Sador: Herrscher im Weltraum

Now this is interesting. The movie is another producer's spin on Star Wars; Star Wars obviously being made by George Lucas. The name 'George Lucas' being synonymous with 'epic-scale effects budget.' Battle Beyond the Stars was produced by Roger Corman. The name 'Roger Corman' being synonymous with 'shoe-string budget.'

Let me break from my usual critique style to go over some of the plot - Sador (John Saxon) feels the need to conquer, and he's so powerful that he decides to conquer an essentially helpless (not to mention useless) civilization. But instead of conquering, he courteously shows up to conveniently schedule his conquest a week from now in case they want to mount some sort of defense. (Where's Arnold when you need him? 'I'll be back!')

In response, Shad takes a road trip (space trip?) in Nell the only ship on the planet to round up some misfits (mercenaries--same thing) who happen to be in the neighborhood. Everyone is interestingly (clichély) unique and has their own reasons for wanting to fight, not to mention the actors have a wide range of performances ranging from sliced ham to frighteningly Shakespearian seriousness. And, ah to hell with it, you get the idea. Point is, I have every reason to really hate the plot, hate the characters (Good God, I've hated characters for much much less), hate this movie . . . but I dunno, I don't really mind it.

Through all its narrative faults, Battle Beyond the Stars happens to hit the right goofball mixture of elements from a surprisingly good score by young 'Jamie Horner' to notably weird spaceships and decent effects (for an early 80s low-budget flick) to wacky and tame characters that somehow summons a funky B-movie charm. For the life of me, I can't hate this movie despite the plot that begs me to bash it to oblivion with the Stellar Converter.

The spaceship, Nell, proved to be the highpoint of the film . . . not because of the ship's design, rather because of its personality (no really.)

I've always wanted to see a spaceship with an attitude (the Star Trek equivalent of Kit from Knight Rider?) A perfect counterpoint to the naivety of Shad, flawlessly delivered by Richard Thomas. If I weren't constantly laughing at the characters cluelessness, I'd want to slap that kid around, and I'd sure as hell wouldn't want to charge him with saving my planet. I'd like to die with my dignity, thank you.

Battle Beyond the Stars has a number of positive attributes (especially considering the budget and experience of most people involved on the film at the time), it has a number of reasons to be proud, and it most definitely has a number of charms that surpass its truckload of flaws. I consider Battle Beyond the Stars the spending benchmark for all sci-fi flicks. I mean, if Corman can entertain me with Hollywood pocket change, Lucas, the Wachowskis, and the other heavy spenders better blow my socks off with their ungodly sized budgets . . .

John Boy from the Waltons goes out and recruits mercenaries to help fight off an evil space warlord. Among those he gets to help are the A-Team's Hannibal, the bad guy from Superman III, and Stirba the werewolf bitch. It's a fun cast. Roger Corman's sci-fi remake of Seven Samurai/Magnificent Seven is also the best Star Wars knockoff of the many that came out in the late '70s and early '80s. While many have called this movie cheap-looking, it's actually fairly impressive for a Corman production. He would reuse these sets and some footage for future crappier low-budgeters. This is a fun sci-fi adventure movie that should entertain you if you don't take it all so seriously.

Roger Corman was executive producer for this enjoyable and wonderfully campy sci-fi version of `The Magnificent Seven'. It even features Robert Vaughn as the same lost-his-nerve gunslinger he played in the original! John Sayle's script is loaded with fine humor. Director Jimmy T. Murakami obviously knew his film history, since the planet being attacked is called `Kira' -- a tribute to director Akira Kurasowa of `Seven Samurai', the inspiration for the original of this interesting trio of films.

Richard Thomas, star of TV's rustic melodrama `The Waltons', plays the brave young man who leaves his besieged home world to find mercenaries to fight against planet-conquering John Saxon. George Peppard plays `Cowboy', a space-going gunrunner with a Western fixation (another tribute to `Mag 7'). Sybil Danning is a feisty female warrior with a costume that defies description.

The special effects look a bit dated now, but that isn't the film's fault. Sam Jaffe (`The Day the Earth Stood Still') has a great part. Darlene Flugel is the attractive romantic interest for Thomas. James Horner's rousing score is a golden plus. When the movie was first released, sci-fi fans considered it a rip-off because it was released between `Star Wars - A New Hope' and `The Empire Strikes Back' -- tough competition.

Watch this movie as a double feature with `The Magnificent Seven' and you're guaranteed a good time. I've done, and it works just fine . ..

Let me know if it works for you, okay?

The evil tyrant Sador (John Saxon) and his army of the mutants Malmori threatens the peaceful Akira farmers of the planet Akir with his Stellar Converter weapon and tells that he will return to collect their harvest. The former Akira warrior Zed (Jeff Corey) advises that they should hire mercenaries to protect them from Sador and offers his spaceship to seek them out. However, the Akira can only pay with food and lodging. The young Shad (Richard Thomas) offers to pilot the ship with the computer Nell to look for mercenaries. He meets Dr. Hephaestus (Sam Jaffe) and his beautiful daughter Nanelia (Darlanne Fluegel) in a space station where he unsuccessfully tries to find weapon. Nanelia comes with Shad and he teams up with the earthling Cowboy (George Peppard), who was going to deliver weapons to a planet that was destroyed by Sador and offers to give them to Shad. Then he meets five clones that share the mind of one entity called Nestor that join him. Shad also recruits the lonely and wealthy assassin Gelt (Robert Vaughn) that accepts the proposed payment. Then the sexy and annoying Valkyrie warrior St. Exmin (Sybil Danning) joins the group since she wants to battle. Shad also recruits Cayman (Morgan Woodward) that wants to kill Sador and does not require any payment. They return to Akir and Sador also returns to attack the planet. Who will win the battle?

"Battle Beyond the Stars" is an enjoyable cult movie with a story based on "Seven Samurai" and its remake "The Magnificent Seven" but in space. Inclusive the Akira is a tribute to Akira Kurosawa. "Battle Beyond the Stars" reuses material from other films ("Space Raiders", "Starquest II", "Dead Space" and "Bachelor Party"); the acting is only reasonable; and the special effects, sets and costumes are poor. But who cares? My vote is six.

Title (Brazil): "Mercenários das Galáxias" ("Mercenaries of the Galaxies")

Let's pretend we've never heard of Roger Corman nor The Magnificent Seven etc.

As a kid, that was me. I heard about this movie through my friends, when I was about 9 or 10. To us, this was another great space epic, along the lines of Star Wars. It had good effects, plenty of laser blasts and bad guy with a massive ship that could destroy planets. Awesome!

Many years later, I bought this on DVD and, to my pleasant surprise, found that it hadn't aged too badly. The low budget is very apparent but the movie is slickly edited such that it perhaps feels richer that it should. This is however it's biggest drawback because the character development is poor in places and the stars play second-fiddle to the ships and the costumes they inhabit. Gelt and Space Cowboy are perhaps the most fleshed-out of the pack, the remainder either being weak or there to make up the numbers.

The true star of the show is James Horner. It's a great score and all the best moments of Star Trek 2 are audible here first.

It's an inventive film, even if the invention is mainly facsimile, and an entertaining one. In the archives of sci-fi, there's no contest between this and its obvious "raison d'être" influence, as to which film is the better, but it's a noteworthy addition from the same era, what I consider to be the golden-age of special effects.