IMDb-BEWERTUNG
7,1/10
22.345
IHRE BEWERTUNG
Ein abgehärteter Sergeant und die vier Kernmitglieder seiner Infanterieeinheit versuchen, den Zweiten Weltkrieg zu überleben, während sie in ganz Europa von Schlacht zu Schlacht ziehen.Ein abgehärteter Sergeant und die vier Kernmitglieder seiner Infanterieeinheit versuchen, den Zweiten Weltkrieg zu überleben, während sie in ganz Europa von Schlacht zu Schlacht ziehen.Ein abgehärteter Sergeant und die vier Kernmitglieder seiner Infanterieeinheit versuchen, den Zweiten Weltkrieg zu überleben, während sie in ganz Europa von Schlacht zu Schlacht ziehen.
- Auszeichnungen
- 2 Gewinne & 2 Nominierungen insgesamt
Stéphane Audran
- Underground Walloon Fighter at Asylum
- (as Stephane Audran)
Empfohlene Bewertungen
I thought I had seen all the WW2 movies out there but I guess this one was off the radar. There are for sure now better movies to be seen but this is worth the watch.
It is basically a movie that follows one platoon as they go through the war, and how each individual soldier wrestles with various demons so to speak. There is enough action to keep things moving.
Would recommend to anyone who likes, war movies, actions movies or seeing Luke Skywalker as a young soldier.
It is basically a movie that follows one platoon as they go through the war, and how each individual soldier wrestles with various demons so to speak. There is enough action to keep things moving.
Would recommend to anyone who likes, war movies, actions movies or seeing Luke Skywalker as a young soldier.
Some movies are like buried treasure; someone manages to slip them into the theater, practically under every critic's nose, where they either thrive or famish and then vanish into the nearest video catalog. "The Big Red One" is one of those films. For all the hoopla created by "Saving Private Ryan" (another excellent film, which, in my opinion, had a better understanding of it's subject than a lot of it's critics gave it credit for), it owed a great deal to what Sam Fuller did a decade and a half before.
Lee Marvin, an actual WWII veteran himself, holds the film together as the tough but exhausted seargent. When he tells Mark Hamill (yes, Luke Skywalker, folks) that you don't murder animals, you kill them, the look on his face after that seems to say that he wished it could be some other way. It's hard to grab defining moments in this film as stand-out, but the two sequences that stick the most to my mind are the taking of the insane asylum and the horrors of the concentration camp. While other movies have focused on specific campaigns, "The Big Red One" deserves high marks for painting the broad canvass of the Second World War from the perspective of the guys who actually had to do the work.
Lee Marvin, an actual WWII veteran himself, holds the film together as the tough but exhausted seargent. When he tells Mark Hamill (yes, Luke Skywalker, folks) that you don't murder animals, you kill them, the look on his face after that seems to say that he wished it could be some other way. It's hard to grab defining moments in this film as stand-out, but the two sequences that stick the most to my mind are the taking of the insane asylum and the horrors of the concentration camp. While other movies have focused on specific campaigns, "The Big Red One" deserves high marks for painting the broad canvass of the Second World War from the perspective of the guys who actually had to do the work.
This film is really about the experiences that Sam Fuller had during WWII. It is a bit dated, and the low budget really shows, but SF clearly did the best with what he had, and it stands as a great monument on war from a director who was really there.
All of the characters are very likeable, and well acted by Lee Marvin, Mark Hamill, Robert Carradine, and company. The movie is fiction but influenced by real events. Many of the scenes, especially one involving a group of older sicilian women who cook a big meal for the squad, ring very true, since a fiction writer would obviously try and spice them up--the film is very honest, and it is good that Fuller left this story for us. I also like how it ends on a positive, optimistic note.
"The real glory of war is surviving."
All of the characters are very likeable, and well acted by Lee Marvin, Mark Hamill, Robert Carradine, and company. The movie is fiction but influenced by real events. Many of the scenes, especially one involving a group of older sicilian women who cook a big meal for the squad, ring very true, since a fiction writer would obviously try and spice them up--the film is very honest, and it is good that Fuller left this story for us. I also like how it ends on a positive, optimistic note.
"The real glory of war is surviving."
This review is on the "reconstructed" DVD, a version that came out several years ago, adding 49 minutes to the original 1980 movie. (The film runs 162 minutes, not 158 as stated on the IMDb title page.)
The "old" version was very good, and this newer version makes the film even better. Either way, you have a solid war movie.
For men - and that's who will primarily watch this movie because it's a guy's flick with no romance and no women leads - this keeps the action coming, but without overdoing it. You can different kinds of action scenes, too, not just people shooting at one another.
I also appreciated the photography. It's a good visual movie. The added footage looked sharper and clearer than the previously shown, but either way it was nicely filmed and directed. Of course, the director is the famous Sam Fuller, who did a number of tough film noirs, among other things.
Speaking of tough, the person who makes this movie a notch above average is Lee Marvin. He is just excellent as the tough-on-the-outside-but-soft-hearted underneath commanding officer, known only as "The Sergeant." With his deep voice and weathered face, Marvin makes for an effective leader of tough guys. The language was much milder in here than you find in more modern films, although it can be crude in a few spots. There are no f-words and about seven usages of the Lord's name in vain. However, there are a number of sexual references, some crude but, hey, that's "guy talk." All the young soldiers were good, too. It was especially interesting to see baby-faced Star Wars' star, Mark Hamill, playing one of the soldiers in the unit called "The Big Red One."
The story with narration by one of the soldiers, tells of Marvin and his handful of men who travel and do battle from North Africa to Sicily, then Italy, the beaches of Normandy on D- Day and into Germany in addition to a few other memorable stops such as "an insane asylum."
It's long, but I never found it boring and the men never stay too long in one spot.
The "old" version was very good, and this newer version makes the film even better. Either way, you have a solid war movie.
For men - and that's who will primarily watch this movie because it's a guy's flick with no romance and no women leads - this keeps the action coming, but without overdoing it. You can different kinds of action scenes, too, not just people shooting at one another.
I also appreciated the photography. It's a good visual movie. The added footage looked sharper and clearer than the previously shown, but either way it was nicely filmed and directed. Of course, the director is the famous Sam Fuller, who did a number of tough film noirs, among other things.
Speaking of tough, the person who makes this movie a notch above average is Lee Marvin. He is just excellent as the tough-on-the-outside-but-soft-hearted underneath commanding officer, known only as "The Sergeant." With his deep voice and weathered face, Marvin makes for an effective leader of tough guys. The language was much milder in here than you find in more modern films, although it can be crude in a few spots. There are no f-words and about seven usages of the Lord's name in vain. However, there are a number of sexual references, some crude but, hey, that's "guy talk." All the young soldiers were good, too. It was especially interesting to see baby-faced Star Wars' star, Mark Hamill, playing one of the soldiers in the unit called "The Big Red One."
The story with narration by one of the soldiers, tells of Marvin and his handful of men who travel and do battle from North Africa to Sicily, then Italy, the beaches of Normandy on D- Day and into Germany in addition to a few other memorable stops such as "an insane asylum."
It's long, but I never found it boring and the men never stay too long in one spot.
"The Big Red One" is an episodic war movie from maverick American filmmaker Samuel Fuller. Having only seen "Shock Corridor" from the director's oeuvre, I didn't know what to expect from him this time around. It becomes obvious pretty quickly that Fuller was never going to be a mainstream filmmaker. There's something about his style that's really off-putting. You empathise with the camera, not the actors. It's like they're at odds with each other.
This is not a bad thing, as you can tell from the enthusiastic reception Fuller's movies have gotten here on IMDB. But "The Big Red One" is also drastically cut down from the original print Fuller had, and I wonder if that's why it feels so disjointed.
Of course, it is supposed to be episodic, but I don't know. I didn't really get into it.
This is not a bad thing, as you can tell from the enthusiastic reception Fuller's movies have gotten here on IMDB. But "The Big Red One" is also drastically cut down from the original print Fuller had, and I wonder if that's why it feels so disjointed.
Of course, it is supposed to be episodic, but I don't know. I didn't really get into it.
Wusstest du schon
- WissenswertesThe bulk of the picture was shot in Israel, and director Samuel Fuller remarked that it was unsettling after a scene was shot when the German soldiers and SS troops would take off their helmets and Fuller would see them wearing yarmulkes; also, between takes they would be sitting around the set in full Nazi uniform speaking Hebrew or reading the Torah.
- PatzerDuring the WW1 scene between the Sergeant and the officer in the dug-out, the Sergeant learns that the armistice had been signed 4 hours previously at 1100hrs, November 11, 1918. While talking with the officer, the sergeant is cutting a piece of red cloth in the shape of a number '1' which he says he will submit as a proposed insignia for the division. However the shoulder sleeve insignia for the 1st Division consisting of a red number "1" was already approved on 31 Oct 1918.
- Zitate
Johnson: [concerning a woman in labor] How do you say "push" in French?
The Sergeant: Poussez.
Johnson: [to woman] Pussy! Pussy! Pussy!
- Alternative VersionenIn 2004, film critic Richard Schickel restored this film to a new director's cut length of approximately 160 minutes. Using Samuel Fuller's production notes and the full-length, unexpurgated script, Schickel restored the footage that was forced to be cut by the studio upon its original 1980 release (which runs 116 minutes). The restored version's DVD release date is 3 May 2005. This longer, epic-length version is closer to Fuller's original vision for the film.
- VerbindungenFeatured in A tout coeur: Folge vom 7. Mai 1984 (1984)
- SoundtracksHorst-Wessel-Lied
Written by Horst Wessel
Top-Auswahl
Melde dich zum Bewerten an und greife auf die Watchlist für personalisierte Empfehlungen zu.
Details
- Erscheinungsdatum
- Herkunftsland
- Sprachen
- Auch bekannt als
- Más allá de la gloria
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 4.500.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 7.206.220 $
- Weltweiter Bruttoertrag
- 7.206.823 $
- Laufzeit
- 1 Std. 53 Min.(113 min)
- Farbe
- Sound-Mix
- Dolby Stereo(original release)
- Seitenverhältnis
- 1.85 : 1
Zu dieser Seite beitragen
Bearbeitung vorschlagen oder fehlenden Inhalt hinzufügen