Woyzeck

This movie is far from perfect, but there are a few scenes here and there that are absolutly hair-raising : Kinski in a state of total exaustion at the begining, the scene in the woods when he starts to hear voices and the unbeleivable murder scene consisting of two shots disguised as one that last about 5 minutes in slow motion (it has to be seens to be beleived). The use of music is fantastic, the photography impecable. Herzog does as usual and captures another world while Kinski is plainly living in it. There are a few off scenes and some of the dialogue gets a bit obvious in it's openly nialistic cliches, but most of the movie holds up. One of those movies that you simply have to see at least once.

This is not a spoiler as it reveals little more than what is included in the original trailer.

As "Beautiful a murder as you could hope for," remarks the Policeman in the final scene of Herzog's Woyzeck . And he is right. Herzog adaptation of Buchner's play is a triumph of cinema. While most "murder films" focus on plot and atmosphere rather than character (i.e. Hitchcock's Psycho), Woyzeck takes us slowly and elegantly into the protagonist's psyche in such a way that the final murder scene is an explosion of cinematic poetry. Herzog's rather faithful rendition of Buchner's play benefits from its adaptation the screen and gives up nearly nothing of the original theatrical performance. For example, in remaining faithful to the original text, the prolific amount of monologues gives us insight into the characters' internal state and makes every action more meaningful. The long speeches are refreshing after being overexposed the choppy interchange of half sentences that are characteristic of most contemporary screenplays. And yet Herzog's adaptation is not merely a filmed play.

The acting, directing and cinematography are beautifully coordinated. Kinsky's brilliant performance as Woyzeck makes us believe that there is no other actor that could pull off the role with such vigor and passion, and of course, in such a frighteningly convincing way. And of course Herzog's direction is strongly felt. And last but not least, most of the cinematography is gorgeous and beautifully framed. To be sure it is not a perfect film, there are some almost clumsy panning shots, and the film's rushed production is evident in the editing. This is why I give the film an 8. And yet this film will forever change the way you look at cinema.

Based on the play by Georg Buchner about Franz Woyzeck : Klaus Kinski as an unfortunate and hopeless soldier . Mired in the ranks of the Germany Army he finds alone and powerless against a ruthless society and a rigid military authority that exploits him , as well as being harassed by his superiors and tortured in bizarre scientific experiments . Tormented by rare visions and weird voices , betrayed by his wife : Eva Mattes , in public by the unbearable weight of social and sexual oppression , he is increasingly pushed to the edge .

Chilling and sad portrayal of a man plunging into insanity when he is assaulted from all sides by forces he can not control , being caught between the cruel command , poverty and his distant wife . Werner Herzog's film is based upon a prestigious play dealing with a very strange , mysterious and bizarre character , gradually devolving into maniac instinct . Not the same dizzy folly as Aguirre , but Herzog´s similarly long perspective conjures as a brooding and thought-provoking film of man's aimless tracks throughout an egoistic society and harsh vision of human suffering beyond despair , eventually cracking when he discovers his wife's infedility . Here there are echoes of prestigious authors as Shakespeare , Beltor Bretch , Samuel Beckett , among others . Klaus Kinski gives a portentous interpretation in the title role as the hapless soldier who snaps when he learns his wife is having an affair. Along with Eva Mattes who is pretty well too , as his unfaithful spouse .

The motion picture was competently directed by Werner Herzog, though some may find hard to take . This great German director Herzog has made several thoughtful , provoking and interesting films , such as : "Fata Morgana" , "Aguirre Wrath of God" , "The Enigma of Kaspar Hauser", "Heart of Glass" , "Stroszek", "Woyzeck" , "Nosferatu the Vampire", "Where the Green Ants Dream" , "Cobra Verde" ,"Lessons in Darkness", "My Dearest Enemy", "Invincible" , "The White Diamond", "Grizzly Man", "Rescue Dawn" , among others. Rating : 7/10 above average and irresistible movie thanks to Kiski's extraordinary performance . The flick will appeal to Werner Herzog and Klaus Kinski followers.

I am a fan of Herzog so I'll cut to the chase---- There is a scene in the film where a cat is thrown out of a second story window--- right into the arms of Kinski--- after he catches the cat I believe he becomes hypnotized. Kinski starts to shake and convulse (granted he is an excellent actor) but the fact that Herzog is always dealing with hypnotizing people and chickens (Heart of Glass, Even Dwarfs Started Small) i believe that he knew something about Kinski and his love for animals--- or maybe his hate for animals--- in any case he has strong feelings attached to these innocent creatures--- and I believe that Herzog exploits this to hypnotize Kinski.

When I watched it (again) I did so without the subtitles, I wanted to concentrate on the imagery and the shots. I came to realize how much Herzog's movies are like theater. The sets are made and there is usually just one shot in a scene and from a direction that makes me feel like part of a theater audience--- granted some of these sets are on a location where there is little that needs to be done to get the imagery across.

It also contains one of the best death scenes in film history.

I seriously need to re-watch *all* of Herzog's films, but in the flicker of memory this is my favorite.

For me, the static camera-work fits the hothouse atmosphere of Buchner's play perfectly. I think especially of the early scene where Woyzeck is shaving the Captain, and the camera doesn't move *at all* for what seems like forever ... technically, it is reminiscent of some of Jim Jarmusch's early films where the camera is hilariously static. Here, it is horrifyingly static.

And Kinski has never been more possessed, more demonically almost out of control. I just can't watch him, particularly during the intense (slow motion!) climactic sequence, and then "come back" to Hollywood movies and watch ... well, say, Kevin Costner. Sorry. Guess I'm a snob.

Finally, the strange, sawing music just sends me over the top every time, my skin tingling. To me this is an absolutely unforgettable, brilliant film experience. It disturbs the living hell out of me, and I like that.