Mord mit doppeltem Boden

If "A Caribbean Mystery" (1983) was the traditional "murder at an exotic resort during the holidays" story, "Murder with Mirrors" (1985) is the traditional "murder in a huge English countryside manor" story. It was the second and last appearance of Helen Hayes as Agatha Christie's Miss Marple, and it's a shame she didn't make any more: she is a very wily yet very human Marple, and acts quite youthfully for her 80+ years. The films themselves are better than the TV movies with Peter Ustinov as Hercule Poirot that were made around the same time, mainly because they don't overplay the comedy. Although the big names in the supporting cast are an old Bette Davis and a young Tim Roth, if anyone stands out it's the beautiful redhead Liane Langland and Leo McKern as the inspector on the case. The story contains the typical AC false assumptions and crafty illusions, and I, for one, did not have a clue what was going on until Miss Marple and the inspector revealed it. A good solid outing for fans of the genre. (***)

In Agatha Christie's "Murder With Mirrors", the First Lady of the American Screen (Bette Davis) goes head-to-head with the First Lady of the American Stage (Helen Hayes). Unfortunately, 77- year-old Davis had clearly not aged as well as 85-year-old Hayes. Davis suffered a stroke a couple of years earlier and it shows. For those interested in seeing Bette Davis at her best, this is definitely not the movie to see.

Nevertheless, this still rates a "7" out of "10" for the opportunity to see the spry Helen Hayes as Agatha Christie's redoubtable Miss Marple. In addition, Miss Hayes is assisted by a great cast of veteran British actors, including John Mills, Leo McKern, Dorothy Tutin, John Woodvine and Anton Rogers. In addition, look for a young Tim Roth, doing his best to steal a few scenes from his elders.

An old friend asks elderly sleuth Miss Marple to root out her stepson's killer, who she suspects is also out to get her grand ancestral home - but the plot begins to thicken when it emerges the deceased had a host of enemies.

An efficient version of Dame Christie's They do it with mirrors, that follows the literary source in general fashion - it keeps one interested, though it just gets better after the murder in the room with the gunshot going off.

Helen Hayes is excellent as Miss Marple, and unfortunately it's her final film. Bette Davis, who was clearly ill, made three more films before the curtain came down on her illustrious career. The rest of cast, especially Leo Mckern is fine. Entertaining enough mystery.

This film is interesting for a number of reasons - not so much as a sharp pot-boiler that will keep you guessing to an enthralling climax while being stylishly stuffed full of Joan Hickson-esque quintessential old world charm - but more so because of when and how it was made, and who appears in it.

The 1980's embraced the TV Movie, and the major studio players from the 30's, 40's and 50's, were still to be found appearing on screen in them, some times looking ridiculously out of place and, quite frankly, far too old and somehow exercising a diminished talent. But often still giving assured and classy performances, showing that to 'The End' (quite literally) they maintained their professional ability and standing. One can only look at Helen Hayes - The First Lady of the American Stage as she was referred to (I suppose this is why she begins quoting Shakespeare when she is seen on stage in this film) - and revel in her warm and intelligent final film appearance, and then recall poor Joan Crawford, an Oscar winning actress who thrilled and chilled in many movies, iconic in fashion and style for most of her adult life, whose final film appearance was the appalling 'Trog', where she looks old, embarrassed, and barely able to act at all. (Mind you, in fairness, she is romping about for most of it with a man in a dodgy gorilla suit grunting and moaning - the gorilla, not her.) The TV Movie could be regarded as a safe house cum retirement home for the once famous. (Channel Five daytime scheduling entertains quite a few, and you will often find an ex-Charlie's Angel or Dynasty cast member crying a lot, usually over the abduction of a child or diagnosis of an incurable disease). The plot lines and characters within a lot of these types of 'based on actual events' or biographical stories are almost echoes of some of the dramas being made on film by the big studios (particularly Warner Brothers and Universal) in the 40's and 50's. If they were shot in black and white, the short and sharp narratives, and economic style of shooting and limited camera work, could almost put them in to the B-movie Film Noir category. They are modern day (or 80's into 90's into today) versions of the pulp fiction and magazine serial type stories of times gone by.

As a film fanatic, with a great love of actresses of the 30's and 40's, I cherish a movie like Murder With Mirrors. It seems crazy to have Margo Channing from All About Eve, the nurse from Farewell to Arms (the character name escapes me - I could have said one of the nannies from One of Our Dinosaurs is Missing, but great as that movie is, it is not Miss Hayes's finest celluloid moment),Miss Jones from Rising Damp along side Rumpole of the Baily, the husband from Fresh Fields and a 'teenage' Tim Roth. There's a kind of Sunday night 'bath and hair-wash and finishing off your homework' type of cosiness about this movie as well.

It does lack humour, especially compared to Ustinov's Poirot, and it is not at all charming in the lavender water scented fashion that seems to go hand in hand with Hickson or even Margaret Rutherford's Marple (the contemporary setting has a lot to do with that - no one even speaks in a faux country bumpkin accent until the police constable opens his mouth!), but it zips along in a pacey soap opera kind of way, and Leo McKern is laid back and commanding while Dorothy Tutin is extreme and commanding.

Bette Davis was in pain for much of the shoot (according to her book 'This 'n That') and she doesn't seem to be enjoying herself much. But the short scenes she shares with Mills and Hayes are so solid and well acted (she is so frail and laden down with make-up, it is a wonder she doesn't actually topple over forwards!) that it is a blessing to see her still working.

This film is not so much about the story or the style, it is about cherishing the starry cast who all contribute as best they can and somehow, make you feel engrossed by and sympathetic to their altogether quite flimsy characters.

Based on Agatha Christie's They Do It With Mirrors, this TV film is entertaining if rather too obvious at times. I will admit though, the book isn't Christie's best, but it is an interesting read. Here, the mystery is updated, and does deviate from the book. I will admit, although the Joan Hickson version wasn't that faithful to the book, I admit I do prefer it. Back to Murder With Mirrors, the adaptation does have some nice camera-work, some lovely locations, and the costumes while nothing fancy were pleasing to the eye. Helen Hayes, in her swansong, gives a very enjoyable performance as Miss Marple, and is quite cute too. Out of the supporting actors, Leo McKern comes out on top, with a gleefully gruff portrayal of Inspector Curry. Nice turns also from Dorothy Tuton and Tim Roth. However, Bette Davis and John Mills, two fine actors, and two of the three main reasons why I wanted to see this, the other bring I love Agatha Christie, have very little to do in their roles. But my main problem with the film, other than the rather contrived final solution, was the screenplay. I thought every character was badly underwritten, and most of the plot changes are badly underdeveloped. Also, Miss Marple's speech before she is almost killed in the theatre, was very poorly written, but maybe that's just me. All in all, entertaining but could have been better. 6/10 Bethany Cox