Spätabend-Live-Comedy-Sketchshow ähnlich wie "Saturday Night Live".Spätabend-Live-Comedy-Sketchshow ähnlich wie "Saturday Night Live".Spätabend-Live-Comedy-Sketchshow ähnlich wie "Saturday Night Live".
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Friday's was one of the best shows I have ever watched. It was well written and superbly performed. I would love to see the show re-runs so they could be enjoyed by a whole new generation of people. The character development was superior to anything on television today. I was trying to tell my 21-year old about this show but words can't describe the superior comedic performances that appeared week after week. I still don't understand how lesser-quality comedy shows survived while this one didn't. The pharmacist and the angry little kid (played by Michael Richards) was side-splitting comedy at its best. I still chuckle when I think of some of those crazy skits. Any ideas out there on how to revive the shows for syndication?
Created in early 1980s by ABC as an imitation of "Saturday Night Live," it was more extreme, crazier and funnier than "SNL." Besides Andy Kauffman, it featured Larry David and Michael Richards (both later of "Seinfeld").
Richard's violent, war-mongering and ultimately self-destructive boy in the sandbox was a brilliant creation. It broke the rules of physical comedy, going far beyond the predictable smart-alek jokes of "SNL." Richards was the genius of the show, not Kauffman, who by then was sadly running out of ideas.
By the way, the Kauffman episode of "Fridays" depicted in the movie "Man in the Moon" was not a spontaneous outburst. It was planned ahead of time, according to B.K. Momchilov, who runs the Andy Kauffman Home Page.
The Comedy Channel should play "Fridays" re-runs to offset "SNL's" stale re-runs.
Richard's violent, war-mongering and ultimately self-destructive boy in the sandbox was a brilliant creation. It broke the rules of physical comedy, going far beyond the predictable smart-alek jokes of "SNL." Richards was the genius of the show, not Kauffman, who by then was sadly running out of ideas.
By the way, the Kauffman episode of "Fridays" depicted in the movie "Man in the Moon" was not a spontaneous outburst. It was planned ahead of time, according to B.K. Momchilov, who runs the Andy Kauffman Home Page.
The Comedy Channel should play "Fridays" re-runs to offset "SNL's" stale re-runs.
Friday's wasn't always brilliantly written but, unlike SNL, it was consistently funny.
Friday's was what SNL used to be, high energy, edgy and hip. SNL had become tedious and chances are that if you thought the same about Friday's you were just too young to understand the comedic references. SNL had become a media institution at that point (like Rolling Stone, which used to be considered part of The Underground Press) and if you had a media product to peddle it was simply a base that had to be touched by the star or written into the sketches.
Friday's didn't care about any of that; From the announcer's screaming greeting "Liiiiiiiiiiiiiiiiiiive, from the Los Angeles basin!" to music by that day's hippest bands, Friday's showcased some of the most outrageous comedy to be found on TV. Most folks remember Darrow Igus's Rasta Gourmet - a one trick pony to be sure but a crowd pleaser every time - "Do we bake it?" "No no no no!" "Do we fry it?" "No no no no!" 'til finally "We SMOKE it!" "ya ya ya ya" exclaimed Igus' gourmet, whose only spice was Ganja.
Michael Richard's Battle Boy got sicker and sicker as he developed the character, finally taking his little Sister hostage, burying her in the ground and threatening to torture her Barbie. Most folks remember how he liked to set his Army men on fire, complete with simulated screams of agony.
I also liked Richard's hip biker record reviewer, wherein he sailed rejected albums (I usually agreed with him) into the crowd like so many Frisbees.
Mark Blankfield's DRUGS R US stoned out pharmacist made me exhausted watching it. He sailed back and forth on that ladder, popping the inventory and getting more crazed by the minute. Funniest bit was when two midgets walked into his store and he screamed MY GOD, I'VE GROWN!!! Bruce Mahler was brilliant in anything he touched, even his stupid dancing chickens was irresistible. He and Blankfiled excelled above the others in a skit called "Men mmmm Who mmmm Say mmmm 'MMMM' between mmmm Every mmmm Word." When they got going fast it was simply insane.
Another brilliant team bit that they repeated several times was The Transfibians, where three of them had "the operation" changing them into ManFishes. Their school-like movements were hysterical.
Chartoff, the show's cutie-pie, was also a brilliant performer. I don't recall any signature pieces of her's, beyond the News bit. I know she always held up her end of the log in skits - quite a feat among such an insane bunch. I do recall her doing a very edgy piece about a relative who was a molester (she played a little girl). SNL had a similar skit but Friday's took it farther.
I don't recall Larry David at all, I guess he didn't impress me. Rich Hall was there as well as on SNL.
Friday's was truncated right in the midst of it's comedic development. It was a long way from becoming stale like SNL and performers like Michael Richards had to finish the development of their characterizations elsewhere. In Richard's case his nervous tic ridden character begun on Friday's ended up giving birth to Seinfeld's Cramer.
When Friday's was canceled I was just leaving "The Biz," where I worked as an Accountant. Many insiders were mystified at the cancellation of a clearly superior show. Did somebody get a big wig's nose out of joint? Was Friday's deep-sixed for some manner of major faux pas ala Aresenio Hall? Surely the rise of Howdy Doody's big brother Ted Koppel and the creation of Nighline wasn't enough to bump a screamingly funny show like Fridays, was it? We probably will never know. I've seen Friday's reruns on some of the more obscure cable channels but I hope to see it on DVD one day, they'd fly off the shelves.
bB
Friday's was what SNL used to be, high energy, edgy and hip. SNL had become tedious and chances are that if you thought the same about Friday's you were just too young to understand the comedic references. SNL had become a media institution at that point (like Rolling Stone, which used to be considered part of The Underground Press) and if you had a media product to peddle it was simply a base that had to be touched by the star or written into the sketches.
Friday's didn't care about any of that; From the announcer's screaming greeting "Liiiiiiiiiiiiiiiiiiive, from the Los Angeles basin!" to music by that day's hippest bands, Friday's showcased some of the most outrageous comedy to be found on TV. Most folks remember Darrow Igus's Rasta Gourmet - a one trick pony to be sure but a crowd pleaser every time - "Do we bake it?" "No no no no!" "Do we fry it?" "No no no no!" 'til finally "We SMOKE it!" "ya ya ya ya" exclaimed Igus' gourmet, whose only spice was Ganja.
Michael Richard's Battle Boy got sicker and sicker as he developed the character, finally taking his little Sister hostage, burying her in the ground and threatening to torture her Barbie. Most folks remember how he liked to set his Army men on fire, complete with simulated screams of agony.
I also liked Richard's hip biker record reviewer, wherein he sailed rejected albums (I usually agreed with him) into the crowd like so many Frisbees.
Mark Blankfield's DRUGS R US stoned out pharmacist made me exhausted watching it. He sailed back and forth on that ladder, popping the inventory and getting more crazed by the minute. Funniest bit was when two midgets walked into his store and he screamed MY GOD, I'VE GROWN!!! Bruce Mahler was brilliant in anything he touched, even his stupid dancing chickens was irresistible. He and Blankfiled excelled above the others in a skit called "Men mmmm Who mmmm Say mmmm 'MMMM' between mmmm Every mmmm Word." When they got going fast it was simply insane.
Another brilliant team bit that they repeated several times was The Transfibians, where three of them had "the operation" changing them into ManFishes. Their school-like movements were hysterical.
Chartoff, the show's cutie-pie, was also a brilliant performer. I don't recall any signature pieces of her's, beyond the News bit. I know she always held up her end of the log in skits - quite a feat among such an insane bunch. I do recall her doing a very edgy piece about a relative who was a molester (she played a little girl). SNL had a similar skit but Friday's took it farther.
I don't recall Larry David at all, I guess he didn't impress me. Rich Hall was there as well as on SNL.
Friday's was truncated right in the midst of it's comedic development. It was a long way from becoming stale like SNL and performers like Michael Richards had to finish the development of their characterizations elsewhere. In Richard's case his nervous tic ridden character begun on Friday's ended up giving birth to Seinfeld's Cramer.
When Friday's was canceled I was just leaving "The Biz," where I worked as an Accountant. Many insiders were mystified at the cancellation of a clearly superior show. Did somebody get a big wig's nose out of joint? Was Friday's deep-sixed for some manner of major faux pas ala Aresenio Hall? Surely the rise of Howdy Doody's big brother Ted Koppel and the creation of Nighline wasn't enough to bump a screamingly funny show like Fridays, was it? We probably will never know. I've seen Friday's reruns on some of the more obscure cable channels but I hope to see it on DVD one day, they'd fly off the shelves.
bB
Fridays was a great show! Everything that everyone wrote is the absolute truth. I would also love to see re-runs on Comedy Central! I found this web site by trying to find Fridays on video because no one at work has ever heard of the show. How sad for them that they never got to experience this great show on a Friday night. My favorite was Michael Richards acting as the deranged boy picking on his sisters dolls while blowing up his soldiers. It reminded me so much of my brother and how he picked on us girls, lol. Of course the pharmacist pulling and twisting his hair and saying, "I can handle it" keeps popping in front of my mind. I really wish someone would show re-runs or at least put the episodes on video/DVD for purchase!
I loved Fridays. That's why I had to comment on what I read about it here. Despite what the plot outline says, it had musical performances every week. I remember seeing The Cars perform one time and at the end of the show, Michael Richards stood next to Ric Ocasek (dressed just like him) and he looked like his twin!
It was also John Roarke that did the perfect Reagan impersonation. In fact, Roarke's impersonations in general were just awesome.
I'd really like to see all the episodes go to DVD. Michael Richard's performances alone merit that. Add to that Blankfield's Pharmacist, Chartoff's news and really all of the performer's characters and you have a very enjoyable show.
It was also John Roarke that did the perfect Reagan impersonation. In fact, Roarke's impersonations in general were just awesome.
I'd really like to see all the episodes go to DVD. Michael Richard's performances alone merit that. Add to that Blankfield's Pharmacist, Chartoff's news and really all of the performer's characters and you have a very enjoyable show.
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- WissenswertesDuring one memorable episode, broadcast live, guest star Andy Kaufman broke character during a sketch. He got into a shoving match with Michael Richards which degenerated into an on-camera brawl. It was later revealed that this was a set-up and Kaufman and some of the brawl participants and the cast were in on the gag, but most of the crew were caught completely off-guard. Melanie Chartoff discusses this in an interview with David Brody found on Youtube.
- Crazy CreditsAt the end of each episode, we see close-ups of actual snapshots of the entire production crew, with a hand guiding us through the photos.
- Alternative VersionenThe episodes went into syndication in the late 1980s and were edited down to 60 minutes.
- VerbindungenFeatured in Biography: Andy Kaufman's Really Big Show (1999)
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