Nachdem der Sohn des Ingenieurs Bill Markham von einem Ureinwohnerstamm am Rande des Regenwaldes entführt wurde, verbringt der Ingenieur die nächsten 10 Jahre auf der Suche nach ihm.Nachdem der Sohn des Ingenieurs Bill Markham von einem Ureinwohnerstamm am Rande des Regenwaldes entführt wurde, verbringt der Ingenieur die nächsten 10 Jahre auf der Suche nach ihm.Nachdem der Sohn des Ingenieurs Bill Markham von einem Ureinwohnerstamm am Rande des Regenwaldes entführt wurde, verbringt der Ingenieur die nächsten 10 Jahre auf der Suche nach ihm.
- Regie
- Drehbuch
- Hauptbesetzung
- Nominiert für 3 BAFTA Awards
- 5 Nominierungen insgesamt
- Trader
- (as Atilia Iorio)
- Carlos
- (as Gracindo Junior)
- Wanadi
- (as Rui Polanah)
Empfohlene Bewertungen
An ecological adventure with mystical touches that was ahead of its time in denounce about forest destruction . This exciting film contains thrills , emotion , adventure and action scenes of infighting between violent rival tribes that generate a lot of entertainment . Inspired by an uncredited story about a Peruvian whose son disappeared under similar circumstances . According to director John Boorman's book 'Money Into Light', his initial choice for the part of Tomme was C. Thomas Howell. When he was unavailable, John decided to use his own son Charley for the part. He plays a boy grabbed by tribesmen whose community is facing disappearance because of the building of a massive dam designed and built by his daddy . Glamorous and lush cinematography by Philippe Rousselot who photographs wonderfully the Amazon jungle , obviously filmed under difficult conditions on location .
This engrossing and enjoyable film with interesting screenplay by Rosco Pallenberg was well directed by John Boorman . He's a good professional filmmaking from the 6os , though sparsely scattered and giving various classics . John started as an assistant direction and his friendship with Lee Marvin allowed him to work in Hollywood as ¨Point Blank¨ (1967) and ¨Hell in the Pacific¨ (1968) from where he returned to the UK and directed ¨Leo¨ (1970) , a rare Sci-Fi titled ¨Zardoz¨ (1974) or the ¨failure Exorcist II¨ (1977). His films are without exception among the most exciting visually in the modern cinema . He became famous for Excalibur (1981), the best of them , ¨Emerald forest¨ (1985) with a ecologist denounce included and his autobiographic story ¨Hope and Glory¨ (1987) and which brought him another Academy Award Nomination after ¨Deliverance¨ . Rating ¨Emerald forest¨: Better than average . Wholesome watching .
The movie does a great job of showing many aspects of life in the jungle, including some of the lawlessness. The costumes are fairly authentic, and portrayal of many tribal customs is well done. The manhood ceremony is closely based on authentic ceremonies that happen in most tribes.
Altogether, about as good as you can expect from something that is not intended to be a documentary.
The central character here is a teen, played by the director's son, who is kidnapped by Amazonian Indians at six and raised in nature. There are threats, adventures, encounters with "civilization." They provide the focus of the energy in this thing. Its all about that energy which we take from the juice of adolescence, perceive as the energy of an action movie and conflate (as we are intended to) with the natural richness of the rainforest.
Its a simple trick, but by gosh it works. Why is not a mystery: the teen drive is transformed into something pure here, done so by the actresses who play the teen Indian girls, lovely, and effectively nude. In order to underscore the point, the plot has them (importantly, as a group) kidnapped into civilization as a the complement of the original kidnapping. But the purpose here is prostitution.
When someone knows what they are doing and delivers the goods, its always a remarkable thing. The narrative engineering conveys the lack of engineering, and makes us desire the purity of encountering things without artifice.
Conveying this notion is then mixed with a completely unrelated message about the destruction of the rainforest and its central importance to the global ecology. Its rather dishonest, this, but because its such a noble cause we let it slip. But its a shame. In their defense, the acknowledge that just being native doesn't endow goodness: there is an "evil" tribe. Part of the tragedy is not shown: natives everywhere in the world aggressively damage the environment as much as their capabilities allow.
The perfect delicacy of this puts "Apocalypto" to shame.
Ted's Evaluation -- 3 of 3: Worth watching.
Wusstest du schon
- WissenswertesAccording to TV Guide, "In October 1972 an account written by Leonard Greenwood appeared in the Los Angeles Times. It told of a Peruvian engineer whose son had been kidnapped by a band of Indians and of the man's successful search to locate the child. Screenwriter Rospo Pallenberg saw the news item and took it to producer-director John Boorman". The result was this movie.
- Zitate
Bill Markham: Why did you take my son?
Wanadi: One day, i was hunting at the Edge of The World when Tomme appeared and he smiled; and even though you were a Termite Child, I had not the heart to send you back to The Dead World.
Tomme: Why are they called The Termite People?
Wanadi: They come into The World and chew down all the grandfather trees. Just like termites.
- VerbindungenFeatured in WatchMojo: Top 10 Jungle Movies (2016)
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsland
- Sprachen
- Auch bekannt als
- Perdido en el Amazonas
- Drehorte
- Hidrelétrica Plant of Tucuruí, Tucuruí, Pará, Brasilien(dam construction)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Bruttoertrag in den USA und Kanada
- 24.468.550 $
- Eröffnungswochenende in den USA und in Kanada
- 4.345.150 $
- 7. Juli 1985
- Weltweiter Bruttoertrag
- 24.468.550 $
- Laufzeit
- 1 Std. 54 Min.(114 min)
- Seitenverhältnis
- 2.35 : 1