Ein junger Mann muss den Herrn der Finsternis davon abhalten, sowohl das Tageslicht zu zerstören als auch die Frau zu heiraten, die er liebt.Ein junger Mann muss den Herrn der Finsternis davon abhalten, sowohl das Tageslicht zu zerstören als auch die Frau zu heiraten, die er liebt.Ein junger Mann muss den Herrn der Finsternis davon abhalten, sowohl das Tageslicht zu zerstören als auch die Frau zu heiraten, die er liebt.
- Für 1 Oscar nominiert
- 1 Gewinn & 12 Nominierungen insgesamt
Ian Longmur
- Demon Cook
- (as Ian Longmuir)
Michael Crane
- Demon Cook
- (as Mike Crane)
Empfohlene Bewertungen
As a huge fan of Tangerine Dream and Jon Anderson, I praise the fact that their music is in the "American" cut of this film; their music has always sounded like they were trying to do soundtracks to a movie. You hear a song, you get visual images in your head and make a movie of your own.
However, ...
I do have to say that the American Version with Tangerine Dream's soundtrack only makes this movie into a "Cult" film. It could have been great, but (well, you fill in the blank).
Fortunately, I've seen the way it was SUPPOSED to have been released in the States (which you can find on the 2-disc DVD, which has both versions).
The Non-American version has a story which is much fuller, and the music (with a full symphony orchestra) is much better and adds more drama and punctuates the mood of each scene more properly.
I do find the American version's end much more climatic musically and story-wise with Jon Anderson (singer of Yes)'s angelic voice thundering with Tangerine Dream's score in the background.
So, pick an afternoon when you got about 4 hours to spare and watch BOTH. Then, take parts of each version and make YOUR OWN wonderous story.
And another thing, keep in mind that this movie came out a whole 20 years ago. The early 80's. Next year it can buy it's own beer (if it was a person). So, Tim Curry and a lot of others would have been just voices over CGI characters instead of being in actual makeup and there would have been MORE to the story and script if CGI was as available back then as it is now.
There IS such a thing as knowing limitations, you know.
American Version, good enough to make one wonder what was more.
International Version, done much better and fuller (though I like the American ending better)
As I said, watch both versions and make your OWN version to enjoy.
Aaaaannnd ... CUT!
That's a wrap.
However, ...
I do have to say that the American Version with Tangerine Dream's soundtrack only makes this movie into a "Cult" film. It could have been great, but (well, you fill in the blank).
Fortunately, I've seen the way it was SUPPOSED to have been released in the States (which you can find on the 2-disc DVD, which has both versions).
The Non-American version has a story which is much fuller, and the music (with a full symphony orchestra) is much better and adds more drama and punctuates the mood of each scene more properly.
I do find the American version's end much more climatic musically and story-wise with Jon Anderson (singer of Yes)'s angelic voice thundering with Tangerine Dream's score in the background.
So, pick an afternoon when you got about 4 hours to spare and watch BOTH. Then, take parts of each version and make YOUR OWN wonderous story.
And another thing, keep in mind that this movie came out a whole 20 years ago. The early 80's. Next year it can buy it's own beer (if it was a person). So, Tim Curry and a lot of others would have been just voices over CGI characters instead of being in actual makeup and there would have been MORE to the story and script if CGI was as available back then as it is now.
There IS such a thing as knowing limitations, you know.
American Version, good enough to make one wonder what was more.
International Version, done much better and fuller (though I like the American ending better)
As I said, watch both versions and make your OWN version to enjoy.
Aaaaannnd ... CUT!
That's a wrap.
When I first saw this movie,on DVD, I was like wow! This movie is gorgeous to look at, a famous trademark of Ridley Scott. The main flaw in this movie is Tom Cruise. He looked confused throughout the movie, but he was still likable. The other flaw, is that the storyline takes a while to get going. But all this actually managed to pick itself up, and do bear in mind it is theme driven film. I was impressed with Mia Sara. She started off a little uncomfortable, but when she turned evil, she came alive. In fact, the personifications of good and evil were one of the main reasons why I like this movie, other than Tim Curry, who is one of my favourite actors. The performance of Tim Curry is what makes this movie. He was unrecognisable, underneath all the Oscar-nominated makeup, but what a performance, it blew me away, in perhaps the most definitive portrayal of Satan ever on screen, both frightening and sexy at the same time! Even more amazing was that he is only 5'9 or so, and he had to wear stilts, also that he was in his late 30s when he took on this role, and I am glad he did. I felt as though I was in a different world when I saw this movie. The supporting actors David Bennent and Alice Playten offered solid support. I also liked the script, a little inappropriate with the goblins perhaps, but not that bad. The outstanding music score by Jerry Goldsmith is without doubt one of his finest and most underrated works. This was evident in the dress scene, Lilli's song, the final underwater scene and the very end. Magical! I liked the American version, but I much prefer the version I have on DVD, the European version, somehow I like less the score by Tangerine Dream . One definite thing that I liked about the American version was Darkness's "Mother Night" speech, in the European version he is a lot more mysterious. When this is on TV, it always shows the American version, but my personal opinion is that the European version is better (this is the one I have on DVD). If you are a fantasy fan, watch this movie, and either version. It is just beautiful, and definitely under-appreciated! 8/10. Bethany Cox
Legend (1985)
2.5/4
A lot of 80's fantasy movies focus on hero's trying to save the world, the universe, their love, their home, and so much more. 'Legend' follows that formula, with the hero (Tom Cruise) saving the world AND his love. It kind of works, to a limited degree. But it's not very good, and mostly doesn't work this time. The movie's fatal flaw is no compelling story. But what does work are the visuals. Beautiful, complex, and strangely fascinating, its own style kept me engaged. The story is lackluster; but the visuals are some of the best I've ever seen for a fantasy film. But unfortunately, the story gets in the way of a positive review, which is why I'm giving it a mixed negative review.
The movie follows a young man named Jack (Tom Cruise), who sets out to stop the evil Lord of Darkness (Tim Curry) from completely obliterating daylight and from marrying the woman he truly loves (Mia Sera).
As with a lot of director Ridley Scott's work, the style eventually overrules the substance. In 'Legend' there's little to no substance, but excellent doses in style. For years, this film tried to be made, but Scott couldn't get the proper conditions. He's finally working off an original screenplay from William Hjortsberg, who doesn't provide good groundwork for the picture. It's kind of a mash of 80's fantasy scenes, and all stringed together by a relatively basic plot. The film is also famous for having its sets burned completely to the ground during filming, and Tom Cruise's father dying during the production of the film. It's no wonder this movie is such a mess.
The visual style is exhilarating; beautifully thought and wonderfully calculated. The sets are just as fantastically produced. But the story, at its best, represents other fantasy movie plots; and at its worst, represents a lousy movie. It's a very complicated picture; but it all comes down to a very basic solution: there's more style over substance, something Scott is sometimes known for.
2 ½ STARS (OUT OF 4)
2.5/4
A lot of 80's fantasy movies focus on hero's trying to save the world, the universe, their love, their home, and so much more. 'Legend' follows that formula, with the hero (Tom Cruise) saving the world AND his love. It kind of works, to a limited degree. But it's not very good, and mostly doesn't work this time. The movie's fatal flaw is no compelling story. But what does work are the visuals. Beautiful, complex, and strangely fascinating, its own style kept me engaged. The story is lackluster; but the visuals are some of the best I've ever seen for a fantasy film. But unfortunately, the story gets in the way of a positive review, which is why I'm giving it a mixed negative review.
The movie follows a young man named Jack (Tom Cruise), who sets out to stop the evil Lord of Darkness (Tim Curry) from completely obliterating daylight and from marrying the woman he truly loves (Mia Sera).
As with a lot of director Ridley Scott's work, the style eventually overrules the substance. In 'Legend' there's little to no substance, but excellent doses in style. For years, this film tried to be made, but Scott couldn't get the proper conditions. He's finally working off an original screenplay from William Hjortsberg, who doesn't provide good groundwork for the picture. It's kind of a mash of 80's fantasy scenes, and all stringed together by a relatively basic plot. The film is also famous for having its sets burned completely to the ground during filming, and Tom Cruise's father dying during the production of the film. It's no wonder this movie is such a mess.
The visual style is exhilarating; beautifully thought and wonderfully calculated. The sets are just as fantastically produced. But the story, at its best, represents other fantasy movie plots; and at its worst, represents a lousy movie. It's a very complicated picture; but it all comes down to a very basic solution: there's more style over substance, something Scott is sometimes known for.
2 ½ STARS (OUT OF 4)
There's the original version, released in 1986 and on videotape, and the 2002 Director's Cut, available on DVD. The latter version is one of my all-time favorite movies. It compares quite favorably with Peter Jackson's "Lord of the Rings" and is a modern classic.
The theatrical release of 1986, shamefully butchered (chopped up and badly re-edited) by the mindless suits at Warner, and with its original Jerry Goldsmith score replaced by the rather trite Tangerine Dream soundtrack, is the version most people have seen. It was released on videotape as a children's movie. What it is, and was intended to be, is a fairy tale for adults. In fact, it's too intense for really young children.
It's hard to say that the '86 version deserves any more than the "6" it's rated at on its IMDb main page. It is a disappointment, primarily because it's now impossible to watch without think how much better it could be. The feeling and tone of the film were ruined by its treatment.
The Ridley Scott Director's Cut, released in 2002, is a completely different movie. If you haven't seen this version, you haven't seen the movie. It deserves a score of 9 or 10.
It doesn't look like a movie made 20 years ago. Scenes which are vital to the tone of the film and the meaning of the story have been restored. The sumptuous original soundtrack, recorded with a full orchestra, has also been restored, and this adds more to the film than can be put into words.
About the performances: A very young Tom Cruise is excellent as the hero. Tim Curry as the Lord of Darkness is awesome; his costume and voice alone are worth the cost of renting or buying the DVD. Mia Sara is absolutely stunning as Lily. She actually plays two different versions of her character, both wonderfully. This was her first role, a risk for Scott on such a big budget film, and she turned in the performance of her career. She's never been better, or looked more beautiful, than in this movie. The elves and fairies, both good and evil, are incredibly real-looking and believable. The costumes are perfect, and the sets are breathtaking, literally. One of the largest indoor sets ever constructed - a huge fantasy forest - was built for this movie.
If you haven't seen this version, rent it. If you have kids, buy it for them; they'll watch it over and over. My daughter and her friends watch it repeatedly, she's probably seen it 50 times.
The theatrical release of 1986, shamefully butchered (chopped up and badly re-edited) by the mindless suits at Warner, and with its original Jerry Goldsmith score replaced by the rather trite Tangerine Dream soundtrack, is the version most people have seen. It was released on videotape as a children's movie. What it is, and was intended to be, is a fairy tale for adults. In fact, it's too intense for really young children.
It's hard to say that the '86 version deserves any more than the "6" it's rated at on its IMDb main page. It is a disappointment, primarily because it's now impossible to watch without think how much better it could be. The feeling and tone of the film were ruined by its treatment.
The Ridley Scott Director's Cut, released in 2002, is a completely different movie. If you haven't seen this version, you haven't seen the movie. It deserves a score of 9 or 10.
It doesn't look like a movie made 20 years ago. Scenes which are vital to the tone of the film and the meaning of the story have been restored. The sumptuous original soundtrack, recorded with a full orchestra, has also been restored, and this adds more to the film than can be put into words.
About the performances: A very young Tom Cruise is excellent as the hero. Tim Curry as the Lord of Darkness is awesome; his costume and voice alone are worth the cost of renting or buying the DVD. Mia Sara is absolutely stunning as Lily. She actually plays two different versions of her character, both wonderfully. This was her first role, a risk for Scott on such a big budget film, and she turned in the performance of her career. She's never been better, or looked more beautiful, than in this movie. The elves and fairies, both good and evil, are incredibly real-looking and believable. The costumes are perfect, and the sets are breathtaking, literally. One of the largest indoor sets ever constructed - a huge fantasy forest - was built for this movie.
If you haven't seen this version, rent it. If you have kids, buy it for them; they'll watch it over and over. My daughter and her friends watch it repeatedly, she's probably seen it 50 times.
The Lord of all that is Darkness (Tim Curry) tries to take over the world by slaying two unicorns. He is distracted by the temptation of innocence, which comes in the form of pretty little Princess Lily, played by Mia Sara in her film debut. The Dark Lord decides he would like to have his way with virgin princess, while her true love Jack (Tom Cruise) tries to rescue her and save the world.
Long, dark, murky, loaded with black humor and undeniably well crafted. A beautiful film to look at that is hopelessly chopped up in the American version which replaces Jerry Goldsmith's original music with music by Tangerine Dream.
Cruise is alright as the hero, as alright as he's ever been anywhere else. Mia Sara is very lovely as the virgin princess whom this film revolves around. Curry sounds like he's having fun as the villain.
Long, dark, murky, loaded with black humor and undeniably well crafted. A beautiful film to look at that is hopelessly chopped up in the American version which replaces Jerry Goldsmith's original music with music by Tangerine Dream.
Cruise is alright as the hero, as alright as he's ever been anywhere else. Mia Sara is very lovely as the virgin princess whom this film revolves around. Curry sounds like he's having fun as the villain.
Wusstest du schon
- WissenswertesTom Cruise reportedly wasn't happy with the film; in a Rolling Stone interview from 1986, he called his performance "another color in a Ridley Scott painting," and declared, "I'll never want to do another picture like that again."
- PatzerThroughout the movie, the Unicorns have mismatched genders. It can clearly be seen when the animals rear up in the air. One example of this is when Brown Tom is guarding the "mare", and Lily trudges through the snow, frightening the horse.
- Alternative VersionenThere are at least four different versions of this picture: the original European release (94 min.), the American theatrical release (89 min.), a network TV version (94 min.) and a director's cut (113 min.)
- VerbindungenEdited into The Nostalgia Critic: Garfield: A Tail of Two Kitties (2017)
- SoundtracksIs Your Love Strong Enough
Written and Performed by Bryan Ferry
Produced by Rhett Davies and Bryan Ferry
Mixed by Bob Clearmountain
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsländer
- Sprachen
- Auch bekannt als
- Leyenda
- Drehorte
- Silver Springs - 5656 E. Silver Springs Boulevard, Ocala, Florida, USA(underwater sequences)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 24.500.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 15.502.112 $
- Eröffnungswochenende in den USA und in Kanada
- 4.261.154 $
- 20. Apr. 1986
- Weltweiter Bruttoertrag
- 16.838.105 $
- Laufzeit1 Stunde 34 Minuten
- Farbe
- Seitenverhältnis
- 2.39 : 1
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