IMDb-BEWERTUNG
4,3/10
2931
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuIn 1994, a young couple enters the world of the music industry, and subsequently the world of drugs.In 1994, a young couple enters the world of the music industry, and subsequently the world of drugs.In 1994, a young couple enters the world of the music industry, and subsequently the world of drugs.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 2 Gewinne & 5 Nominierungen insgesamt
Allan Love
- Dandi
- (as Alan Love)
Günther Notthoff
- Fatdog
- (as Gunter Notthoff)
Kobi Recht
- Jean Louis
- (as Coby Recht)
Empfohlene Bewertungen
I remember seeing this film on late night television back in the early 80's. I thought it was a strange yet intriguing piece of work and was constantly on the lookout for repeat showings. I did manage to catch it another time in the mid 80's but never again since. For years, I was the only person I knew of that had seen "The Apple," much less heard of it. I wondered if I had imagined the whole crazy thing until I came upon a copy of the soundtrack album in a local record store that specialized in hard to find and obscure music. Finally, some hard evidence that this film existed!! A friend of mine, with whom I co-produce a local public access film review program, prides himself on his ability to get copies of hard to find movies. So I presented him with the ultimate challenge: Get me a copy of "The Apple." His unrelenting persistance paid off and last Fall he presented me with my request. I got it home and popped into my VCR and WOW! The film was just as bizarre and entertaining as I remembered! The costumes! The music! The biblical parallels! Alfie and BeBe! Obviously, everyone who has seen it feels passionately positive or passionately negative. But as for me, everytime I see it, I get nothing but the guiltiest of pleasures. If you're lucky enough to get the opportunity to experience "The Apple" do not hesitate!! If you like shiny outlandish costumes and make-up . . . If you can't live without garish production numbers . . . If limited acting (or abundant overacting) ability enhances your enjoyment of a movie . . . "The Apple" is the one for you! Take a bite and enjoy!!
5tavm
It was only a few years ago that I even knew about this Golan-Globus Cannon musical production that came out the same year as similar flops like Can't Stop the Music and Xanadu or better received hits of the same genre like The Blues Brothers and the original Fame. I'll just say that while I was weireded out by the direction of some sequences and the way they were put together, I actually did like many of the musical numbers and the way they tied to both plot and characterization. And I also thought the actors that sang, with the exception of Catherine Mary Stewart who was nicely dubbed by Mary Hylan, also did a good job. So on that note, I'll just say that The Apple is neither one of the worst nor one of the best of the movie musicals. It's just simply a fascinating futuristic look at a time 14 years after this was made at what the music industry would be like if Disco, Glam Rock, and Folk/Adult Contemporary were the only musical trends (or non-trends) to go to as choices...
This is one of the most delicious fruits I've tasted in a long time.
Yes, it's cheesy, but you can't beat a whole musical number of
seduction that ends with a literal orgasm, the chanteuse singing
"I'm coming, I'm coming...." Hysterical!
From a pop anthropologic perspective it's also an interesting
image of the transition from disco to early 80s wave and pop. You
can see the seeds of fashion later made popular by the likes of
Madonna, MC Hammer, and many other somewhat unfortunate
style makers. This is the missing link between two distinct genres.
One of the best parts about this movie is its prophetic vision of the
massive corporate take-over of the entertainment industry. While
we are not forced to where little plastic icons on our foreheads,
there is no denying the stifling and destructive power that major
conglomerates have on what we see, hear, and read. So, if not
other reason, I love this movie for how eerily true it rings today.
Yes, it's cheesy, but you can't beat a whole musical number of
seduction that ends with a literal orgasm, the chanteuse singing
"I'm coming, I'm coming...." Hysterical!
From a pop anthropologic perspective it's also an interesting
image of the transition from disco to early 80s wave and pop. You
can see the seeds of fashion later made popular by the likes of
Madonna, MC Hammer, and many other somewhat unfortunate
style makers. This is the missing link between two distinct genres.
One of the best parts about this movie is its prophetic vision of the
massive corporate take-over of the entertainment industry. While
we are not forced to where little plastic icons on our foreheads,
there is no denying the stifling and destructive power that major
conglomerates have on what we see, hear, and read. So, if not
other reason, I love this movie for how eerily true it rings today.
If you are gay and of a certain age (as I am), you may remember a certain glossy "magazine of entertainment." This was AFTER DARK, which was the gayest non-porn magazine ever, and it was most popular during the 70's and 80's. People like Liza and Bette appeared on the cover, and lots of tasteful male nude and nearly-nude photos abounded. It was glitzy, heavily-mascared, skimpy underwear-clad, pre-AIDS fun.
That brings me to THE APPLE. Beyond the title number, set in Hell, which has to be one of my favorite bad rock movie free-for-alls (with horrid lyrics and extremely hard-working dancers), the "sex" number, with multiple beds full of women in slips and men in gold briefs, absolutely proves my point that this movie was merely a film transcription of the late, lamented AD.
If XANADU and GREASE 2 can be issued on DVD, why not a remastered and remixed wide-screen edition of THE APPLE? Call your local congressman or gay cult-film fan TODAY!
That brings me to THE APPLE. Beyond the title number, set in Hell, which has to be one of my favorite bad rock movie free-for-alls (with horrid lyrics and extremely hard-working dancers), the "sex" number, with multiple beds full of women in slips and men in gold briefs, absolutely proves my point that this movie was merely a film transcription of the late, lamented AD.
If XANADU and GREASE 2 can be issued on DVD, why not a remastered and remixed wide-screen edition of THE APPLE? Call your local congressman or gay cult-film fan TODAY!
I've been waiting for this movie all my life.until now,my favorite film musicals were "xanadu","voyage of the rock aliens",and "the pirate movie", but this one far and away exceeds them all.I'd heard about it for a few years,and finally got the chance to see (and tape) it.this was about three weeks ago,and i've seen it at least a dozen times since then.my friends have stopped coming over because i keep "subjecting" them to it,but i don't care,i'm part of the BIM family now.my coworkers have been giving me strange looks just because i walk around singing "popping power by the hour-SPEED","light my way child of love", the entire APPLE SONG,which i know by heart,and of course"hey hey hey bim's on the way".they may think i'm crazy,but i know someday Mr. Topps will come down and take me away in his holy pimpmobile.
Wusstest du schon
- WissenswertesDirector Menahem Golan has said that when the picture was booed midway through at the 1980 Montreal Film Festival, he left the theater, went to his hotel and was preparing to commit suicide by jumping off the balcony when his business partner barged in and stopped him.
- PatzerUnder the opening titles, there is a shot of a bank of flags that prominently includes one for the "ICC Berlin" (the actual filming location), not a likely location for the Worldvision 1994 if it takes place in the United States.
- Zitate
Mr. Boogalow: [singing] Like a puppet on a string / Like a monkey on a swing / Man is clinging to the ropes / Of the fantasies and hopes / We are dangling / He's so eager to believe / And so easily deceived / Like a baby watching magic / He's so gullible, it's tragic / In a word, naïve.
- Alternative VersionenIn 2008, MGM loaned out an uninspected print of the film for a midnight showing that was marked "Screening Print." This version of the film included the missing "Child of Love" and wedding scenes (which are present on the soundtrack album and glimpsed in the trailer) as well as other deleted footage, including differently edited musical numbers, unfinished visual effects in the finale, and a longer scene of Alphie searching for Bibi during the party/orgy. This print was screened at several midnight movie showings over the next several years. It was hoped that Kino Lorber's Blu-Ray release of the film in 2016 would be able to include this footage, but the print was stolen in the intervening years, and has not been found as of 2020.
- VerbindungenFeatured in Gordon Ramsay - Chef ohne Gnade: Ruby Tates (2007)
- SoundtracksBIM
Music by Kobi Recht
Lyrics by Iris Recht and George S. Clinton (as George Clinton)
Performed by Allan Love and Grace Kennedy
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsland
- Sprachen
- Auch bekannt als
- El poder del rock
- Drehorte
- ICC Berlin, West Berlin, Berlin, Deutschland(Concert Hall)
- Produktionsfirma
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 5.000.000 $ (geschätzt)
- Weltweiter Bruttoertrag
- 569 $
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