Die schöne Lucinda Jessop taucht plötzlich in David Winters Scheune auf.Die schöne Lucinda Jessop taucht plötzlich in David Winters Scheune auf.Die schöne Lucinda Jessop taucht plötzlich in David Winters Scheune auf.
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For those of us of a certain age, this was the must-see Saturday night TV event. And out of the 13 (very apt number...) individual episodes, there are several that chill my blood and haunt my nightmares to this day.
The luridly titled 'House That Bled To Death' was an excellent take on the Amityville theme - new owners of a house discover its murderous past, 'Thirteenth Reunion' takes the cannibal-aircrash-survivors story to a scary extreme, and 'Charlie Boy' gives us the cursed voodoo effigy from hell.
But undoubted winner of the 'Scare A Thirteen Year Old So He Pees The Bed' Award - 'Two Faces of Evil'. For any thirtysomething who has passing hazy recollections of this series, think rotten teeth and one sharp, black fingernail...
I'm off - I need the loo.
The luridly titled 'House That Bled To Death' was an excellent take on the Amityville theme - new owners of a house discover its murderous past, 'Thirteenth Reunion' takes the cannibal-aircrash-survivors story to a scary extreme, and 'Charlie Boy' gives us the cursed voodoo effigy from hell.
But undoubted winner of the 'Scare A Thirteen Year Old So He Pees The Bed' Award - 'Two Faces of Evil'. For any thirtysomething who has passing hazy recollections of this series, think rotten teeth and one sharp, black fingernail...
I'm off - I need the loo.
10sgodrich
1000 words are not enough to review this entire series but I'll try my best. These are 13 one-hour stories with the usual horrific ending. Standard fare? No. Quality actors, great direction and superb scripts make a great series of stories that are long gone but definitely not forgotten. 25 years have passed since the original airing and upon review, they're still great! Madness, revenge, greed, jealousy and the occult are just some of the subjects covered by these stories. The effects are dated, the actors look unfashionable and the locations look dated but that isn't unexpected. This is the third decade since then and life moves on. You may recognise familiar faces from Peter Cushing (Famous Hammer Actor: From Beyond the Grave, Asylum, Top Secret) to Lucy Gutteridge (Top Secret, Secret Garden) and Denholm Elliott (Trading Places).
If you love British horror, made during the 'golden era' of British television, get the DVD and start watching!
If you love British horror, made during the 'golden era' of British television, get the DVD and start watching!
Hammer House Of Horrors DVD collection is the ultimate collectible when it comes to horror DVD's. I have almost 200 horror films in my collection, and I must say Hammer House Of Horrors is amongst the top 5 in the horror category.
Anyway, Hammer House Of Horrors is one series of films that one can't grow tired of. The episodes are well thought out and executed. The best of all is episode VII "the silent scream." The episode is everything horror should be, surprise, fright, and regret. I strongly suggest seeing this series of DVD's with an emphasis on episode VII "the silent scream.
Enjoy!
Anyway, Hammer House Of Horrors is one series of films that one can't grow tired of. The episodes are well thought out and executed. The best of all is episode VII "the silent scream." The episode is everything horror should be, surprise, fright, and regret. I strongly suggest seeing this series of DVD's with an emphasis on episode VII "the silent scream.
Enjoy!
Curiously enough, this is only Hammer's second foray into Wolf Man lore after THE CURSE OF THE WEREWOLF (1961); intriguingly, it's mixed here with a VILLAGE OF THE DAMNED (1960)-like brood of evil children while the sinister procreation plot is a clear nod to ROSEMARY'S BABY (1968). An unsettling mood pervades this particular episode (helped by its central location, an English country-house situated deep into the woods) even if, when finally glimpsed, the werewolf make-up is kind of goofy! The bewildered hero is played by Christopher Cazenove, his business partner by Hammer veteran Robert Urquhart, while Diana Dors is the deceptively genial housekeeper of the eerie mansion who, apart from looking after the children by day, has the task of initiating the werewolf's female victims (the latest being Cazenove's wife) into their new 'role'. The final twist concerning a woodsman Cazenove meets when he goes looking for his missing wife is predictable, but nicely handled all the same. As has been the case with some other episodes in the series which, I have to admit, has taken me by surprise overall this presents a far more chilling, and subversive, concept (bestiality) than is usually associated with Hammer Films!
Hammer House Of Horror, with its Spinal Tap's 'Stonehenge' soundalike theme tune, casts of soon-to-be-famous actors and commendably nasty flair for nihilism and genuine nastiness slithered onto British television (on Saturday nights, too!) in 1980 and carved indelible scars in the collective subconscious of an entire generation. Sure, not all the episodes were up to the same standard, but the ones that worked - well, they were classics.
THE HOUSE THAT BLED TO DEATH is one of the most memorable episodes, and rightly so. I think this would have made a decent feature-length film. An apparently unsuspecting family moves into a house with a grim recent past and quickly realize that all is not as it should be. A series of horrible incidents (animal lovers should not even consider watching this episode) culminate in the notorious blood-soaked birthday party and the family moves away, but even that isn't the end of their problems. This episode has one of the most shocking and disturbing final scenes of the whole series and would make a nice companion piece to Romano Scavolini's NIGHTMARE (1981), released the following year. SILENT SCREAM is another excellent series entry, with Peter Cushing at his creepy best as a seemingly innocuous pet shop owner who turns out to be a former concentration camp guard with a penchant for unpleasant experiments involving "prisons without walls". The finale is extremely creepy and haunted my dreams for a long time when I was a child. THE TWO FACES OF EVIL goes all out to disturb, with creepy electronic music, claustrophobic camera angles, dopplegangers, nausea-inducing shocks and another troubling ending. It's the closest the series comes to straight horror for its own sake, and should NOT be watched alone!
After the excellent opening salvo of three brilliant episodes, the rest of the series can seem like a disappointment, but CHARLIE BOY, WITCHING HOUR, GROWING PAINS, THE MARK OF Satan and VISITOR FROM THE GRAVE are all fine stories (the latter boasting a completely wacko final scene that will have you muttering "what the hell was THAT?!"), RUDE AWAKENING is as bizarre as anything the late Dennis Potter ever came up with, THE CARPATHIAN EAGLE boasts the gorgeous Suzanne Danielle, THE THIRTEENTH REUNION is well-acted and macabre if a little predictable, and the remaining few episodes don't quite come off. Nonetheless, it's a pleasingly varied series that's consistently entertaining, and a reminder of a time when television treated adults like adults and had yet to dumb down to the levels of dreck like Freddy's Nightmares.
THE HOUSE THAT BLED TO DEATH is one of the most memorable episodes, and rightly so. I think this would have made a decent feature-length film. An apparently unsuspecting family moves into a house with a grim recent past and quickly realize that all is not as it should be. A series of horrible incidents (animal lovers should not even consider watching this episode) culminate in the notorious blood-soaked birthday party and the family moves away, but even that isn't the end of their problems. This episode has one of the most shocking and disturbing final scenes of the whole series and would make a nice companion piece to Romano Scavolini's NIGHTMARE (1981), released the following year. SILENT SCREAM is another excellent series entry, with Peter Cushing at his creepy best as a seemingly innocuous pet shop owner who turns out to be a former concentration camp guard with a penchant for unpleasant experiments involving "prisons without walls". The finale is extremely creepy and haunted my dreams for a long time when I was a child. THE TWO FACES OF EVIL goes all out to disturb, with creepy electronic music, claustrophobic camera angles, dopplegangers, nausea-inducing shocks and another troubling ending. It's the closest the series comes to straight horror for its own sake, and should NOT be watched alone!
After the excellent opening salvo of three brilliant episodes, the rest of the series can seem like a disappointment, but CHARLIE BOY, WITCHING HOUR, GROWING PAINS, THE MARK OF Satan and VISITOR FROM THE GRAVE are all fine stories (the latter boasting a completely wacko final scene that will have you muttering "what the hell was THAT?!"), RUDE AWAKENING is as bizarre as anything the late Dennis Potter ever came up with, THE CARPATHIAN EAGLE boasts the gorgeous Suzanne Danielle, THE THIRTEENTH REUNION is well-acted and macabre if a little predictable, and the remaining few episodes don't quite come off. Nonetheless, it's a pleasingly varied series that's consistently entertaining, and a reminder of a time when television treated adults like adults and had yet to dumb down to the levels of dreck like Freddy's Nightmares.
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- WissenswertesTerence Fisher was slated to direct an episode of this TV series, but died during its pre-production stages.
- VerbindungenFeatured in The 100 Greatest Scary Moments (2003)
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