Woyzeck

I am a fan of Herzog so I'll cut to the chase---- There is a scene in the film where a cat is thrown out of a second story window--- right into the arms of Kinski--- after he catches the cat I believe he becomes hypnotized. Kinski starts to shake and convulse (granted he is an excellent actor) but the fact that Herzog is always dealing with hypnotizing people and chickens (Heart of Glass, Even Dwarfs Started Small) i believe that he knew something about Kinski and his love for animals--- or maybe his hate for animals--- in any case he has strong feelings attached to these innocent creatures--- and I believe that Herzog exploits this to hypnotize Kinski.

When I watched it (again) I did so without the subtitles, I wanted to concentrate on the imagery and the shots. I came to realize how much Herzog's movies are like theater. The sets are made and there is usually just one shot in a scene and from a direction that makes me feel like part of a theater audience--- granted some of these sets are on a location where there is little that needs to be done to get the imagery across.

It also contains one of the best death scenes in film history.

I seriously need to re-watch *all* of Herzog's films, but in the flicker of memory this is my favorite.

For me, the static camera-work fits the hothouse atmosphere of Buchner's play perfectly. I think especially of the early scene where Woyzeck is shaving the Captain, and the camera doesn't move *at all* for what seems like forever ... technically, it is reminiscent of some of Jim Jarmusch's early films where the camera is hilariously static. Here, it is horrifyingly static.

And Kinski has never been more possessed, more demonically almost out of control. I just can't watch him, particularly during the intense (slow motion!) climactic sequence, and then "come back" to Hollywood movies and watch ... well, say, Kevin Costner. Sorry. Guess I'm a snob.

Finally, the strange, sawing music just sends me over the top every time, my skin tingling. To me this is an absolutely unforgettable, brilliant film experience. It disturbs the living hell out of me, and I like that.

One of Werner Herzog's most unrecognized films, Woyzeck is utterly brilliant.

Few films succeed at portraying frustration and madness as much as this. Among them are Scorsese's "Taxi Driver" and Lodge Kerrigan's "Clean Shaven"

Klaus Kinski's performance is so good that just watching him is tiring, and the viewer is left anticipating when he will finally snap. Few films stick with me as much as this one and the sped up opening sequence is one of the most memorable opening scenes of any film I've seen.

This is not a spoiler as it reveals little more than what is included in the original trailer.

As "Beautiful a murder as you could hope for," remarks the Policeman in the final scene of Herzog's Woyzeck . And he is right. Herzog adaptation of Buchner's play is a triumph of cinema. While most "murder films" focus on plot and atmosphere rather than character (i.e. Hitchcock's Psycho), Woyzeck takes us slowly and elegantly into the protagonist's psyche in such a way that the final murder scene is an explosion of cinematic poetry. Herzog's rather faithful rendition of Buchner's play benefits from its adaptation the screen and gives up nearly nothing of the original theatrical performance. For example, in remaining faithful to the original text, the prolific amount of monologues gives us insight into the characters' internal state and makes every action more meaningful. The long speeches are refreshing after being overexposed the choppy interchange of half sentences that are characteristic of most contemporary screenplays. And yet Herzog's adaptation is not merely a filmed play.

The acting, directing and cinematography are beautifully coordinated. Kinsky's brilliant performance as Woyzeck makes us believe that there is no other actor that could pull off the role with such vigor and passion, and of course, in such a frighteningly convincing way. And of course Herzog's direction is strongly felt. And last but not least, most of the cinematography is gorgeous and beautifully framed. To be sure it is not a perfect film, there are some almost clumsy panning shots, and the film's rushed production is evident in the editing. This is why I give the film an 8. And yet this film will forever change the way you look at cinema.

Made the same year as the peerless 'Nosferatu the Vampyre', 'Woyzeck' again brings together the mighty partnership of Klaus Kinski and Director Werner Herzog. Whereas Kinski's portrayal of the vampire remains a highpoint of understated power, here his intensity hits overdrive and crosses the blurred line between insanity and over-acting.

The story is a deceptively simple one. Woyzeck is a soldier who is forced to take menial jobs and perform degrading experiments in order to feed his family. This leads to his mental breakdown, which results in a shocking act at the film's climax. As he loses his mind, you can believe in him totally, but that is partly because his frantic movements and extreme facial expressions indicate the grip of his senses is fragile to begin with. In true Herzog style, the film drinks up the main character's flaws and falls from (lowly) grace without spectacle or glamour.

Although the relationship between director and leading man was always fractious, co-star Eva Mattes as Marie has always spoken fondly of Kinski and their time working together.

The film is typically bleak but compelling. My score is 7 out of 10.