolution (my books say 1979, not 1980), so I'm not certain about its actual theatrical release. The film feels as though it was prepared for a major release—though its short running time just barely makes it full-length. Overall, the production values hint at something larger than later Full Moon-era Richard Band releases (Puppetmaster 1, 2, 3, 4, 5, and 12) which were clearly made for the video-shelf-small-screen. But like many of Richard Band's releases, the ambidextrous Band does the music himself. His orchestral flourishes really aren't all that bad.

But speaking of bad, something VERY bad happens around the 60-minute mark. The film's plot—what little was established—falls completely to shreds. As the family is attacked by every SPFX artist on the set, the story is, literally, tossed into the vortex. By the end, the family (which has been torn asunder in time and space with much crashing of cymbals and whirling of stars) suddenly and inexplicably reunites at the edge of a crystal city glimmering in the distance. They all sort of shrug their shoulders, hop on their horses, and head to their "new home" (a pretty, futuristic matte painting by none other than Jim Danforth). Problem is, none of the family members seem particularly bothered by any of it. They're not bothered by the fact that their house—indeed their entire world and its civilization—has vanished. Heck, they've got each other, and, who knows, "Maybe this was all meant to happen," as Jim Davis, the family patriarch, says. Yeah, right! In fact, this saccharine reunion takes place so quickly after the family members are separated in the "timespace warp," that the viewer never really gets a chance to worry about what is happening—you end up not caring about their plight, or their new circumstances, at all. Of course, you might say, "What do you expect from a below-B science fiction flick?" The problem is that for the first 60 minutes of the film, the characters are believable, likable, rational folk beset by otherworldly forces, and they react accordingly (most of the time). Unfortunately, those established characters inexplicably evaporate at the end, and the story and characters really fall apart as they mundanely saunter their way into the future. This comes damn, damn close to wrecking the entire film.

Of course, this isn't the first time I've seen John "Bud" Cardos do this kind of thing. Maybe it's his shtick—wrecking a film just during the last few minutes.

As others have said, this is a film without a plot. It's one of those things where you put a family in a house in a remote place and start doing things to them. There are all sorts of things but nothing is ever explained. There is a big fight between two claymation monsters, but what do they have to do with the swirling lights that keep showing up, or the gunlike thing that points at people. We meet a couple of little creatures at the beginning but then we never see them again. And what does a triple-nova have to do with anything? The closing statement by grandpa is made without any knowledge of anything. And where are they going? And why them? And where is everyone else? I know it has something today with a time vortex, but the principle characters just bumble around. They don't really learn anything. Or do they? They don't bother to tell us.