Der Tag des Falken

This wonderful flick deals with marvelous adventures about star-crossed lovers caught in an nasty spell . The movie is set in the south of France and, based on certain astronomical events that occur, can be dated to 1239 . Philipe Gastone (Matthew Broderick , though he seem better suited to a teen film) , a wisecracking thief , nicknamed the ¨Mouse¨ escapes from the dungeon at Aquila, sparking a manhunt led by officer Marquet (Ken Hutchison) . As a crafty young pickpocket stole his way out of a tyrant's dungeon and plunged into an adventure beyond even his own wildest imaginings . He is nearly captured when Captain Navarre (Rutger Hauer , though Richard Donner originally wanted to cast Kurt Russell , when Russell dropped out a few days before began, the part was handed to Hauer) riding his horse named Goliath saves him . Stalwart Navarre is condemned by an evil curse in which he and a gorgeous maid (Michelle Pfeiffer is perfectly cast as a pretty heroine) are lovers but separated by night and day . No power on Earth can save them , no force in Heaven will release them . The young along with a priest (Leo McKern) help the protagonists in their quest to break the spell by destroying its creator , a villain bishop (John Wood) . As both of whom become their unlike allied .

Imaginative as well as lush fantasy about a weird curse in which our heroes take on several adventures and dangers . This is an imaginative , glamorous , strange fantasy based on the wonderful adventures by a group of heroes against an evil bishop . Fantastic film contains sense of adventure , thrills , and lots of imagination . From start to finish fantasy , action , duels and delightful adventures are interminable . Exciting and interesting screenplay by Michael Thomas , Tom Mankiewicz and David Webb based on a story by Edward Khmara . Edward Khmara took the issue to the Writers Guild Association and was awarded a cash settlement from Warners, but the medieval legend claim wasn't dropped ; and Warner Brothers falsely marketed the movie as being based on a true medieval legend . As this is a mysterious as well as intriguing seven-hundred-year-old legend of horror and love . Starring a considerable cast of top-names performers such as Rutger Hauer , Michelle Pfeiffer and Matthew Broderick . Support cast is frankly enjoyable such as Leo McKern as Father Imperius the Monk , John Wood as Bishop of Aquila , Ken Hutchison as Marquet , and Alfred Molina as Cezar . Marvelous special effects are visually stunning , though a little dated , and magnificently realized with no computer generator . Several different hawks were used , one to sit on Rutger Hauer's arm and another for the flying scenes.

Impressive production design by Wolf Kroeger , including luxurious scenarios , filmed on location in Italy , such as Campo Imperatore, L'Aquila, Abruzzo, Castell'Arquato, Piacenza, Emilia-Romagna, Rocca di Calascio, Calascio, L'Aquila , Soncino, Cremona, Lombardia,Torrechiara, Langhirano, Parma, Emilia-Romagna, Catatombe , Rome and three of the castles used for the film were owned by Italian film director Luchino Visconti . Colorful and glimmer cinematography shot in Technovision by Vittorio Storaro , Bernardo Bertolucci's usual cameraman . Anti-climatic though generally entertaining musical score composed by Andrew Powell by means of modern synthesizer ; however sometimes resulting to be effective and agreeable . This big-budgeted , overlong , appreciated film achieved hit at box office and today is very well considered and it will please the young and the young at heart . The movie was compelling and imaginatively directed by Richard Donner . The picture was nominated for two Academy Awards, for Best Sound Editing and Best Sound Mixing, but failed to win either Oscar . ¨Ladyhawke¨ might be described as an extraordinary fantasy full of imagination and color . It's a tale for teens and adults in which entertainment and amusement are guaranteed . Rating : Good , better than average . Worthwhile watching .

This movie, except for the "over-orchestration," deserves critical acclaim, as most of the comments have illustrated. However, no one seems to have addressed another element par excellence....the horses and equestrianship. Only one commentator made a cursory observation that Navarre's mount was a "farm horse." ... not so! That was a Fresian, one of the oldest breed of horse known and the one which the knights of old used for battle....try to train a "farm horse" to prance! Other breeds included the Lipizans, and it was the antagonists who rode them.

If one were to overlook the fine acting, the excellent storyline, the Romance (literary sense), and the romantic which tugs our heart strings in understatement, the appropriate comedy, the breath-taking camera work utilizing almost no special effects (but surpassing just about everything thrust upon us today), a horse-lover would revel in the production.

However, whoever (not the composers) was in charge of allowing the musical score, should have been barbecued at the stake for ruining an almost flawless classic. Never the less, this movie should not be missed...It will leave you in awe and wonder.

Marvin Cohn

Richard Donner's 'Ladyhawke' tells a fascinating tale of cursed love that separates two lovers like day and night (quite literally). What I loved about this film is that even though it's a wonderful mixture of action, adventure, romance and comedy, it is a simple film. The execution is solid and it shows that Donner and his cast and crew have put a lot of heart in the making of the film.

The score is kind of funny. At times there's a beautiful symphony that expresses the beauty of the settings and then, during the action scenes, there's the typical 80's hip track which brings a smile as it nostalgically reminds me of that wild decade. 'Ladyhawke' is indeed very beautiful to look at. The cinematography is superb as it gives a very spacious view and the composition of the shots are very well arranged.

No CGI has been used and that marvelously stands out as it gives the film a purer look and only reminds one of the days before CGI was overused, when cinema looked pure and authentic. 'Ladyhawke' is a fine example of movies that can look great and sometimes even better and more effective without CGI (other examples being the Star Wars trilogy (80's version), Indiana Jones etc).

The performances are topnotch. A radiant Michelle Pfeiffer completely owns the title role. Her understated performance and quiet yet strong presence (like a hawk) brilliantly contrasts Rutger Hauer's wolfish character. Hauer too does a fine job. An evil Alfred Molino is barely recognizable and Leo McKern wears the menacing look very well. John Wood provides some great comic relief. However, it is Matthew Broderick who stands out. He performs naturally as the vivacious, energetic, deceitful thief who loses his heart to Ladyhawke and at the same time he is determined to reunite the lovers and rescue them from the wrath of the curse.

Overall, 'Ladyhawke' is a beautiful movie that satisfied my filmviewing experience. It gives that nostalgic feel, it amuses, it fascinates and it feels enchanting. No wonder it still feels fresh after more than two decades.

Rutegar Hauer shines as Captain Etienne Navarre, a medieval knight and his petite l'amour Michelle Pfeiffer as Isabeau his wonderful Lady Hawk. John Wood plays an utterly nasty Bishop of Aquila. With Mathew Broderick as the little thief and Leo McKern the priest who betrays the two lovers.

This movie stands out for music score, knights and fair ladies in distress, and characters that you can fall in love with. It will have you rooting for the good guys and yelling at the screen for them to vanquish their enemies.

This romantic fantasy is an escape for the real world to a place where love, honor, and courage are rewarded. Where true love is possible, and two people love each other more than life itself. A love like this is almost impossible today.

I adored this film so much that I have three copies of the movie and two of the soundtrack by Alan Parsons Project. I think the background music goes so well with what is happening on the screen. Each of the main characters has their own musical composition, and will make you cheer or cry.

The leads are physically beautiful almost beyond film comparison. Their moral-spiritual characters match, which should make the film corny. The plot is preposterous, but the main characters, Isabeau and Gaston, prosecute their roles with such unfailing intensity you can't help but accept the nonsense. What is Ferris Bueller doing in medieval France, though? Perhaps the film needs some salty leavening, and at least he makes the plot work a little more efficiently. Overall, I don't have a rational judgement to make but a purely emotional one: I can never forget this film. It has haunted me since the first time I saw it. And that is all down to the pure intensity of Hauer and Pfeiffer.