Mad Max - Jenseits der Donnerkuppel

The first half of this film -- the part with Bartertown, Thunderdome, etc -- is brilliant, not just a repeat of THE ROAD WARRIOR but a totally new concept, thoroughly fleshed out. The second half, with the lost children, isn't as good -- and, more to the point, doesn't quite mesh with the first half, despite Miller's attempts to tie it all together at the end. Still, it's well above average in a genre that has increasingly come to believe (wrongly) that special effects are more important than plot and character.

The first 40 minutes were terrific, but when max meets those kids in the desert it all goes downhill. The first half had this dark gritty look to it even if the violence was toned down. But when Max meets those kids it becomes all bright and lighthearted. But why is this movie 18a here in Canada, all of the violence in this movie is restrained with the exception of the Master blaster fight in the thunderdome.

Mad Max Beyond Thunderdome (1985) was a travesty. Even though it takes place in an even bleaker future, the filmmakers decided to line their pockets even further by making this one "family friendly (i.e. P.G.-13). What made the other films gritty and nihilistic is missing from this film. Only a few spots but other than that it's just other one of those sequels that morphed into a more mainstream movie (i.e Robocop 3). Needless to say I was very disappointed because when I was much younger I was a huge Mad Max mark.

The story takes place years after the events that transpired in part two. Max is content with his life out in the wastelands. But one day, the fates would appear. Someone has robbed him of his caravan and his old souped up vehicle (sadly no longer in running condition). When he recovers he finds that all roads lead to one of the last vestiges of civilization, an arm pit called "Bartertown". Whilst in "Bartertown" Max finds the person who cold cocked him but his unable to do anything about it. So, after a brief scuffle with the local authorities Max is taken to meet the "mayor" of "Bartertown" Aunt Enity (Tina Turner). After a brief display of his talents, Enity and Max strike a deal....

Like the other films, the world of Pro Wrestling has taken several themes and characters from this movie (i.e. The Thunderdome and The Master Blasters, etc..). Many knock-offs and wannabes have spawn off of this one as well. It even started up a sub-genre, children living in a post-apocalyptic society films. Not a bad film but die-hards of the first two will be disappointed.

C+

When I first saw Mad Max Beyond Thunderdome, I felt disappointed. It was a letdown from its amazing predecessor. I knew its reputation as an unworthy sequel, but I still realized there was something good about it, something I had never heard from other people's points of view.

It wasn't until some time later when I watched the series a second time that I noticed what it was.

Those who think MMBT is not as exciting as The Road Warrior would be right. But those that think MMBT sucks because it is not as exciting as The Road Warrior would be missing the point. What makes MMBT a worthy sequel is its way of establishing a greater scope of the setting the series takes place in. The dredges of civilization were what set the stage for the series in the original Mad Max. The barren world of desert wastelands and sparse outposts take the idea of a post-apocalyptic world one step further in The Road Warrior. A squalid setting such as Bartertown and an oasis where the tribe of children lived in MMBT once again builds on the elaborate fantasy that makes the series as popular as it is. The final, chilling realization of just what became of civilization in the closing moments of the movie are more than enough explanation as to why the the world the viewer sees in the trilogy is the way it is.

I was too young when I first saw MMBT to understand this. It wouldn't be until I saw it again some time later, with more movie-viewing experience under my belt that I realized that what makes Mad Max Beyond Thunderdome tick is not action set pieces, but a far more subtle approach of atmospheric setting.

Why why why did someone think it was a good idea to fill Max Max 3 with a bunch of annoying kids? Its like half way through the movie the crew was switched and they thought they were making Oliver!

Such a horrible way to end a most amazing trilogy.

Max goes from road warrior to babysitter.

Still any Max is better than no Max.