The Babysitter

A family thinks they've hit gold when they hire the almost perfect Joanna Redwine as The Babysitter. They'll soon find out that they should have done a background check first.

The Benedict family just moved into a beautiful house on the water just outside of Seattle. Tara is a spoiled problem child for her parents Jeff and over protective/worrying mom Liz. One day while outside playing, Tara sees this beautiful 18 year old girl named Joanna. She's very mysterious and almost mesmerizing in the way she talks and walks around, and she grabs a hold of young Tara's impressionable innocence. After we see her cause Liz to get into a car accident, Liz decides to hire Joanna as her live in nanny for the summer responsible for cooking/cleaning and taking care of young Tara.

All is well at first. Tara and Joanna get along perfectly, Joanna cooks amazing food for the family, and she starts a deep friendship with Liz. The friendship seems caring at first, with Joanna helping Liz with her self confidence as a mother and wife, but quickly turns a bit dark as she starts pushing Liz to drink after a year of sobriety. Eventually she gets Liz out of the way (thanks to her alcoholism) and seduces Jeff into beginning an affair with her. As Joanna's past starts to come to light thanks to a nosy neighbour, she gets backed into a corner which causes her severe dangerous side to come out.

The Babysitter is a fun little early 80's movie that is really about two different stories melded perfectly into one film. On the one hand, it is about a mysterious and dangerous girl who works hard to break up the Benedict family. On the other hand, the movie plays into the failing marriage between Liz and Jeff. It's kind of sad to watch them crumble even when Joanna doesn't try to ruin things for them. The ending is unfortunately kind of lackluster and doesn't provide that big pay off I was hoping for. We get an idea of how psychotic Joanna is and what she did to families before the Benedict's, but it only touched on that topic and never dived deep into it.

It is a bit of a slower paced made-for-TV thriller, but there is something about the story and the mystery of Joanna that keeps the viewer glued to the screen. Stephanie Zimbalist performance as Joanna is definitely mesmerizing and hypnotizing, not only to the family she's manipulating, but the audience as well. Patty Duke is a definite standout for me. She does a good job as the alcoholic mother who is desperate to keep her family together while she battles the bottle. William Shatner is his usual self, with a couple of over the top moments in his performance.

All in all The Babysitter was an enjoyable movie, especially for Made-for-TV fans like myself. It loses marks with how slow it runs (the middle frame is a bit dull), but the acting by Zimbalist and Duke along with a compelling mystery kept my attention the whole way.

6/10

When I first saw "hand that rocks the cradle" I remember thinking this premise had been done before in a really chilling TV movie. Couldn't remember the title. For some reason I thought it was The nanny.(Haha). Well, it came back to me so here's my review of the babysitter.

I can't call this anywhere near a good movie but I liked it when I saw it mainly because the whole "stalker movie" genre had not been overdone as of yet-or maybe I was just to young to care.

At any rate-this follows a very similar premise to cradle-I guess Joanna was more a housesitter then a nanny, though I seem to remember it differently. It doesn't matter though because if you know the plot of hand that rocks the cradle you know the plot of the babysitter. For some reason, though-and maybe it was because of the then newness of the premise this TV movie scared the heck out of me.

It is more chilling then cradle, less campy. Joanna, whose name I remembered after all this time, is genuinely frightening. I wouldn't mind seeing this again mainly because this was an early stalker movie and I'd like to see if it still chilled me as much.It's hard to do a complete review as the movie's a bit of a blur to me but I do remember the story as being dark and really creepy. I don't remember any gore-if it were to come out now I'm sure it'd be laughed at by many but back then, when the premise was still new it was pretty darn good thriller material, if not a genuinely good movie. For Genuine fans of cradle though, this is a must see.

Acting and story are tops. The babysitter is an otherworldly-looking, eerie kind of character. The 12-year-old, upon first seeing her, asks, "Are you real?" She looks like she's stepped out of a dream,mesmerizing, hypnotizing. And she works her way into this family of three--mother father daughter--wealthy, living in a large house on the water outside of Seattle, and she wreaks her awful havoc. The story moves along, and your eyes are glued to the screen, as you watch the whole thing work its way to its conclusion. The females in this movie are impressive--that would be the mother, daughter and babysitter. And of course, William Shatner as the father/husband--the ultimate likable good-guy. Skilled movie makers and actors (and writers) put this thing together and they came out with a polished, entertaining product.

Well, I bought this movie for the fact that Stephanie Zimbalist (Laura Holt of Remington Steele) played a leading role in it. Everything I had seen of hers was pretty good so far, and I'm a Remington addict, so I figured this would be good as well. I was mistaken. It wasn't exactly garbage. If written differently, it could've been a really good movie. The category in which it's categorized is all wrong as well. This is definitely not a suspense or horror film. There was no blood or gore, which is what I describe a horror film as to be. As far as suspenseful goes, it almost meets that category, as I said, if written better. My opinion, the writing stunk. The storyline could've been extremely better. It's definitely not a movie you'd view more than once, IMO.

Good acting by a solid cast makes this somewhat-familiar material worth slogging through, even though the issues it raises seem to get all fouled up. Patty Duke Astin plays a doctor's wife who has hired a mysterious young woman to care for her rather hapless daughter, which causes friction in their already-shaky household. Quinn Cummings, fresh off her stint on TV's "Family", has a few surprisingly strong scenes standing up to babysitter Stephanie Zimbalist, but Zimbalist's role is a wash-out. Her character isn't given the grand, juicy build-up that villains usually receive in television suspensers, but perhaps this time it was a mistake (director Peter Medak is so overly-cautious letting the pieces fall into place that he becomes unintentionally coy about the whole thing). The film is shrouded in murk; Medak, going for a low-key mood, doesn't allow the drama to take shape, and as a result the story and characters become lethargic blobs.