Das Feuerschiff

I served on the Columbia River lightship and I can say, without a doubt, it was the best duty I had in the Coast Guard. Sometimes monotonous, we did get plenty of fishing and managed to poach a crab pot or two. And getting two weeks off after a month aboard without touching your 30 day annual leave surely made up for the semi-isolated duty that transpired. Also, the ride back and forth to the beach across the Columbias River Bar certainly was worth the price of admission. My lightship was WLV-605 which was homeported at the Coast Guard Bouy Base inside the Ballard Locks. Little enlistedman's bar, I remember poor-boy night; the night before payday when schooners of beer were 25 cents. A Coastie with five bucks in his pocket was popular. I also remember playing a dice game, Ship Captain Crew, for beer. After refit, we would steam up Puget Sound, around Tatoosh Head and down the Washington Coast to station. Boy, I wish I cold turn back the hands of time and have just one more rotation on that Galloping Red Ghost of the Pacific Northwest Coast.

The US Coast Guard Captain Miller (Klaus Maria Brandauer) brings his estranged teenage son Alex (Michael Lyndon) on board of his anchored lightship and introduces him to the crew. When they see a boat with three men adrift, the crew brings them to the boat. The leader Calvin Caspary (Robert Duvall) introduces the deranged brothers Eddie (Arliss Howard) and Gene (William Forsythe) to Captain Miller and his crew and soon they overtake the command of the lightship. Alex and the crew is in larger number and wants to resist but Captain Miller has a trauma from his past and wants to protect his men.

"The Lightship" is a boring, annoying and overrated film about a US Coast Guard ship that is overtaken by criminals and the lack of action of her captain that does not want to endanger his crew. There is also a conflict between the captain and his son that believes he is a coward. There are many situations where the crew could easily defeat the criminals that the movie is ridiculous. The duel between the traumatized captain and the nihilist boss of the gangsters is also terrible. The motives of the criminals are not clear. My vote is two.

Title (Brazil): "Ataque em Alto Mar" ("Attack in High Sea")

War is over some 10 years ago, the time of tragedy has passed by and has taken its toll on Captain Miller (Klaus Maria Brandauer, good), now currently dealing with his rebel teenage son Alex (Michal Skolimowski, the director's son), bailing out of the jail after another rebellious act of his. Miller takes his son to stay with him to live on a lightship, stranded somewhere, to help with the ships that come and go in that route. What the Captain couldn't predict was that this simple lightship and its small crew consisting of mechanical workers (Robert Costanzo and Tom Bower), a cook (Badja Djola) and one military (Tim Phillips), would be taken by two armed and menacing robbers (Arliss Howard and William Forsythe) and their smooth-talking leader (Robert Duvall), rescued after they boat had some problems and they take the ship for whatever reasons, forcing everyone there to stay cool and don't fight back. Miller is bound to do that, but will the crew and even his troubled son, already conflicted with his father during his absence during the war, will be able to conform and not react against the invaders?

"The Lightship" breaks from the routine of being a simple thriller by giving us a wit duel between two opposite poles on the same coin: the honorable Captain Miller, peaceful more than ever after surviving a terrible tragedy during the war; and Calvin, the group leader, also making the possible to preserve the life of his crew but knowing exactly what he's doing in the boat. While both men share their life's stories and try to find weaknesses and strengths in one another, both of their teams are about to collide and tragedy may ensue. And that's when the movie finally takes off, after some unexplained points, half constructed dialogs which carry little significance, and we wonder how much of the film was cut or rushed (that's why the narration by Miller's son from time to time).

The dramatic exercise works sometimes with all the mystery surrounding Captain Miller and his strict decision of not fighting back (even that his crew is eager to follow him, and there's guns hidden in the ship, not to mention they can improvise more weapons). But the exchanges between him and Calvin are far from right, usually lost in substance or without causing interest in the audience, more concerned in the eventual clash between the men from both sides. And that doesn't disappoint. "The Lighsthip" is a heart-stopping thriller with one sequence better than other. The ship's takeover was a disappointment, probably some scenes were cut from the film (one minute there's an argument between Bower and Forsythe, and in the next shot, the robbers are breaking the radio); it was confusing just as much as a reason of why they're there - probably running from the police, as some say, and now they need a new boat to escape. But the cook's revenge against one of the lunatics, during the storm, is terrifying and powerfully made.

The thesis proved here is that intelligence and wisdom must follow a whole set of actions, and good intentions must be thrown away when the rules are changed. If only they knew...8/10

Unlike the other commentator, I am not interested in lightships. I didn't even know what a lightship was until I saw this film. However, I am interested by this film. I saw it on BBC 1, a few months ago, in their late night film slot, a slot usually reserved for B Movies.

The Lightship could easily be a B movie, only it stars two great actors, Robert Duval and Klaus Maria Brandauer, putting the actors in what could easily be a conventional thriller scenario. Brandauer is the captain of a lightship, thus a man of law, thus a good guy. Duvall is a mysterious, shady figure who seeks refuge from the sea, possibly a man on the run, thus a bad guy. So a battle between good and bad, order and disorder, is played out.

This actually happens in the film. Not a great film, or even a very good one. But odd. About as odd as finding your grandmother is into S&M. For both men become fascinated with one another, and their respective occupations. To illustrate how odd this is, there is a scene where Brandauer finds Duvall taking a bath in his bedroom. Instead of being taken aback, Brandauer puts his hand in the water, playfully, like a lover, and they talk. They talk a lot in the film. Moreover, the film set a few years after World War II, yet Brandauer is playing a German (in charge of an American boat)and Duvall is a real sweet, gent of a southern lawyer, who is also a dangerous, psychopathic criminal, in charge of a couple of hoodlums.

All this weirdness is not that surprising, after all the director is that Polish guy with the weird (if you're not Polish) name, Skowlimowski, who has directed some strange films in his time.

I didn't like the fact the narration or the eighties-ness about it (ie soundtrack). But the kid was OK.

Indeed, as my headline says, refreshing. This movie that goes back 37 years as of today is the complete antidote to the hyped up super hero action movies of today. Heroes and villains alike are no indestructible super beings. Just a solid movie with good actors and a plausible story without any unrealistic and illogical happenings. After seeing a couple of the latest "action" movies where the lead characters would put Batman and superman to shame in their ability to survive barrages of bullets and other bone breaking events, it is refreshing to see that before people actually cared about a plausible plot when making a movie that didn't make you feel like an idiot watching it.