Beerdigungszeremonie

A look at how Japanese deal with death, with a humourous twist. It is much darker and less light heartedly funny as Itami's other efforts, like Tampopo or A Taxing Woman. The movie still takes a somewhat irreverent look at the whole funeral process in Japan. I would recomend this movie if you like his other ones.

. . . from the other comment on this movie. When I first saw THE FUNERAL, for the first forty-five minutes or so, I was disappointed. The video cover can lead one to believe it is a rollicking comedy, perhaps a sex farce. Yet the more I got into the movie, and went with its flow, and immersed myself in its world, the more I enjoyed it. There are parts that I find laugh-out-loud funny, but most of the humor is of a gentle kind, and there are parts that I find very touching. Since that first viewing, I have watched the movie several times, and enjoy it more each time I see it. And it is one of those movies that, each time I see, I notice some little detail that brings me pleasure. I have never been able to sit through A TAXING WOMAN, but I enjoyed TAMPOPO; and I like THE FUNERAL even better.

A wonderful Japanese (black) comedy that deals with the serious, yet funny situation of a funeral. Many black comedies will be more funny than serious, after all, the movie is making fun at a serious issue. Still, The Funeral jumps back between characters that creates a balanced story that is serious, yet funny. Many comedies will not include moments of culture. Here, the movie makes several moments of the story very real as the story showcases the culture of a certain people and their customs. Director Juzo Itami was considered one of Japan's interesting film makers. Since his suicide in the 1990's, very few film makers have come close to capturing his style of movie making. Similar to Passed Away and Marvin's Room, The Funeral is a touching movie with moments of pure delight.

As we all know, the three most significant events for most people and that give the greatest insight into their cultures are births, weddings, and funerals. Ososhiki tells the story of how a family conducts and behaves at the funeral of one of their relatives. The director does a great job of presenting the ridiculous, absurd, and selfish behaviors they exhibit as well as beautiful, emotional, and loving behavior.

I had the good fortune to see 'The Funeral' in a real theater. The ultra-close-ups of the stockinged feet, magnified to 40 feet high, is unforgettable. Sadly, Fox Lorber has released 'The Funeral' on DVD using a scratched, pan-and-scan print. And since this film will never be a big best seller, I guess this is all we'll have. There's the inevitable comparison to 'Tampopo' and 'A Taxing Woman.' For me, 'The Funeral' is the best of the three because its humor is subtle and nuanced (the older brother in the foreground, trying to figure out which way is north, while the action goes on way off in the corner, is a perfect example). I still love 'Tampopo' (although it got the same rough treatment on DVD), but 'The Funeral' leaves me with more to feel, more to think about. I am certainly not Japanese, and I'm sure that much of the film flies by without my comprehending just what's going on. But I get more than enough from 'The Funeral' to make it one of my favorite films.