Der Verrückte mit dem Geigenkasten

Remake of the 1972 French comedy "The Tall Blond Man With One Black Shoe" hasn't the flair needed for sophisticated spy comedy, and so instead fizzles a bit despite a colorful cast. Tom Hanks is green and occasionally shrill as a concert violinist who is mistaken for a spy by the CIA and is completely unaware that he is being followed, photographed and shot at; Lori Singer struggles with a real puzzler of a role as a beautiful agent(always back-lit)who has to seduce Hanks--but she seems so fed up with his bumbling that their romance comes as something of a shock. Jim Belushi has some fun as Hanks' musician buddy whose wife is cheating on him, but Dabney Coleman, Charles Durning and Carrie Fisher are all wasted.

If there is a lesson to be learned by Hollywood is not to try to remake whatever was already made, and better. Which seems to be a lesson American movie people seem to forget. The criteria might be that the original film didn't reach a wide American audience, thus the reason for the remake, but frankly, neither Stan Dragoti, the director, or Robert Klane, its adapter, put a dent in what Francis Vever and Yves Robert achieved with the original.

Then again, if one hasn't seen the French film of the same name, this comedy will appear to be the real thing. In fact, there are hardly any laughs in the film. The best sequence involves the Richard and Maddy in the seduction scene where some of her hair is caught in a zipper.

In a way, this was Tom Hanks' third film as a lead man. One can't blame him because he is bogged down by a screen play that could have been better. Tom Hanks pales in comparison with the original Pierre Richard, who was a better comedian.

The cast shows several familiar faces, Dabney Coleman, Charles Durning, Edward Herrmann, John Belushi, but ultimately the ones that fare better in the film are Lori Singer and Carrie Fisher in smaller roles, but ones that afford these two actress good opportunities in which to shine.

Stick with the original version if you can find it in DVD format.

OK, it's not the most brilliant piece of art in the world, but neither is it the turkey that the video guides make it out to be. It's a cute spy-cliché spoof with good performances from Hanks, Durning, Coleman, Belushi, Herrman and particularly Tom Noonan as the deadpan Agent Reese. Super music by Thomas Newman (one of his first scores), an elegant string of sight gags featuring Belushi and a couple of corpses, and a sweet ending scene more than make up for the underlying silliness of the plot and a handful of flatly delivered lines. Good to watch on a Sunday afternoon when you need to occupy your mind, but not TOO much.

There are many different excuses to laugh, and any film that gives us one of them falls into that big bucket we call comedy.

I don't suppose anyone knows much about what makes us laugh, but like yesterday's stock market results, everyone seems to have an opinion about failed comedy. This is a classic failed comedy, regardless of whether you thought the original French film successful.

The story is that a crew of trained professionals mistakenly assume one thing and then grind that conclusion quite literally to death. The same thing happened to the crew that made this stinker.

The women are marginally interesting. Lori singer was a real string player; here she plays the prostituting spy to a string player. Carrie Fisher was deep into her skinny drugged out highly sexed period and plays someone much the same (with a reference to Princess Leia and the wookie).

Hanks only once in a rare while really tries to act. This isn't one of those times. My own theory is that he needs a challenging director.

Ted's Evaluation -- 1 of 3: You can find something better to do with this part of your life.

In a desperate attempt to keep his job as the director of the CIA "Ross" (Charles Durning) directs his assistant "Brown" (Edward Herrmann) to select a person at random and falsely suggest to his main rival "Cooper" (Dabney Coleman) that this innocent bystander has secret information that might thwart Cooper's political ambitions. To that end, Brown selects an eccentric musician named "Richard" (Tom Hanks) because he is wearing one red shoe due to a practical joke played on him by his best friend "Morris" (James Belushi). As expected, Cooper takes the bait and immediately puts all of his resources into finding out what Richard knows. However, what Cooper doesn't realize is the difficulty his agents encounter when they submerge themselves into Richard's bizarre life. Now rather than reveal any more I will just say that this movie started off a bit slow but got pretty funny towards the end with Morris deservedly having to endure his share of comedic mishaps. Admittedly, this wasn't a great comedy by any means but I still found it entertaining enough and I have rated it accordingly. Slightly above average.