Der Schatz von Caboblanco

An inkeeper : Charles Bronson and an assortment of misfit characters are searching for a nazi treasure with unexpected consequences. This variety of other characters include an ex Nazi officer : Jason Robards , a mysterious French woman : Dominique Sanda , a suspect police chief : Fernando Rey , an adventurer : Simon MacCorkindale , among others .All of them assemble in Peru after WWII and everyone shares a common interest : to find a missing treasure of gold , lost in a ship wreck.

This is an adventure, thriller, suspense movie full of flaws and gaps , dealing with a motley group searching for a Nazi loot sunken off the coast of Peru. The plot sounds familiar as the film results to be a very inferior crossover between Casablanca and The treasure of Sierra Madre , taking parts here and there . Average screenplay by Victor Andres Catena and Jaime Comas Gil with plenty of twists and turns .The main and support cast is frankly excellent though really wasted , giving mediocre interpretations. Bronson plays in his usual wooden style a tough and two-fisted bartender who runs the local watering hole ; Dominique Sanda is a beautiful woman searching for his lover ; Jason Robards plays a nasty Nazi who controls the townsfolk and the police chief well performed by Fernando Rey . Here appears an important plethora of secondary actors as Gilbert Roland , Camila Sparv , Simon MacCorkindale , Clifton James , Anna De Sade and brief appearance by the Spanish Aldo Sambrell . Atmospheric cinematograhy by the Mexican Alex Phillips , being necessary a perfect remastering because of film copy is washed-out. Adequate and sunny scenarios by the expert production designer Jaime Perez Cubero. Evocative musical score by Jerry Goldsmith , but far from his great soundtracks.

The motion picture was regularly directed by J.Lee Thompson . Lee made various Charles Bronson vehicles , both of them got some successes , working in titles as St Ives, White Buffalo , Ten to midnight, Death Wish the crackdown , The evil that men do, Murphy Law , Messenger of death , Kinjite forbidden subjects and this Cabo Blanco . Thompson's greatest hit was Navarone guns as well as MacKenna gold . Rating : 4.5/10 . Mediocre , though the movie will appeal to Charles Bronson fans

A big fan of j lee thompson and charles bronson i found this movie worth a watch. its very layed back and old school like a visit to your folks.its south American local and tropic feel was a real plus and Charley was in in good form.but thompson was slumming it a bit,maybe enjoying the sun to much.the pace was slow even for this sort of film.

i think i could of enjoyed it more if the copy i had was any good, but it is poor with only the widescreen formate save it from being unwatchable. it is such a rare movie that i was happy enough to see it at all.

if you enjoy 70's style movies and gumshoe movies give it a go its good late night fodder.

This is very slickly made film which sadly doesn't have a good reputation or a decent widescreen release. The camera-work on the film is excellent with much moving camera a great score and good locations.

The odd thing is the bursts of full frontal nudity and one really graphic death scene. These seem to be included for fans of Bronson's gritty films but seem totally out of place here.

Sondra is dull as usual. Bronson solid. Robards doesn't seem to want to be bothered by doing a German accent. It has real visual sweep. Odd rather forced voice over which seems to be trying to set this up for a sequel perhaps at the end.

Despite these forced elements--of violence, nudity,and nostalgia--the bulk of the film works as a mystery and intrigue--rather than say action. One of the few of director Thompson's later films that really hearken back to his early Hollywood career of sweeping location quasi epics.

The ending builds suspense only to pay it off in an offbeat--and perhaps off putting way for some. Jerry Goldsmith contributes a fantastic score too, btw.

Deserves more respect and proper restoration than it gets especially among the later career of Bronson. In fact, as a bit of an update a blu ray of the film does now exist, you can see and enjoy the widescreen phototgraphy to it's full impact. The blu ray also includes a well made making-of-film done at the time, by one of Gregory Peck's children, no less!

It is no secret that Charles Bronson became a star in Europe before he became one in the US because of Death Wish. In Cabo Blanco, somewhat a takeoff of 'Casablanca', Bronson starred in the most European looking of all his movies. Yes he did films in Europe like Love and Bullits, and there is a brief sequence in Naples of the superior 'The Mechanic.' But due to casting, it has a feel of a European movie, the most since Someone Behind the Door'. Of course, the film does take place in Peru, and was filmed in Mexicao, but certainly the participation of the film with Dominique Sanda, Fernando Rey, and Camilla Spav certainly gives the film that feel. Also it is only the other time that Bronson worked with Jason Robards, (Once Upon a Time in The West) this time as a villain.

It is also perhaps the most romantic film that Bronson has done, and all though he was 58 when he did the film, he looks the younger than he had ever looked since his role as Jeff in 'Violent City'.

It is also a curious puzzle in Bronson's career, as it did not get much theatrical play in the US, if at all. Why this is has never been explained. On first viewing, it is an entertaining film, at least I was when I first saw it in 86 on video. Perhaps one of the problems also was that it was short at 87 minutes, and Bronson's popularity was on decline, though, sadly, the Cannon films with Death Wish II, and 10 to Midnight, with its incredible violence would shoot Bronson back up to big box office status.

It would be, I believe, the last time we would see Bronson without a shirt on. Perhaps he might have been having trouble keeping that athletic looking body that he had, less than 20 years later he would need a hip replacement.' In fact, in the film, he is seen that way from the back, as he walks away from camera, it is almost as if he is saying through this scene, you won't see me with my shirt off again.

This is a fun movie to watch, also if you are a person who likes to see a lot of naked women, you won't be disappointed. Though I don't recommend it for that.

The film does have its flaws though, The song 'The Very Thought Of You, gets played to many times that it becomes a cliché. Also the climax, and some of the scenes before that are so contrived and silly. I would also suggest that it is condescending to some of the supposedly native Peruvians, though this might harkin back to the days of the 40 American movies, which have some scenes which begin in black and white. However, if you think about it, the ending shot is ironic, and can make one think. The narration does add a veneer of sophistication to the film. Listen very closely at the end, as you might miss some important details.

Certainly one of the more eccentric of Bronson's starring vehicles, it tries to evoke memories of Casablanca even in its title. Taken apart from that unlikely-to-attain goal, it's fairly interesting, with a few talented cast members to keep it going (though they're not well served by the material). Large chunks of the story are pretty muddled, but as a curiosity piece, it's worth seeking out for Bronson completists.