IMDb-BEWERTUNG
5,4/10
3146
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuA nuclear-plant leak turns a bus-load of children into murderous atomic zombies with black fingernails.A nuclear-plant leak turns a bus-load of children into murderous atomic zombies with black fingernails.A nuclear-plant leak turns a bus-load of children into murderous atomic zombies with black fingernails.
- Regie
- Drehbuch
- Hauptbesetzung
Michelle La Mothe
- Dr. Joyce Gould
- (as Michelle LeMothe)
John P. Codiglia
- Jackson Lane
- (as John Codiglia)
Empfohlene Bewertungen
I saw this movie at the theatre when I was twelve years old and it scared the crap out of me. At the time I thought it was a cool movie but now if I saw it I'm sure it wouldn't hit me like that. I'm sure I would still like it though because I am very nostalgic about old horror movies which are my favorite genre of films. I would love to find this movie for sale so I could see it again. There was just something so creepy about this film. I mean it was foggy and those children just creeped me out.The location of the film is perfect as it was a creepy little wooded town in the middle of nowhere. If you don't mind B movies and you like horror a lot like me than this is definitely a movie you should check out.
A school bus drives through a radioactive fog (the result of a leak at the local nuclear power plant), turning the young passengers into black-finger-nailed zombies with a deadly, corrosive touch.
Having seen my fair share of 'killer kiddie' horror, I've come to the conclusion that it is extremely hard to make minors scary: it's unusual for children to possess the necessary acting chops to appear genuinely dangerous. The Children (of Ravensback) does little to alter my opinion that murderous movie moppets are rarely effective, but it does have a great premise, one that could work well as a remake, so long as a talented director is calling the shots and the casting goes beyond hiring the producer's children.
To be fair, this film isn't unwatchable, thanks to quite a few gruesome deaths, a willingness to kill off anyone, no matter how young, and a feeling that everyone involved was at least trying their best to create something entertaining (the cast might not be Oscar winners, but they're likeable). When the terrible tykes grab hold of someone, it causes the skin to blister and burn, which leads to some fun make-up effects, and respect is due for inflicting such a painful death on two unlikely victims: pretty farmer's daughter Suzie (Joy Glaccum) and little kid Clarkie (Jessie Abrams). I honestly didn't expect either one to die.
I also admire the fact that there wasn't what I would call a happy ending -- no antidote is found for the children -- the only way to deal with the problem being to hack off their hands, killing them in the process. The dismembered remains of several kids are shown in the aftermath.
Bonus marks too for the bizarre scene in which the town sheriff visits influential citizen Dee Dee Shore (Rita Montone), who nonchalantly sparks up a doobie in front of the cop while her partner Jackson Lane (John P. Codiglia) pumps iron by the pool, and for a subsequent scene in which millionaire Sanford Butler-Jones (Martin Brennan) persuades Deputy Harry Timmons to let him through a roadblock. Neither moment has any real bearing on the plot and one wonders what purpose they serve (although Brennan was apparently a drug dealer who supplied coke to the cast and crew, which might answer that query).
I will, however, deduct those marks for several reasons: Harry Manfredini's score is extremely derivative, borrowing heavily from Psycho, Jaws, Halloween, and even the composer's own music for Friday the 13th; the predictable 'twist' ending is lame; and the scene in which deadly youngster Paul (Jeptha Evans) scratches at the window of poor little Clarkie, waiting to be let in, is ripped off from Salem's Lot. Did they really think we wouldn't notice?
5.5/10, rounded up to 6 for IMDb.
Having seen my fair share of 'killer kiddie' horror, I've come to the conclusion that it is extremely hard to make minors scary: it's unusual for children to possess the necessary acting chops to appear genuinely dangerous. The Children (of Ravensback) does little to alter my opinion that murderous movie moppets are rarely effective, but it does have a great premise, one that could work well as a remake, so long as a talented director is calling the shots and the casting goes beyond hiring the producer's children.
To be fair, this film isn't unwatchable, thanks to quite a few gruesome deaths, a willingness to kill off anyone, no matter how young, and a feeling that everyone involved was at least trying their best to create something entertaining (the cast might not be Oscar winners, but they're likeable). When the terrible tykes grab hold of someone, it causes the skin to blister and burn, which leads to some fun make-up effects, and respect is due for inflicting such a painful death on two unlikely victims: pretty farmer's daughter Suzie (Joy Glaccum) and little kid Clarkie (Jessie Abrams). I honestly didn't expect either one to die.
I also admire the fact that there wasn't what I would call a happy ending -- no antidote is found for the children -- the only way to deal with the problem being to hack off their hands, killing them in the process. The dismembered remains of several kids are shown in the aftermath.
Bonus marks too for the bizarre scene in which the town sheriff visits influential citizen Dee Dee Shore (Rita Montone), who nonchalantly sparks up a doobie in front of the cop while her partner Jackson Lane (John P. Codiglia) pumps iron by the pool, and for a subsequent scene in which millionaire Sanford Butler-Jones (Martin Brennan) persuades Deputy Harry Timmons to let him through a roadblock. Neither moment has any real bearing on the plot and one wonders what purpose they serve (although Brennan was apparently a drug dealer who supplied coke to the cast and crew, which might answer that query).
I will, however, deduct those marks for several reasons: Harry Manfredini's score is extremely derivative, borrowing heavily from Psycho, Jaws, Halloween, and even the composer's own music for Friday the 13th; the predictable 'twist' ending is lame; and the scene in which deadly youngster Paul (Jeptha Evans) scratches at the window of poor little Clarkie, waiting to be let in, is ripped off from Salem's Lot. Did they really think we wouldn't notice?
5.5/10, rounded up to 6 for IMDb.
This is one of those movies that is like an idiot step-child--it's totally moronic but still strangely hard to dislike. When so many horror movies are so transparently and unimaginatively exploitative, it's refreshing to see a movie so ludicrous and completely off-the-wall that god only knows WHAT it's trying to exploit. Is it trying to prey on every parent's fear that their lovable moppets will turn into radioactive zombies? Is it trying to make an environmental statement about how nuclear waste will turn children's fingernails black and make them kill every adult they touch? Is it trying to impress the gorehounds with its incredible special effects (i.e. dry ice and black fingernail polish)? Someone ought to put this movie, "The Carrier" (1987), and "The Pit" (1982)all on a single DVD compilation and call it "WHAT THE HELL?!..." or something like that. I'd definitely buy it.
This B-grade horror flick has some surprising special effects, and a completely predictable twist ending. When a school bus drives into the fog from a nuclear plant leak, the children inside are transformed into black-fingernailed zombies that incinerate anyone they touch, apparently from the inside-out. My fondness for this movie probably stems from the circumstances in which I saw it--I was 12 or 13, alone in front of the TV at my sister's house at around 2 AM,watching a "rated R movie(!)" I had been expressly forbidden to see. I'm not sure whether I was more afraid of the movie or an adult catching me, but either way, it was good fun. I'm looking forward to the day this one is finally released on DVD.
I first saw this movie when I was a kid and it horrified me. A few decades have passed and I finally rewatched it and I was amazed. Here's a fun horror flick with instantly likeable characters and a
very creepy story. As hardened of a horror fan as I am, even I was creeped out by some of the scenes in this flick (the kids smiling reflections in the window). Sure it's low budget, but that's what's
great about it. And credit goes to the filmmakers for making a consistantly entertaining film, throwing logic to the wind and not explaining why the kid's hands must be cut off or why they are now indestructable. It just makes for a lot of great scenes (Chopping up kids!!! AMAZING!). Plus, they created tension very well. Hope they give this a special treatment on DVD one day.
very creepy story. As hardened of a horror fan as I am, even I was creeped out by some of the scenes in this flick (the kids smiling reflections in the window). Sure it's low budget, but that's what's
great about it. And credit goes to the filmmakers for making a consistantly entertaining film, throwing logic to the wind and not explaining why the kid's hands must be cut off or why they are now indestructable. It just makes for a lot of great scenes (Chopping up kids!!! AMAZING!). Plus, they created tension very well. Hope they give this a special treatment on DVD one day.
Wusstest du schon
- WissenswertesCo-writer / producer Carlton J. Albright struck several deals in the course of making this film. One involved giving to the favored charity of the cemetery caretakers in order to use the cemetery seen in the film. Another involved hiring a local girl as a production assistant so her father would agree to the use of his house.
- PatzerWhen the Sheriff first comes upon the school bus, it's parked across from the cemetery. When the sheriff returns with Tommy's mother, it's now parked next to the cemetery.
- Zitate
Dr. Joyce Gould: I just don't know how Leslie's gonna take it when I tell her Tommy's missing.
Sheriff Billy Hart: Don't tell her.
Dr. Joyce Gould: ...That's one way to deal with it...
- Alternative VersionenThe Vinegar Syndrome home video release, as well as streaming releases, feature an additional scene set in a diner in which the sheriff speaks to a waitress.
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Details
Box Office
- Budget
- 400.000 $ (geschätzt)
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