Magere Zeiten

A sympathetic black comedy about human nature and the relativity of principles, especially in times of need.

The use of a pig turns out to be a delicious metaphor about how much human beings are willing to get their hands dirty, just to have their bacon on the table, every day.

A tongue-in-cheek Monty Python twist in a film executive produced by ex-Beatle George Harrison.

Curious is the reference to the bad example of the French, in the bacon black market, which is exactly the same as that supplied by the English.

In Times of Brexit it seems an aditiinal irony to the British values and puritanism.

This movie already had everything to please me before I even started watching it. Knowing that this was a British comedy, was already enough for me to decide that I wanted to see it, but that it was situated in the first post-WWII years, only made it even more interesting for me. I'm very interested in that time period, but in my opinion there aren't enough good movies about it. However, it's not because I think that I'll like a movie, that I'll automatically give it a good rating. I still need to watch it first.

"A Private Function" is situated in a small town in England in 1947. Even though the war is over for about two years, there still is a rationing of meat and more in particular of pork. The butchers and farmers are severely controlled in order to prevent the start of a black market, but the rules aren't always obeyed. When Princess Elizabeth is going to marry, a local group of businessmen and notables are organizing a party to impress the local government. They have a pig illegally raised and want to slaughter it for the event. But just before the party, the pig is stolen by Gilbert Chilvers on the instigation of his wife and his mother-in-law, who can't live with the idea that they no longer belong to the notables of the community and therefore can't get more meat...

If you like the typical British humor, than this is definitely a movie you shouldn't miss. Especially when they keep the pig in their own house, you can be sure of some hilarious scenes. One reviewer said that you shouldn't watch it when you don't like toilet humor. I'm afraid I can't follow him in that opinion. I don't like that kind of humor at all, but it never was shown in this movie either. It's just insinuated and that's why I could live with it without any problem. Another good reason why you should give this movie a try is the acting. Michael Palin is excellent as the somewhat quiet, but lovable husband who does everything his wife - Maggie Smith plays that role really very well - wants him to do. But the other actors, even though most of them aren't very famous, are very good and interesting to watch.

All in all this is a comedy that deserves a lot more attention than what it has received so far. I really enjoyed watching it and regularly had a good laugh. What more can you possibly want from a comedy? A good story and some fine acting? They are all in it as well and that's why I give this movie a 7.5/10.

This is one of those priceless British films where the comedy is so delightful. Maggie Smith, as usual, is perfect in her role of the snobbish woman. Michael Palin is equally perfect as her befuddled hen-pecked husband. The humor is absolutely top-notch.

Life after WWII was bleak in England. Rationing was hitting hard, but spirits were lifted by the forthcoming royal marriage of Elizabeth and Philip. This slice of village life takes a poke at stiff England and the trials and tribulations of getting a slap up feast on the table for the local VIPs to celebrate the marriage. Michael Palin is the wimp, and marvellous Maggie Smith is the "trousers" in the relationship. Lots of lovely one-liners to treasure.

The 1980s were dark days for the British film industry and productivity was at an unprecedented low. That doesn't mean that there weren't a number of very fine films made during this time. It does mean that they tend to be rather forgotten in what is often described as a period of wilderness for British cinema. This is rather unfair, as there are a number of fine films made during this decade that don't get the attention they should. A Private Function is a case in point.

The cast assembled for the film is simply one of the best I have ever seen in one movie. Look at the cast today and you would say it was star-studded; actually, many of these actors were not especially famous at the time (only Michael Palin, Maggie Smith, Denholm Elliott and Alison Steadman were really famous actors). Most of the others (Richard Griffiths, Pete Postlethwaite, Jim Carter, Liz Smith, Bill Paterson, Tony Haygarth) have achieved more recognition since. Their obvious talent and future potential was clear to see in this movie. As the fortunes of British films have improved since, their careers have duly flourished.

If the film has a weakness, it is that it is supposed to be a star vehicle for Michael Palin, and yet his character is utterly dull and boring. Palin has proved he is a very capable actor elsewhere and might have impressed more if the kind of effort Bennett put into developing the other characters had also been afforded to Palin's role. This is a minor point though, because the rest of the characters are so well scripted it doesn't seem to matter too much. Palin would probably be the first to admit that the film works because of the script's overall quality (Alan Bennett is simply one of Britain's most incisive comic minds) and because of the wonderful supporting cast, not because of the strength of his own character.

A Private Function is a relatively low budget and uniquely British film. The writing and the acting represent the very best of British cinema. It's a shame it doesn't get more recognition but the gentle wit, eccentric characters and lack of glamour and romance, plus the state the British film industry was in at the time it was made, probably meant that it was never destined to be a blockbuster. It does remain a very funny and at times quite barbed portrait of a particular period in 20th century British history.