Star Cracks - Die irre Bruchlandung der Außerirdischen
Originaltitel: Morons from Outer Space
IMDb-BEWERTUNG
4,5/10
2231
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuA trio of moronic aliens crash-land on Earth and become celebrities, while a fourth alien, who arrives separately, finds himself ignored.A trio of moronic aliens crash-land on Earth and become celebrities, while a fourth alien, who arrives separately, finds himself ignored.A trio of moronic aliens crash-land on Earth and become celebrities, while a fourth alien, who arrives separately, finds himself ignored.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 1 Nominierung insgesamt
James Sikking
- Col. Raymond Laribee, CIA
- (as James B. Sikking)
Mark Lewis Jones
- Godfrey
- (as Mark Jones)
André Maranne
- Prof. Trousseau
- (as Andre Maranne)
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Goodness knows here are many worse, and dumber, comedies out there, but its truly a shame that Smith and Jones didn't put this script through some more refinement, and hired a veteran comedy director (one who has a sense of timing), before blowing their chance at international fame. The main problem with the film is it tries to do to many things and use too many comedic styles at once. On one hand it tries to satirize our celebrity focused culture, while on another it tries to send up the conventions of science fiction films (and films in general)a la the Zuckers. At the same time that its trying to juggle those concepts, its also trying telling a story that could have been inherently funny on its own, without the distractions of the slapstick and the parodies. The idea that the first aliens to openly visit Earth are here by accident simply because they're too stupid to pilot, let alone understand the workings of, their rented spacecraft had great potential, but the movie is too distracted by everything else it tries to do for it to work. Despite its problems, there are some genuine laughs to be had here, and its well worth a watch.
Morons from Outer Space is ridiculous. The humour, at first glance, is very low-brow. Look beneath the surface, and the movie is rife with satire and irony. The characters are absurd, but believable in the context of their world. The real triumph of the film are the subtlety of much of the gags. It takes familiar themes of human life and extrapolates them to their most ridiculous conclusion. It is extremely silly, but I never tire of watching it.
British big-screen comedies have always lagged behind in quality when compared to British TV-series, and it's a bit of a mystery why that is. After all, a script is a script, right? To say that British films are weaker than British shows is a major understatement. UK comedies are usually terrible, even the rare successful ones like that mid-90s male-strip film or "Four Weddings & Hugh Grant's Bloody Funeral" are average at best.
MOFOS isn't that bad, but there is a sense that it could have been much better, in spite of the overly simplistic and cretinous premise. A decent budget and a cast of well-knowns indicate that a measure of optimism existed about this project. However, it's once again the script that is to blame. I have no idea why certain people got excited over this script. Nevertheless, MOFOS is watchable, rarely dull, and even provides one or two chuckle-worthy moments...
I'm sure that had Ron Howard or Peter Bogdanovich made the same exact product, MOFOS would have been praised and praised until our collective ears bled away.
MOFOS isn't that bad, but there is a sense that it could have been much better, in spite of the overly simplistic and cretinous premise. A decent budget and a cast of well-knowns indicate that a measure of optimism existed about this project. However, it's once again the script that is to blame. I have no idea why certain people got excited over this script. Nevertheless, MOFOS is watchable, rarely dull, and even provides one or two chuckle-worthy moments...
I'm sure that had Ron Howard or Peter Bogdanovich made the same exact product, MOFOS would have been praised and praised until our collective ears bled away.
I remember when MORONS FROM OUTER SPACE it was criticised as being just about the worst British film ever made ! What you mean it`s worse than REMEMBER ME THIS WAY where Gary Glitter plays a tough macho sex god ? I don`t think so .
I will say this movie is very patchy mainly down to the small budget and a dual plot , something that`s not seen either very often or very successfully in film script structure . The scenes featuring Bernard are funny especially the " Are you male or female ? " scene but the ones set in England are slightly tedious and do lack a focus .
Yeah it`s hard to imagine that the director of this made both GET CARTER and FLASH GORDON but surely any self respecting IMDB addict can sit back and enjoy this movie due to the referrances . Let`s see now THE QUATERMASS EXPERIMENT , a line of dialogue snatched from BRIDGE OVER THE RIVER KWAI , oh what`s that movie with Jack Nicolson in a lunatic asylum ? ....
I will say this movie is very patchy mainly down to the small budget and a dual plot , something that`s not seen either very often or very successfully in film script structure . The scenes featuring Bernard are funny especially the " Are you male or female ? " scene but the ones set in England are slightly tedious and do lack a focus .
Yeah it`s hard to imagine that the director of this made both GET CARTER and FLASH GORDON but surely any self respecting IMDB addict can sit back and enjoy this movie due to the referrances . Let`s see now THE QUATERMASS EXPERIMENT , a line of dialogue snatched from BRIDGE OVER THE RIVER KWAI , oh what`s that movie with Jack Nicolson in a lunatic asylum ? ....
Yes I did like this film, so what about it? It's well written and better than any Hollywood rubbish crappy comedy about Aliens invading earth, (with the exception of MARS ATTACKS!)the humour is subtley handled by the cast, especially, Jimmy Nail, turning in his best performance as one of the "Moron" aliens, in Auf Wiedersen Pet, I thought he was just irritating and over-rated, but here he almost steals the show. Paul Bown and Joanne Pearce also far well, as the dim-wit and dizzy blonde repectively. James B. Sikking is wonderfully dry in his slightly underused role and Dinsdale Landen has many a good line, with his rolling monotenous, authority, sing-song voice. The two stars; Smith and Jones also do well, especially Mel who wanders around the film looking for someone to believe that he is the fourth alien when, as he describes them; "So-called friends" leave him destitute while they enjoy a life of Fame, Fortune and Luxury. The sequence where he finally bumps into them at the end is quite moving and underplayed, with a subtle message regarding people you either know or who are your "so-called friends". Griff does O.K, but his role is slightly wasted, he appears only to but at the brunt of the joke or pamper to the aliens constant needs. All in all, it really is O.K and the film runs at a good pace, what's wrong with Aliens being out there who are thick, other aliens on their planet (peculiarly named:BLOB)could be highly intelligent but these unfortunately are the ones we meet. Favourite Moment: When told they are played with the chess set, one glance sees them not actually playing the game in the normal way, but having one holding the board and hitting the chess pieces which come their way.
Wusstest du schon
- WissenswertesTo receive a PG certificate the film was extensively re-edited by the distributor, and the finished product was then cut further by the BBFC to remove cocaine footage and references. In total 6 minutes 10 secs were edited from the film.
- PatzerIn the view showing the landing on Earth of Bernard after he and his chair were ejected from the spacecraft, the crane used to drop the actor in front of the camera can briefly be seen at the top of the screen.
- Zitate
[first lines]
Narrator: Since the beginning of time, man has looked to the stars and wondered if others like ourselves existed. Would they be super-intelligent, peaceful, sensitive? Our story will go some way to answering these eternal questions.
- VerbindungenReferenced in No 73: Double-Six (1985)
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- Bruttoertrag in den USA und Kanada
- 441.137 $
- Weltweiter Bruttoertrag
- 441.137 $
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