Mata Hari

So what if some say this was "Awful"! The supporting cast under Miss Kristal is actually very good. Both the French and the Germans are believable. (What is it with lesbian German "fraulein doktors"?) :-) While the WWI battle scenes were rather poor for their lack of hundreds of extras, the details of what WAS shown is very commendable! Miss Kristal's best scene is where she stands at the edge of a trench and her coat drops to reveal for the first time her nurse's uniform (her costume for her spy duties). It doesn't sound dramatic, but the shot IS! The rest of the movie is just GORGEOUS with the European locations, set decoration and authentic props (including a steam locomotive!). It is a beautifully shot movie! You think you are back in 1916! If you enjoyed the location photography in THE BLUE MAX, you will also like MATA HARI! It may not be CITIZEN KANE but very watchable... many times, even!

US version of Mata Hari is cut omitting all of the sex scenes.International version is much more longer.DVD version released by MGM features the cut end edited version.Original version contain much more sex and nudity.I don't recommend that version.It is a soft core movie and buying the censored version of this silly film will be funny. I am doubtful that Lady Chatterley is also cut or not.I am not sure about it but i is also "R" rated.And it may also be cut.Fifth Musketeer is also cut omitting all of the nudity.For example uncut version contains much more nudity from Sylvia Kristel and Ursula Andress.

A film that takes advantage of two myths, Mata Hari and Sylvia Kristel, in a vain attempt to revive a third one, erotic cinema.

Regarding the first myth, the film is merely inspired by reality, as is usual in cinema, particularly in Hollywood. Sometimes it takes real facts and characters, such as Captain Ledoux, Mrs. MacLeod, living in Java, erotic dances in Paris and Berlin, counter-espionage, the trial and death by firing squad, sometimes fantasy, in love with Karl (in fact her lover was a Russian officer in the service of the French, named Maslov, whom she rescued from enemy lines), the relationship between Karl and Ledoux, the sinister Fraulein Schragmuller and her terrorist conspiracy, and many other aspects of the argument. A recurring criticism in pseudo-biographical fiction.

But where the film most fails is in its attempt to use Kristel, the actress of Emmanuelle and erotic cinema diva of the previous decade, to embody that other erotic myth that is Mata Hari.

Erotic cinema was itself a myth. It never constituted a true genre, but a simple use of the progressive lightening of censorship to sell more and more nudity in the cinema, to the lustful public.

But, in 1985, nudity was already common in most films, even in Hollywood, and it no longer surprised anyone. It is used here in a more abundant dose than usual, but nothing particularly shocking or innovative, even for the time.

This leaves a good production, but focused on Kristel's sex and nudity scenes, which gives what is expected of her, but nothing more than that, because she was never a particularly gifted actress. Just a beautiful and elegant face and body, which cinema used to sell eroticism.

The film is therefore a misconception. A generous production, but that came a decade late.

Ridiculous film about suppossed German spy Mata Hari who weaves a wicked spell and leaves behind broken hearts and lifeless bodies. Speaking of lifeless bodies, the film stars Sylvia Kristel as the title character.

Did some idiot actually give this pile of garbage a 10?

This movie represents further proof, as if we needed it, that Hollywood is better at promoting movies than at actually making them. The idea of casting one of the sex symbols of the 70s, Sylvia Kristel, as one of the most notorious women in history, Mata Hari, a women whose mere name implies seduction, betrayal and intrigue, would seem like a winning combination, but that's about as far as anybody thought it through.

Mata Hari herself comes off as uninteresting and not particularly sexy, and her exploits, far from impacting the fortunes of nations in the high stakes game of WWI espionage, seem trite and trivial. Perhaps this was the point - to demonstrate that the myth of Mata Hari far surpassed the actuality - and if so the creators succeeded. Somehow, I doubt this was the intent. I think we just got another example of incompetent film- making. The subject matter SHOULD have been fascinating, even if the myth went far beyond the real history and the story should have been interesting and instructive however it evolved. In this case, we just got painfully dull cinema, unerotic and even unglamorous to the point of seeming rather tawdry looking. Mata Hari's famous stage act is recreated without sufficient verve or visual style to really give the viewer a sense as to how she become an international sensation, and Kristel herself seemed to be sleepwalking her way through the role, not that the script ever gave her anything much of interest to do. As the picture (and Mata Hari herself) reached its end, I found myself wondering, Is this it? Was this all she did? And if so, how did she become a household name? Such questions should not remain unanswered at the end of a biopic. I wouldn't have minded an inaccurate or sensationalized biopic either, as that might at least have been passably entertaining. Yet, I was not convinced that this version did Mata Hari's story justice either. Maybe a remake is in order.