Kampf um die 5. Galaxis

....Which is pretty much the only occasions I'd watch this film.

Honestly, this film is one long collection of laughable clichés. More than Star Crash, and that is a feat of some magnitude.

The incredibly poor special effects. Yes, it was 1979 and this film was a low-budget spaghetti sci fi flick, so I suppose we could forgive it for this. Almost.

The incredibly laughable reuse of models and costumes from other sources which shall remain nameless to protect them from comparison.

The painfully repetitive soundtrack, more like a collection of notes strung together.... I can't believe Ennio Morricone was responsible for it.

The stunning range of Richard Kiel's acting. He must have been getting mightily sick of playing the invincible, monstrous giant by this stage. Normally nobody would play the role better, but his rampage through various faceless soldiers is so stupid as to elicit more laughs than fear.

And then there is Marco Yeh as Tom Tom.... It doesn't come as any surprise to me that this is the only production to feature him listed on IMDb.... At least he didn't have to wear the stupid costume Ivan Rassimov was made to suffer.

But gawd is it funny as hell....

I am not sure how they could eve manage to make a STAR WARS cash-in even worse than STAR CRASH... but they did! Aside from the goofy special effects and silly dialog, there's still plenty of other lameness in this flimsy and tired Italian/Israeli STAR WARS ripoff to keep even the most hardened viewer scratching their head with astonishment (when not passed out from sheer tedium).

The "villain" played by Ivan Rassimov has to be one of the biggest pansies I've seen as a cut-rate Darth Vader complete with cut-rate costume. His grand quotes comes on with such banalities as "keep them away from the missile" and "so you have come to battle me at last, princely hero!". He also really cracks the whip around his cronies with the likes of "you failed to kill the girl so you are stripped of your command for 100 days!". Wouldn't most villains kill their own men for disobeying them? No wonder the ragtag group of Leonard Mann, Corrine Clery, Richard Kiel, an Asian boy and a robotic dog destroy his entire army so easily... and his death has to be the lamest ever filmed... "ack, my blue screen is dying!"

Despite its lack of any script or enthusiasm, THE HUMANOID actually had enough budget to afford a dynamite cast, from Arthur Kennedy to Barbara Bach and Massimo Serato. Even better is the crew, featuring some heavy hitters such as veteran director Enzo G. Castellari to handle the action scenes, gore guru Giannetto De Rossi on makeup, special effects wiz Antonio Margheriti on miniatures, and maestro Ennio Morricone on the score. The only problem here really is that all these great people totally phoned it in. This film not only looks cheap, but is a real snoozer, owing largely to Morricone's shockingly awful "sleepy spacey music" which never stops! In what must have been some effort in experimentation, the music has no tune or melody to it; just random sounds as you'd hear on a late-night PBS "Space Tour" in the 1970's.

The only explanation for this film failing so hard to thrill at all has to do with all involved actually being aware at some level how cynical of a cash-grab the whole thing was. Really who hadn't seen STAR WARS at this point, and who here really thought they were making a better (if not even semi-competent) film? Evidently no one.

What a turkey.

I actually enjoyed this more than the better known Italian Star Wars rip-off, STARCRASH. Though it's seldom as hilariously awful as STARCRASH, it is what it is far more CONSISTENTLY. In other words, if you're not charmed by the first 10 minutes of this movie, you're not likely to like any of the rest of it either. The odd thing is that - aside from one early scene in which a vertical bed of nails penetrates a nude woman - this movie seems to have been made for kids. Is it possible that there are two versions, one of which is absent that particular scene? Everything else - from the cute Robodog, to the silly music (via Morricone, no less!), to the dime store moralizing, to the lovable gentle giant (Richard Kiel), to the magic kid from another planet - absolutely screams "kiddie flick".

There are times that films feel like gift packages wrapped up for just me and my insane taste in movies. Let me tell you all of the ways that The Humanoid makes me want to fall to my knees and give thanks: it's an Italian ripoff of Star Wars directed by Aldo Lado (Who Saw Her Die?, The Short Night of the Glass Dolls) working under the pseudonym George B. Lewis, a name that sounds close to George Lucas. It's got Ivan Rassimov, the crazy eyed star of such B&S About Movies favorites as Planet of the Vampires, Shock, Your Vice Is a Locked Room and Only I Have the Key and All the Colors of the Dark as Lord Graal, the samurai helmet and black armor clad bad guy who is this film's Darth Vader. It's got James Bond henchman supreme Richard Kiel as Golob, a giant henchman who wears a jacket straight out of Brotherhood of the Wolf. It's got Arthur Kennedy (The Living Dead at Manchester Morgue) in it! And it starts with the same shot Star Wars does, with a giant ship filling the screen and a crawl of type. And much like Starcrash it transcends its inspiration to become an insane movie unto itself.

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THE HUMANOID is one of the most entertaining movies ever made. Aldo Lado has supplied me with some of the most bizarre and twisted images you could never imagine. You know you're in for a treat when the main character is named Golob, played by a bearded Richard Kiel and he's got a robot-dog in his crappy spaceship. You somehow can't go wrong from there on.

The Tom Tom character is also doing his to make THE HUMANOID one of the ultimate Italian science fiction epics, beware his excellent wisdom. Barbara Bach and the gigantic Kiel was quite the team in the Seventies, and as always she's looking hot in this; "The story of Golob turning Unfriendly and Unstoppable". I love Golob and his dog, I wish to see more of them. Why weren't there any sequels?

Ahhh! The glory of Italian Cinema of the Seventies and Eighties continues. These directors and screenwriters seemed to have no limits in ripping off the Hollywood big-seller. There's still plenty of somewhat obscure masterpieces to be discovered, I'm glad I found this one.