IMDb-BEWERTUNG
6,4/10
2649
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuTired of her dull job as a waitress, Donna decides to join two carnival hustlers and see what life in their field is like.Tired of her dull job as a waitress, Donna decides to join two carnival hustlers and see what life in their field is like.Tired of her dull job as a waitress, Donna decides to join two carnival hustlers and see what life in their field is like.
Teddy Wilson
- Nails
- (as Theodore Wilson)
Alan H. Braunstein
- Willie Mae
- (as Alan Braunstein)
John Cassidy
- Harry the Hat
- (as John 'Doc' Cassidy)
Empfohlene Bewertungen
I have been trying to see 'Carny' for quite some time, and I finally stumbled across an old video tape of it. I don't know if it is now available on DVD, but if not, it should be. It was released at the beginning of the 1980s but is very much a 1970s movie, and fans of that decade will appreciate it. It's very low key and character driven, and nothing all that much happens, but the acting is strong from the three leads - Gary Busey, who has been wasted in bad movies for many years, Jodie Foster in the transitional period from child to adult star, and the biggest surprise of all Robbie Robertson, guitarist and main songwriter with legendary rock'n'rollers The Band. On top of that the supporting cast features an incredible array of character actors that's hard to beat - Elisha Cook Jr, Tim Thomerson, Kenneth McMillan, Meg Foster, Tim Thomerson, Bill McKinney, Bert Remsen, Fred Ward, Woodrow Parfrey and Craig Wasson, the star of Brian De Palma's 'Body Double', just to name the most obvious ones. 'Carny' is an overlooked gem, and deserves some more attention. I really enjoyed it.
"Carny" is of those rare films that is truly unclassifiable. It's fiction, with actors and actresses playing scripted roles, but it almost comes closer to a documentary since there really isn't much of a plot, merely the intent to deep-dive into the daily lives and routines of traveling circus members. The one film "Carny" reminds me of the most, and I'm actually surprised that no other reviewers mentioned this, is Tod Browning's cinematic landmark "Freaks" (1932). Partially because, well, many of the supportive characters are human anomalies that make a living of their appearances, but mostly because both films zoom in on a secluded community of people that don't tolerate outsiders and behave skeptically towards newcomers. Coincidentally, both stories also revolve on a (female) newcomer breaking into the community, although the trapeze artiste in "Freaks" had evil intentions whereas Donna (the amazing Jodie Foster) in "Carny" is genuinely looking to become a part of the group.
Writer/director Robert Kaylor was obviously obsessed with the concept of traveling carnivals and the people who run them, but he sure didn't draw an attractive picture of them. "Carny" is dark and bathes in a manic & moody atmosphere. The characters are grim and unsympathetic, most notably the resident con-artist and all-round purpose fixer Patch (sublime role for "The Band" icon Robbie Robertson) and the face-painted Frankie, who - as the foulmouthed clown Bozo - sits in a cage above a water tank and goads carnival visitors into throwing shots at him. Gary Busey is fabulous in the role, and the film nicely stands out at the peak of his career, shortly after "The Buddy Holly Story" and "Big Wednesday". The decors and photography are sinister, yet beautiful, and Alex North's thoroughly unsettling score makes the wholesome even more unique. I personally found the final plotting and twists rather unnecessary, but still, a great cult gem for cinema fanatics to seek out.
Writer/director Robert Kaylor was obviously obsessed with the concept of traveling carnivals and the people who run them, but he sure didn't draw an attractive picture of them. "Carny" is dark and bathes in a manic & moody atmosphere. The characters are grim and unsympathetic, most notably the resident con-artist and all-round purpose fixer Patch (sublime role for "The Band" icon Robbie Robertson) and the face-painted Frankie, who - as the foulmouthed clown Bozo - sits in a cage above a water tank and goads carnival visitors into throwing shots at him. Gary Busey is fabulous in the role, and the film nicely stands out at the peak of his career, shortly after "The Buddy Holly Story" and "Big Wednesday". The decors and photography are sinister, yet beautiful, and Alex North's thoroughly unsettling score makes the wholesome even more unique. I personally found the final plotting and twists rather unnecessary, but still, a great cult gem for cinema fanatics to seek out.
"Carny" doesn't really feature exemplary storytelling, but it's still a striking look into a world to which many of us are not privy. That would be the behind-the-scenes dealings in travelling carnivals. With story credit going to co-star Robbie Robertson - member of The Band and a real life former carny himself - director Robert Kaylor and Kaylors' wife Phoebe, it's an amazing display of sights and sounds in this sometimes seamy environment. Ultimately, the heaviest asset is the incredible atmosphere that Kaylor and his crew create.
Gary Busey and Robertson are front and centre as members of this carnival troupe. Busey is a clown who sits in a dunk tank and taunts passers by. Into their lives comes a sexy teenager, Donna (Jodie Foster), who's tired of her humdrum small town existence and job as a waitress. So she joins them on the road, becoming part of their "family". Busey is very welcoming, but Robertson has his misgivings about her presence.
There's a wonderful, star studded cast here, although some of the actors inevitably end up rather under utilized. Among them are Meg Foster, Kenneth McMillan, Elisha Cook Jr. (in one of his best latter day roles), Tim Thomerson, Teddy Wilson, Bert Remsen, Craig Wasson, Robert DoQui, and Fred Ward. Bill McKinney and John Lehne are perfectly hate worthy as a shady businessman and his henchman who cause problems for our heroes. (Not content to rely on actual law enforcement, Busey, Robertson and company enact their own form of justice.) Busey is very likable, in one of his better film roles, and Foster very appealing. Robertson, of course, looks completely at home.
The production design (by William J. Cassidy) and cinematography (by Harry Stradling Jr.) are first rate, and this film also makes use of some real sideshow attractions. The tale actually gets a little twisted towards the end; coupled with some profanity and some T & A, "Carny" does earn its R rating. It also has an excellent music score by Alex North.
Overall, an interesting film worthy of discovery or re-discovery.
Eight out of 10.
Gary Busey and Robertson are front and centre as members of this carnival troupe. Busey is a clown who sits in a dunk tank and taunts passers by. Into their lives comes a sexy teenager, Donna (Jodie Foster), who's tired of her humdrum small town existence and job as a waitress. So she joins them on the road, becoming part of their "family". Busey is very welcoming, but Robertson has his misgivings about her presence.
There's a wonderful, star studded cast here, although some of the actors inevitably end up rather under utilized. Among them are Meg Foster, Kenneth McMillan, Elisha Cook Jr. (in one of his best latter day roles), Tim Thomerson, Teddy Wilson, Bert Remsen, Craig Wasson, Robert DoQui, and Fred Ward. Bill McKinney and John Lehne are perfectly hate worthy as a shady businessman and his henchman who cause problems for our heroes. (Not content to rely on actual law enforcement, Busey, Robertson and company enact their own form of justice.) Busey is very likable, in one of his better film roles, and Foster very appealing. Robertson, of course, looks completely at home.
The production design (by William J. Cassidy) and cinematography (by Harry Stradling Jr.) are first rate, and this film also makes use of some real sideshow attractions. The tale actually gets a little twisted towards the end; coupled with some profanity and some T & A, "Carny" does earn its R rating. It also has an excellent music score by Alex North.
Overall, an interesting film worthy of discovery or re-discovery.
Eight out of 10.
This is one of those movies that doesn't really have a story, the characters and their lives are the story. If you are ok with that then this is a pretty decent drama. It has the drama, a bit of action, tragedy, romance.
I think this might have been Gary Busy's best performance, Jodie Foster puts in a good one too. All the characters even the non actors (not sure they used real circus folk or not) seemed to do an ok job. It is cheesy and dated but it works. I felt for the characters by the end.
It doesn't really have much of an ending and you kind of don't expect one since it's about the characters and their stories don't really end.
I think this might have been Gary Busy's best performance, Jodie Foster puts in a good one too. All the characters even the non actors (not sure they used real circus folk or not) seemed to do an ok job. It is cheesy and dated but it works. I felt for the characters by the end.
It doesn't really have much of an ending and you kind of don't expect one since it's about the characters and their stories don't really end.
Hopefully a cult-classic by now, this '80 beautiful little gem passes muster. Robbie Robertson (who I think produced it) gives a fathomable, realistic performance for a GREAT MUSICIAN, Jodi Foster is wonderful as usual (the main character), and Gary Busey, a couple of years after THE BUDDY HOLLY STORY wipes the floor of the sideshow. A fascinating delving-into slice of "somebody's life" on the road with great supporting characters. An 8 out of 10. Best performance = Gary Busey.
Little-known then, it courses the veins without trapping you into bog-ville for a small flick. Find this one for sure and you won't be disappointed. A jewel!
Little-known then, it courses the veins without trapping you into bog-ville for a small flick. Find this one for sure and you won't be disappointed. A jewel!
Wusstest du schon
- WissenswertesJodie Foster, who plays 18-year-old Donna, was actually 16 during filming.
- PatzerWhen the band plays, the most prominent instrument heard is the bass guitar, and yet the band has no bass player.
- VerbindungenFeatured in Siskel & Ebert: Actors on Acting (1991)
Top-Auswahl
Melde dich zum Bewerten an und greife auf die Watchlist für personalisierte Empfehlungen zu.
- How long is Carny?Powered by Alexa
Details
Box Office
- Budget
- 5.500.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 1.817.720 $
- Weltweiter Bruttoertrag
- 1.817.720 $
Zu dieser Seite beitragen
Bearbeitung vorschlagen oder fehlenden Inhalt hinzufügen