m Laufe einer Nacht trifft sich ein niedergeschlagener L.A.-Ingenieur versehentlich, fällt darauf herein und versucht, einem schönen Juwelendieb auf der Flucht vor einigen extrem gefährliche... Alles lesenm Laufe einer Nacht trifft sich ein niedergeschlagener L.A.-Ingenieur versehentlich, fällt darauf herein und versucht, einem schönen Juwelendieb auf der Flucht vor einigen extrem gefährlichen Menschen zu helfen.m Laufe einer Nacht trifft sich ein niedergeschlagener L.A.-Ingenieur versehentlich, fällt darauf herein und versucht, einem schönen Juwelendieb auf der Flucht vor einigen extrem gefährlichen Menschen zu helfen.
- Auszeichnungen
- 1 wins total
- L.A.P.D
- (as Christopher George)
Empfohlene Bewertungen
While director Landis isn't always 100% successful at balancing the humor with explicit violence, Into the Night has enough memorable moments to fully compensate and make it a fun filled and suspenseful ride. Goldblum and Pfeiffer play extremely well off each other and supporting actors are plenty and all very good; David Bowie especially memorable in a small cameo and those assassins are quite literally hilarious.
It's rather nasty at times and some scenes kinda' leave you with a bad taste in your mouth, but overall it's a well written yarn that always keeps you on the edge of your seat.
There are some great, quirky moments in this film, and one of my favorites occurs when Ed and Diana walk into the apartment of her brother (Bruce McGill) which is wall to wall Elvis. Then her brother walks in - he's an Elvis impersonator. Priceless. Diana and Ed take his car which has the words THE KING LIVES painted across it. One faction looking for the emeralds come off like the Middle Eastern version of the Stooges, particularly in a beach house scene where, trying to get out of a door, one of them keeps hitting himself in the face with it.
The unique thing is that director John Landis has cast many of his fellow directors: Lawrence Kasdan, Jonathan Demme, Paul Mazurski, Amy Heckerling, David Cronenberg, Roger Vadim, Jonathan Lynn, Jack Arnold, Don Siegel, Andrew Marton, Richard Franklin, Colin Higgins, Jonathan Kaufer and Carl Gottlieb - that's a partial list. They're all good, too.
The always terrific Jeff Goldblum gives us a shell-shocked Ed who seems to take each moment as it comes with what is either calm or numbness - it's unclear which, but it works in the role. Pfeiffer is a young beauty in this - she has a very brief, distant nude scene - and is certainly the type of gal a man would go out of his way to help. She's very appealing. Old-timer Clu Gulager also makes an appearance toward the end, and David Bowie has a menacing role as one of the people after the emeralds. There are some fun shots of Los Angeles like Hollywood Boulevard in front of Frederick's of Hollywood that are a real kick.
"Into the Night" is offbeat and fun with enough violence to make it somewhat edgy. A real find.
And the title track and soundtrack by the worlds best blues guitarist -BB King.
As for nudity, almost enough. More would have been better. Vidiot after vidiot has tried to stop action vidcap the too fast shots of naked Michelle. The lovely Kathryn Harold keeps her clothes on but gets a gruesome Hollywood send-off, the single most difficult part of the film to watch. Don't hate this film if you don't get it. This is a dark L.A. story, not a comedy, but I rank it as one of the best late-night movies ever made.
Landis made the film he wanted to make and that's the first test of the director's skill. If you peruse thru the comments list and get past Mr. too-boring-for-him, then take my word and watch this film. It's perfect for a night when your troubles are keeping you up. The film has a lot to say.
Wusstest du schon
- WissenswertesAirport scenes in this film (and Der Prinz aus Zamunda (1988)) have a call over the PA system for a Mr. Frank Ozkerwitz to pick up a white courtesy telephone. This is a reference to Frank Oz, who makes an appearance in many of John Landis' films, although his real last name is Oznowicz.
- PatzerWhen "Larry" (Jake Steinfield) is on the boat with the blonde woman and they are taking turns removing their clothes, you hear him unzip his pants in order to remove his shirt. When he removes his pants, you hear him unzip his pants again.
- Zitate
[a federal agent brings Diana and Ed to a motel room for a private conference]
Ed Okin: Are we under arrest, or what?
Federal Agent: I'd say you fall into the "or what" category.
- Crazy CreditsNearly everything is credited in this film. Even the Used-Cars-Salesmen shown in commercials (Cal Worthington, Pete Ellis) and the cast of a b/w-movie (Abbott and Costello Meet Frankenstein) in Hamid's Apartment are credited
Top-Auswahl
- How long is Into the Night?Powered by Alexa
Details
- Erscheinungsdatum
- Herkunftsland
- Sprachen
- Auch bekannt als
- Fuga al amanecer
- Drehorte
- 11575 Segrell Way, Culver City, Kalifornien, USA(Ed Okin's house)
- Produktionsfirma
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 8.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 7.562.164 $
- Weltweiter Bruttoertrag
- 7.562.164 $