Wunder in San Francisco

In many ways, this wonderful movie shows its age, especially in its very hip portrayal of how modern people, albeit of the late 70's, should be acting. Fortunately, there is a great deal of traditionalism which is left standing, although one guesses that it is just as a warm fuzzy. As in the modern world, the people of the movie are overwhelmed with the difficulties of life. Perhaps, though, like the majestic pipe organ itself, the movie demonstrates how our being requires a complete overhaul, climbing out of the dirty reality of life into the beautiful world of the spirit.

The star of the movie is the music and it is warm and grand and as wonderful an occasion as one can possibly imagine. The movie itself is a wonderful enigma: it traces the sometimes empty and disillusioning physical reality of daily life and lackluster choir practices and somehow results in the very symbol of Christmas, much like that of the birth of Christ Himself. As He was born into this world, filled with sin and suffering, yet so we can transcend our physical reality into the spiritual reality of the greatest beauty. Handel wrote this wonderful music when he was almost unknown, didn't even become famous for it, and these unassuming, ordinary people perform it. There are always two levels to life and the movie lets you see them both.

I dislike how Zoë treats Henry and Muriel is certainly somewhat of a caricature. However, no one could imagine how difficult it must be to grow up as a pastor's son or daughter and the strain is something we should think about. Yet ultimately, we hear the glory of the music and we are raised to another level, despite Houseman's constant outward bitterness and overly irritating grousing at every corner. As in daily life, you often have to see beneath the surface to find the prize.

In the end, I felt sorry for Henry, Muriel and even Mrs. Burns. Their lives were, at the end of the movie, somewhat empty... except for the beauty of the music in which at least two of them were a part, singing glory to God and peace on earth. Even though the Messiah was first performed at Easter, one can't help feeling the Christmas spirit through Handel. This is a must-see for anyone who loves Handel and Christmas. God bless us everyone!

I just watched this movie again, must be my fourth viewing, and it really holds up. It just never fails to get to me emotionally.

The story is simple, but it is the characters and their backgrounds that engage the viewer. There are no simple solutions to the problems presented, unlike the emotionally manipulative movies of today.

A young widow grieves for her dead husband, someone suffers a stroke, a father and son resolve a tremendous difficulty with a very slow smile at each other and no words are spoken.

Each story stands on its own. A microcosm of life. One does suffer, there is sometimes no magic solution, just a choir and an ambitious undertaking of "The Messiah" to get your mind off the same old, same old.

Michael Learned, what has ever happened to her, a great performance. Also John Houseman being John Houseman, a delight. Not one jarring note from the large cast.

An 8 out of 10. Catch this one if you can.

This seemingly forgotten telefilm is far and away better that the current crop of yuletide dreck being offered by the likes of the Hallmark Channel and various others. A Christmas Without Snow offers a great cast, intelligent writing, and characters we care about. As other reviews have stated, Michael Learned plays a divorcée starting over in San Francisco who, in an attempt to find some stability, joins a church choir which is about to attempt an ambitious mounting of Handel's Messiah. John Houseman is the no-nonsense director who demands perfection from his choir. As the choir progresses toward its performance of the musical masterpiece, we gain insight into the lives and personalities of various members. What other reviewers have missed is the sense of community among the diverse parishioners/choir members, something that reflects positively on the traditional Christian church. In almost vignette-type fashion, we get to know these people, their loves, hopes, hurts, and see them rally together to tackle the Messiah and also the various problems they encounter as a church and as individuals. There are no quick fixes, no tidy happy endings. Yet these people have each other and the satisfaction of working hard at their endeavors. There's support, there's love, and there's a lot that is healthy and thriving and growing. Intelligent and life-affirming without being syrupy. Recommended.

We watched this movie two nights ago and found it quite different. The main character is a newly divorced woman who moves to San Francisco from Nebraska, leaving her pre-teen son with his grandparents until she can make enough money to send for him. Frustrated by the lack of available teaching positions, she works as a "floating" office temp. To have some consistency in her life she joins the church choir as it is beginning to rehearse Handel's Messiah. The movie is about this woman's interaction with the other choir members and challenges the choir faces leading up to the performance of this music. Watch for Ruth Nelson (Inez) as a sweet, older realist who is quite an encourager. She also played the encouraging teacher in A Tree Grows in Brooklyn from the 1940's.

I have to admit I wasn't expecting much from this 1980 TV movie. However, "A Christmas Without Snow" is a nice little film to put on in the mood for the Christmas holiday. It is about a church choir getting ready to sing Handle's "Messiah" for the Christmas concert at their church. There are some trials and tribulations along the way, but I'm not going to spoil the movie for others. I'll give you a hint, the hardships are overcome with the spirit of Christmas. There are two standouts in this movie. One is James Cromwell as Reverend Lohman. Mr. Cromwell makes one believe he truly is the pastor of this San Francisco church. The other standout is the late Ramon Bieri, he was typically cast in tough guy, villain, or corrupt official roles. In this film Mr. Bieri plays a "salt of the earth type of man." In fact, Mr. Bieri portrays a man one would like to have as his next door neighbor/friend. Clearly James Cromwell and Ramon Bieri stand out in this Christmas TV flick. Check it out and you will enjoy it.