Breaking Glass

Very much a political commentary on the disenfranchisement of youth and accurately summing up the feelings of the under 20s at that time, if not the reality.

The film was made just after the nation had suffered 'The Winter of Discontent' the final humiliation of the disastrous socialist government that had destroyed the aspirations and job prospects of a generation. This also led to the famous election of the far-right Thatcher government at the same time, but, they had not been in office for long enough to affect the approach of the film.

I saw the film at the time it was first shown, and being a punk and having a father that was a trade union leader at the time, much of what was portrayed in the film was familiar to me.

Although the film was very much trying to be a 'grim Northern realism' film for the 80s (and set in the south at that!), it was pure fantasy - things were never that bad, and it's easy to get depressed about situations that are portrayed as every-day occurrences that either never happened or were rare. The scenes of race riots are particularly overstated.

The music of the film, however, is it's strongest area. It is absolutely of its time, and completely representative. It is so classic that "In the beginning..." was being played in a country pub that I was in only last week (9/99) nearly 20 years later. What followed was 'New Wave' with 'Duran Duran' and others - what a disaster!

Given the slow degradation of the main character over the duration of the film, it is interesting to see what happened the the actress who played her (Hazel O'Connor) in real life. Life imitating art?

It's almost impossible for me to be objective about this film. I first saw it in 1981 as a 12 year old drummer with stars in my eyes. I immediately begged my dad to get me the soundtrack on vinyl and was off memorizing the entire album. It is, by far, one of my favorite movies of all time. The story is decent, the acting is good, and the music is absolutely in tune with the period. The depiction of the music industry with it's main players often exploiting every new trend, sound and artist until it and they are completely exhausted is spot-on. What truly makes this film is the music. Each track is a perfect reflection of Kate's (Hazel O'Connor) journey and is pretty darn catchy to boot. (You'll be humming "Big Brother" for days.) I highly recommend this film, as have others in the forum, for anyone aspiring to be a musician for a living. It is a brilliant parable of having and maintaining control of your art and destiny.

I first saw the film when it landed on US cable a year after it came out. It blew my little head away, I was only 16 and it was the first new wave music I'd heard, having been a strictly folky, classical kid growing up. The music mesmerized me, as did Hazel O'Connor's amazing look and charismatic vocal performances, and Phil Daniels' tough but soft Cockney manager just stole my heart. But I think my favorite character was Jonathan Pryce's drugged out sax player. He was so out of place in the band and so harmless and pathetic, he just begged for sympathy. Favorite scenes, the performance when the lights went out, and the love scene on the train.

Okay, so the movie isn't the Rose! But it was really excellent for its limited budget and for its portrayal of the Britain of the early 80's, exploding with rebellious youth, looking for a way out of the dole queue. I went to Britain only a couple of years later and found the movie to have been very reflective of the atmosphere I found when I was there.

If you get a chance to, see it. It is a great movie, with some wonderful performances, and the music will blow you away.

Hazel O'Connor is excellent and the movie is much more than just a musical. It reflects society as it was in the 'Thatcherite' era with it's excesses and prejudices. The storyline is believable and despite the low production cost, comes across very well. I would commend it to anyone. Hope that it is re-released on DVD.

I haven't seen this movie in a few years catching it once on late night TV here in the states but I actually saw it multiple times in theaters here and later on HBO its awesome. Hazel O'Connor is amazing her voice, her acting are spot on, the lyrics to every song have great meaning from the radical anti racist Blackman, to the Anti Machine 8th day which looking back was way ahead of its time, to the incredibly touching torch song Will You. Every aspect of this production was a statement on the 80's, the Corporate Music Industry, and most of all our materialism and racism it was so much more than it appears on the service it is for me the Quintessential movie of the 80's. Fueled by good direction, a wonderfully competent supporting cast and powerful music a must see.