Die Rückkehr der bezaubernden Jeannie

This was a nice idea, and with the right script and ensemble, could have been very nice. But, with Larry Hagman committed to "Dallas," and with an ending that made no sense, it's really a collection of good vignettes poorly connected to each other.

The revised musical intro was a nice combination of classic and 1980's, and there are very nice scenes with Eden and her in-character son. Wayne Rogers turns a very nice effort as Anthony Nelson.

But, despite some delightful moments, overall TV movie failed at the end due to an entirely needless plot twist that served no overall purpose. Ultimately, when second made-for-TV movie was made, it ignored this poor plot twist, which is really its ultimate indication of how bad it was.

Without Larry Hagman, it was terrible for me. They should have paid Larry Hagman enough to still be Tony.

Even worse, when Jeannie went back in history to show how they met on the beach, it was nothing like how they really met, and changing Tony even going back to the beach was a brutal mistake.

As a big fan of the original series, this flopped for me during the whole movie. The chemistry between Tony and Jeannie disappeared.

Just like in the original series, Jeannie's sister tried to break them apart. Evidently it worked in this movie (Very fitting as the 'new' Tony Nelson was horrible with the relationship with Jeannie anyway).

The ending was also bad. It was not like Jeannie to leave, but I understand now since the new Tony was nothing like the original.

Perhaps younger people who never watched the series didn't notice how far it went from the original and rated higher, and am sad about that.

All around it was so disappointing.

Jeannie has always been a bit on the feisty side (that's a quality I like about her; she's nowhere near as domesticated as Samantha). I can understand her feeling a little taken for granted after so many years (she's not a robot, people -- she has feelings too).

Great idea ... but they messed up the ending. It caused a MAJOR continuity problem for its successor, "I Still Dream of Jeannie".

It had its moments (I liked the scene where she has to tell her son about her ... "secret identity").

A seemingly ageless Barbara Eden reprises her role from the 60s sitcom as a genial genie married to her mortal astronaut master. Jeannie, who seems to have discovered women's lib since we last saw her, is anxiously awaiting husband Tony's retirement from the space program, so he can be at home more to help her raise their teenaged son, TJ. But Tony's agreement to undertake one more space mission threatens their marriage, and even his life.

The script tends toward corny, and Larry Hagman is missed as Tony Nelson (Wayne Rogers from "M*A*S*H" fills in). And the ending makes the whole thing smell like a failed pilot to revive the series. Still, there are some nice nostalgic moments with Eden, Bill Daily (as Tony's best friend, Roger), and Hayden Rorke as the always-suspicious Dr. Bellows.

So I don't know what they were trying to achieve here. I do believe they were thinking about rebooting the series with this movie as a kick off, but too many things fell flat. First of all, Jeannie is waving her hands around for her magic as if she was on "Bewitched"; normally Jeannie just blinked. And speaking of the the blink, why on earth did they sound people think replacing Jeannie's trademark "boing" with a synthesizer riff was a good idea? Rumor has it they couldn't get their hands on the master tapes of the classic sound effects so they made new, but it was really, really weird.

When at the golf course, listen for the players' names being called out over the PA speaker, one of them being "Stephens". I'm surprised there was no mention of a "Tate".

Bill Asher directed this and Elizabeth Montgomery was furious at him for doing so. Wayne Rogers just didn't work as Tony Nelson, though if they rebooted the series with him in the role it might have been a new way to kick things off.

I always wondered why Scheherazade, an ancient genie, had a southern accent.

Barbara Eden looked gorgeous in this (in both roles) but there were too many continuity errors.