Nightmare 2 - Die Rache
Ein Teenager wird in seinen Träumen vom verstorbenen Kindermörder Freddy Krueger verfolgt, der ihn besitzen will, um seine Herrschaft des Terrors in der realen Welt fortzusetzen.Ein Teenager wird in seinen Träumen vom verstorbenen Kindermörder Freddy Krueger verfolgt, der ihn besitzen will, um seine Herrschaft des Terrors in der realen Welt fortzusetzen.Ein Teenager wird in seinen Träumen vom verstorbenen Kindermörder Freddy Krueger verfolgt, der ihn besitzen will, um seine Herrschaft des Terrors in der realen Welt fortzusetzen.
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- Mr. Webber
- (as Thom McFadden)
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'A Nightmare on Elm Street 2: Freddy's Revenge' is not to me the dreadful film as reputed, but, while its attempts to do something different is admirable, it should have been much better than it turned out to be. It is very difficult to not feel disappointed when you inevitably compare 'A Nightmare on Elm Street' to its first sequel and find that the drop in quality is so significant and hard to ignore. Whether 'Freddy's Revenge' is the worst of the series is debatable, to me and many others it is one of the weaker ones.
'Freddy's Revenge' is not a complete waste of time. It starts off very promisingly, with the bus scene is thrillingly unsettling. Easily the film's scariest moment and the scene one remembers the most. Robert Englund is still very freaky and shows why Freddy is so iconic as a villain, he may not be quite as terrifying but the material isn't as strong here and he is still highly effective.
It's not a bad-looking film, there is a slickness to it and there are some nightmarish effects. There are some eerie moments, though none of the rest of the film lives up to the bus scene, and some amusing dark humour. The music is suitably haunting.
However, there are also a fair share of problems. The scares don't come enough, and while there are effective ones there are also just as many that are perfunctory and pretty tame by 'A Nightmare on Elm Street' series standards. Credit is due for trying to do something different and there are parts that do intrigue. A tighter pace and less pedestrian direction would have made the execution better, as well as trying to do less and focus more on the quality of the scares and how the story is told.
Jesse is such a dull damp squib of a character who lacks a quick-thinking or logical brain let alone any kind of presence. The one-note expressionless acting of Mark Patton accentuates this. The rest of the cast are nowhere near as bad, but when it comes to the acting the only one to properly rise above the material is Englund. Lastly, the ending is a slap in the face and really undoes Freddy's character, he would never do what he does at the end and it doesn't make sense for him to do it.
Overall, not that bad but could have been much better. 5/10 Bethany Cox
I like the film because it follows the roots from the first film, It is mentioning Nancy Thompson (Heather Langenkamp) yes I am a Nancy Thompson fan! I love her very much and this film has respect to Nancy Thompson! While showing the diary and the telling the story's about her. Walsh family moved in to Thompson's house. That's what I like a bit this film. It is a horror film, Freddy kills a doesn't people, specially in the pool that was just awesome. Kim Myers as Lisa Webber was really smoking hot and she cared about Jesse. I like this film for it. Freddy stripped the coach down and killed him in that gay overtone because the coach was into some freaky sexual stuff, because I remember the coach being in leather and bondage looking clothes when he runs into Jesse.. So yeah Freddy killed him in an extreme version of what the coach liked. From the looks of the coach's bondage like clothes he had on you can assume he likes to be whipped and stuff like that. So his death scene was very fitting and that was awesome, I like that a lot. The love scene between Jesse and Lisa conger and defeating Freddy was amazing! The nightmare on the bus was just really extremely awesome even the ending scene was awesome.
The film has major problems that I just don't like that. For most of the movie Freddy's Glove was missing and they had to use the blades on his fingers. Reportedly it was stolen after filming and they had to scramble to make a replacement. They should have watch for that glove. Wes Craven refused to work on this film because he never wanted or intended A Nightmare on Elm Street (1984) to become an ongoing franchise (and even wanted the first film to have a happy ending), and also because he didn't like the idea of Freddy manipulating the protagonist into committing the murders. I agree with that, why the main hero has to get him self into been manipulated and go murdering people around? That's just not right and it is wrong in my opinion. The film was too short and it become a little boring by time to time. I didn't like the gay scenes including the couch who was a molester and a gay in this film. I am glad Freddy killed him. The story had potential, but it just failed. The part where Jesse runs into gym teacher at the s&m bar and then he brings him back to the school and has him do laps and makes him take a shower, after he was tired. Looks like he was prepping Jessie for ass rape. That was the worst gay scene in the movie ever and it hurt the film so much!
Anyway with all the problems in the movie, the story did work well. Freddy in this film is at his darkest plus the make up FX by Kevin Yagher on Freddy made him look more and scary then I ever seen him look in any of the films after this one. It had a very good cast and effects and you finally saw Freddy's whole face it was a nice sequel. I think Jack Sholder did a great direction debut I don't think, he did a terrible job which he didn't. Robert Englund did a great job in this film, that is one of the reason the film isn't the worst than other sequels are. It is at least my favorite horror slasher film because it really did had a potential and it failed. It was OK sequel tough, but still a bad one and I have a lot of respect for Mark Patton cheers for him!!! Anyway I am giving this film a 7. rating even tough it deserves less.
The teenager in question is the nerdy, insecure Jesse (Mark Patton). This is probably why Freddy chose him as his vessel, because he is vulnerable and susceptible. Jesse also lives in the house on Elm Street Nancy used to live in. Freddy says he needs Jesse because Jesse has the body, and he - Freddy - has the brains. Jesse never kills anyone, though; it is always doing Freddy doing the killings, so I guess he uses Jesse to lure his victims. It still didn't entirely make sense why he needed a host, but it does allow for some excellent scenes in the form of make-up and prosthetics.
Jesse is seeing Lisa (Kim Myers - who, by the way, looks so much like Meryl Streep in this movie!). I found her a really nice character, who was caring and considerate. She is also a very strong character, who stands by Jesse.
This sequel might not be as good as the original, but it is a worthy entry in the series with some great kill scenes, a constant creepy atmosphere, excellent makeup, an awesome party scene, and a great performance once again from Robert England as Freddy. I also thought Mark Patton was really good portraying the troubled and confused Jesse. In general, this is a highly entertaining supernatural horror slasher.
But culture, and particularly youth culture, in the 1980s was considerably different, certainly far less conservative and anti-creative. In those days, The Cure were a big thing, and even the most basic of pop sludge was far more creative than what we have today. Not to mention that it was far easier to make dodgy films and get them released theatrically.
A Nightmare On Elm Street Part 2 picks up five years after the original, although it was a rush-job filmed less than a year after said original was out of the theatre. The film company, at that time the independent startup known as New Line, saw a quick and easy meal ticket that only required them to convince Robert Englund to submerge himself in what looks like three tons of multi-coloured latex. So the idea of a decent script, decent actors, or decent photography, went right out the window.
Which is kind of sad, really, when you consider that this is the only Freddy film in which an original premise is used. You might want to skip the rest of this paragraph if you have yet to see it. In it, a young man (whose behaviour is consistent with repressed homosexuality, in one of those hilarious plot coincidences) has just moved into the house from which Nancy originally dealt with Freddy. With the help of the sort of girlfriend any other male (and even some females) of this age would want to climb atop of at every opportunity, our hero attempts to fight off Freddy (and his own gayness), which in turn creates some very interesting plot devices. The moment when our heroine is holding up a carving knife at Freddy, who gives her a graphic and terrifying demonstration of the fact that she'll kill her (confused) lover if she kills Freddy, could have been one of the most horrific moments in the entire series. I am not quite convinced that it isn't, given that the only other episode in the series that was vaugely adult after this point was Part 3.
Unfortunately, the actors hired for these roles cannot act their way out of a wet paper bag. The only cast member with acting skills that even compare to Robert Englund's would be Marshall Bell. I am convinced that his turn here as the (gay) gym teacher was what got him hired to be in Total Recall and StarShip Troopers. Mark Patton (no relation to the Mike Patton who leads Mr. Bungle or the Mike Patton who was an early cast member in You Can't Do That On Television) is terrible - his only talent, as such, is to scream like a seventy-year-old woman. The actors who play his family look as if they belong on a cheap knock-off of Family Ties. The best actor in the whole piece was the budgie, who seemed to decide he would rather explode than be in this idiotic film a second longer.
When all is said and done, Robert Louis Stevenson said it much better in The Frightening Tale Of Doctor Jekyll And Mister Hyde (although there are no shortage of adaptations to that work which suck more than this). Normally, I would give this effort a three out of ten, but it gets two bonus points because it is like no other episode in the Nightmare canon, and that is a damned good thing when you put it alongside episodes four through seven.
Wusstest du schon
- WissenswertesNew Line Cinema originally didn't ask Robert Englund to return as Freddy Krueger and refused to give him a pay raise. A stuntman was cast as Freddy at the start of production. After two weeks of filming, Robert Shaye realized this was a terrible lapse in judgment, fired the stuntman, hired Englund, and met his demands.
The unknown stunts performer had a physique totally dissimilar to Englund's (with a particularly thick neck); Nevertheless he still makes an appearance in the finished film. Englund confirmed the entire sequence in the locker room showers, with the gym coach (Marshall Bell), was never re-shot - still features the "stuntman-Freddy."
- PatzerThere is an instance in which the same scene is used twice: after the gym fight when Grady and Jesse are holding the push-ups pose in the field, as punishment (at around 10 mins). This is the same scene used for when Jesse insults Schneider in the locker room (at around 28 minutes). The same people pass behind the fence.
- Zitate
[the kid approaches Freddy Krueger around the pool, standing up for the other frightened kids]
Do-Gooder: [holding his hands up, walking to Freddy] Just tell us what you want, all right? I'm here to help you.
Freddy Krueger: Help yourself, fucker!
[as Freddy slices his shoulder and throws him against the flaming barbecue pit]
- Alternative VersionenThe original Australian VHS release features only Christopher Young's main title playing over the end credits.
- VerbindungenFeatured in The Best of Stephen King's World of Horror (1986)
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- Pesadilla en Elm Street 2: La venganza de Freddy
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Box Office
- Budget
- 3.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 29.999.213 $
- Eröffnungswochenende in den USA und in Kanada
- 2.865.475 $
- 3. Nov. 1985
- Weltweiter Bruttoertrag
- 30.000.121 $






