Das Messer

San Francisco heiress Forrester is cruelly killed by a black suit clad murderer . Her husband Jack (Jeff Bridges) , a known publishing magnate , is convicted for cold blooded murder . He contracts an advocate-in-law , Teddy Barnes (Glenn Close) , former prosecutor , and now at charge of the criminal defense , in spite of the fact she has not taken a criminal case long time . The widower is allegedly considered guilt , though freed by means a bail until trial celebration presided by an expeditious judge (John Dhener) . Then they fall in love and she's defending the man she loves . The trial takes place and there appears an accusation lawyer (Peter Coyote) , an ambitious district attorney who previously worked for her ...

This court-room drama is a Neo-noir movie with tension , mystery , surprises and , of course , a suspenseful twist in the end . Despite of the fashion-able sex and violence , this is a satisfyingly old-fashioned sort of film that avid fans of the genre will love . Jeff Bridges and Glenn Close are frankly well , there's enjoyable chemical between them . Interesting writing credits by Joe Eszterhas , a successful screenwriter (Basic instinct , Jade , Sliver , Showgirls). The flick is rated ¨R¨ for sexual scenes and some violence . Colorful cinematography by Matthew F. Leonetti and sensitive musical score by John Barry . The motion picture was professionally directed by Richard Marquand . He was hired by George Lucas after seeing ¨Eye of the needle¨ and only non-American to direct a Star Wars film: ¨The return of the Jedi¨, though his career failed with flops such as , ¨Until September¨ and ¨Hearts of fire¨ until his early death.

I first saw this in the late 80s on a vhs.

Revisited it recently.

The movie doesn't have sufficient tension but the twist regarding the manipulation n foreplay via horse riding was twisty.

There is a lousy unofficial Bollywood remake known as Kasoor which has an illecebrous babe, Lisa Ray.

This courtroom thriller was one of the films that spawned a huge wave of copycats through the mid '80's and early '90's. Now, of course, these types of stories are on TV nightly in the glut of crime/law based shows. However, in 1985, audiences could still be (and were) riveted to the big screen by stories like this. Bridges plays a newspaper editor whose wife is brutally murdered along with their maid (in an opening sequence that is not overly graphic, yet is very disturbing.) Before long, he is prime suspect in the killings and is defended by a tentative, reluctant Close who is trying to redeem herself after some earlier unethical legal behavior. She squares off with slimy former prosecuting partner Coyote (in a slick, effective performance) to clear Bridges. She then, foolishly, becomes intimate with Bridges. There is constant doubt in her mind, as well as in the audience's, as to whether or not Bridges did the deed or not. Because the story is a tease and exists to manipulate and captivate the audience, there are plot holes galore. However, the film works very well on a visceral level, providing twists and shocks along the way (including one startling break-in near the end which is jarring no matter how many times it is seen.) The film's greatest strength is the acting, notably Close. Unlike later Eszterhas scripts, in which no one is sympathetic, she is a heroine to root for, despite her flaws. She brings great conviction to her poorly conceived role. Bridges does well also as the perfectly moussed, tan dreamboat who might be a savage murderer. Loggia brings a welcome salty edge to the film with his foul-mouthed portrayal of Close's investigator friend. All cussing and cigarettes, he is a stock Eszterhas character, but is acted well. There are other fine smaller roles played by Dehner as a crusty judge, Young as a haughty rich-bitch and Austin (an underrated actress) as an attack victim. Close has two annoying kids and a wimpy ex-husband to make her life that much more unbearable. Drawbacks to the film would be the illogic of the script and the bizarre editing of the courtroom scenes in which the clothing Bridges and (especially) Close wear inexplicably switch! Her hair is also consistently inconsistent throughout...(within scenes!)...flat one moment, curly the next, varying in height and swoop, etc.... The discordant music by Barry is very unsettling and his use of low piano keys doubtlessly inspired Jerry Goldsmith for "Basic Instinct". It's the same type of sound. Folks expecting a watertight story will be disappointed. Those who just want to be entertained and spooked should love it.

JAGGED EDGE (1985)-- Grade: B

I don't know why JAGGED EDGE is known as one of the best mystery films of the '80s. Let's face that this decade was not amazingly great for movies, but of course there were better mystery films: DRESSED TO KILL, BLOW OUT, HOUSE OF GAMES, BODY HEAT, just a few that come to mind. JAGGED EDGE is not able to escape from most of the clichés of courtroom drama and what it's worst: it shamelessly manipulates the audience. The main comment here has the same complaint, so I think many people agree with me. The one that should be blamed is Joe Eszterhas, who would write the screenplay for BASIC INSTINCT, a worldwide success, seven years later. He knows how to manipulate audiences, to make them stay aware and to keep their attention tightly without a shame, purposing questions with only two answers: yes or no. Did he kill her or didn't he? Eszterhas makes us believe in both possibilities several times during less than two hours. Using, of course, not very credible plot twists. ....... OK! So JAGGED EDGE is cliched and manipulative. It's difficult to forgive the first, but why shouldn't we forgive the latter? Don't we like to be cheated in some cases?

If you think it's difficult to forgive the way this film grabs you, there are other ways to like it. The story, even cliched, is still interesting and suspenseful. The directing is great and the actors are pretty good. Glenn Close is reliable as the lawyer and Jeff Bridges, who has made a career of hits (ARLINGTON ROAD) and misses (KISS ME GOODBYE), is convincing as the mysterious client.

JAGGED EDGE is a flawed film, but its manipulation has a good side. At least we care about the characters and the story. This is not a good way to write screenplays. This is not the best thriller of the '80s. But it is far ahead of some cheap productions of the '90s (BODY OF EVIDENCE, SLIVER, both with similar situations to JAGGED EDGE).

If you have never seen this film, then stop reading reviews and watch it because the film really works better if you don't know anything about it.

Now, the film is certainly flawed, but it's still interesting to watch.

I love courtroom thrillers, and there's plenty of court drama here, but not enough to make the picture work. I think another 20 minutes would've added much more depth to courtroom sequences.

The acting is excellent, but the direction could've been sharper. I found the romance to be contrived, never had a flow to it, it just happened.

Some blame must go to the screenplay, it wasn't strong, not enough depth to the characters, and some of the courtroom stuff was unrealistic.

The photography is excellent, it hooked me into the picture.

Overall, a good film, but I think the writing was a bit lazy.