Die blaue Lagune

i have not seen this film in many years, and saw it unedited last week on TCM. when i was a boy, the film's main appeal was in its edenic milieu, its charged moments of wonder and terror, and brooke shields' extraordinary beauty and gamine charm. those qualities are all still there. But the film tells another story that i missed before: two children ripped from civilization struggle to make sense of the world and themselves. this is no rousseau inspired romp. the pulse and power of natures' force wrecks them, engulfs them, confines them and finally asserts itself through em and dick. the question is begged: where does human will and intellect figure in chaos of pubescence, sexuality and love? how helpless or powerful are we to control the furies of love or sex? more helpless than not, the filmaker seems to be saying. kleiser interposes the stereopticon pictures of the staid victorian couple with similar scenes of em and dick to highlight this point. naked or clothed, in a drawing room or on a beach, we all experience the torrent of love in very much the same way. instinct races ahead, sense chases behind in confusion. "blue lagoon" tells a timeless human story in a very simple style. this movie is better for talking to kids about growing up than any 10 sex education pamphlets. and if an adult cannot remember how this felt when they were young, a little part of them has already died. a good movie

I have always liked this film, and don't like it when it is criticized so much. Brooke Shields and Christopher Atkins did a wonderful job, they were excellent. Brooke is a beautiful, talented actress. The scenery was just gorgeous, it makes you want to fly off to Fiji where they filmed most of the movie to see what it is really like. The music is also very good. The story starts out with a ship which catches fire, and everyone is forced to abandon ship. Two young children, Richard and Emmeline, as well as a drunken cook named Paddy, get on a lifeboat together and drift on the sea for many days, until they discover land, a bunch of little remote tropical islands. They build a home there. Time passes, and Paddy passes away, but Richard and Emmeline continue growing up together. They get older, and new feelings come over them. They discover many things about adolescence and sex. This is a great love story, sweet and lovable. Brooke and Chris make a great onscreen couple. The sex/nudity scenes are not really that bad at all, they're rather mild. There is more nudity in the underwater swimming sequences, but mostly all of that was done by Brooke's stand-in, a professional diver. I really like this movie, and even though there are a few logic loopholes, it is still enjoyable. My only complaint: I think this film could've gone on for about 5 more mins. or so and explained things a little bit better.

When I was 17 years old I stayed up till 3am one night to watch a late showing of this film. I had seen clips of 'The Blue Lagoon' when I was younger and it always remained embedded in my mind. The truth is that no movie has ever affected me like this one. I didn't know what force made me feel such deep sensations - whether it was the magnificent exotic island, Emmeline's beauty, the heart-capturing sound track or a combination of all - all I knew is that I longed to be there. I longed to be in such an idealistic and beautiful haven (no matter how unrealistic it seemed). But now I've come to live in the 'real world'. All I can do now is appreciate the idea of the film and the important themes it represents. Such a dream only exists in Heaven.

Although panned by most critics, this film represents something we all want: love and beauty. Beauty, on more levels than just Brooke Shields' tan, in being true love, without the "corruption" of western culture, feelings of guilt or shame. Though being called unrealistic- is it really? If we all went back to a simpler way of life, cut through the complicated nature of everyday life, could we not be more stable, and find true love? I enjoyed this film, it was witty, innocent, and beautiful.

I've never understood the critical slam this film has received. Then I saw the widescreen dvd version and understood; everyone has been watching it in pan and scan! The film is a visual poem. So much of the story telling is done through visual information. The impact of this is lost when the cinematography is altered. Remember that Nestor Almendros received an Academy Award nomination for his work on this film. The film has resonated with global audiences for so long for this very reason. I suggest people watch the dvd commentary with Randal Kleiser and Brooke Shields to get a better understanding of why this film is still such a popular one.

People attack the acting, but these are children left alone with no one to guide them into adult sophistication. Their interaction and reactions to situations are very consistent with this scenario. Yes, the birth scene is a little rushed, but do we really need to see the umbilical cord? Not all films need to be about gritty reality, ala "Taxi Driver." No one asks to see the bloody guts of the smashed witch in "The Wizard of Oz."

It is a beautiful, romantic film that speaks to millions of people. It seems that only the most skeptical cynics cannot embrace this film.