IMDb-BEWERTUNG
6,9/10
1751
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuA mother's love for her children leads to a son's revenge for her death in this dramatic thriller that begins during the Greek civil war.A mother's love for her children leads to a son's revenge for her death in this dramatic thriller that begins during the Greek civil war.A mother's love for her children leads to a son's revenge for her death in this dramatic thriller that begins during the Greek civil war.
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A story about the love of family and how strong political opinions can make people monsters, helped by personal gains.
Found the back and forth in time a little confusing.
The scenery and settings were beautiful and convincing, the actual scenes were heart wrenching and I felt the agony of the characters.
I was so sad that it wasn't possible to watch this in Greece (but was able to watch abroad), because of the fanaticism of the supporters of a certain political group.
The 1945 to 1949 civil war in Greece still raises heavy debates, partly because the Communists lost and the losers seem to attract some sympathy from ordinary people.
Found the back and forth in time a little confusing.
The scenery and settings were beautiful and convincing, the actual scenes were heart wrenching and I felt the agony of the characters.
I was so sad that it wasn't possible to watch this in Greece (but was able to watch abroad), because of the fanaticism of the supporters of a certain political group.
The 1945 to 1949 civil war in Greece still raises heavy debates, partly because the Communists lost and the losers seem to attract some sympathy from ordinary people.
This is another of those supposedly based-on-a-true story accounts, this one dealing with a man's (writer Nicholas Gage) quest to return to his native Greece and avenge his mother's death which occurred 30 years earlier.
This is not an uplifting story but it's not depressing, either.....but it is grim. It begins with the Grecian mother protecting her kids from the vicious Communisits of the late 1940s. The film switches back and forth from that period to modern-day but it's never disjointed. The acting by John Malkovich, Kate Nelligan and Linda Hunt is excellent and the scenery is pleasing and very little, if any, profanity if memory serves me. It's a decent film but not anything I'd watch more than once.
This is not an uplifting story but it's not depressing, either.....but it is grim. It begins with the Grecian mother protecting her kids from the vicious Communisits of the late 1940s. The film switches back and forth from that period to modern-day but it's never disjointed. The acting by John Malkovich, Kate Nelligan and Linda Hunt is excellent and the scenery is pleasing and very little, if any, profanity if memory serves me. It's a decent film but not anything I'd watch more than once.
This is not a comment to the movie itself. The bits I have seen show at least an accurate portrayal of rural Greece in the late 40's along with the political "turmoil" of the time. Acting was above average in general, although some members of the cast, notably Malkovich, could have done a slightly better job.
So, is this propaganda? Of course it is BUT with more grains of truth than your average propaganda film, especially an American made. Yes, Mr Gatzoyannis (unless he is ashamed to use his real family name and resorts to "Gage") had lost his mother during the civil war. He is supposed to be one-sided, who wouldn't? He wrote a book about it, good for him. Someone made a film based on it, good for them. And now, many of us are bickering about what it is, propaganda or not, who are the good and who are the bad ones and so on...
A commentator before said that war is the end of civilization. True! A civil war though makes an "ordinary" war look quite civilized and "noble". Americans surely have their experience, they have gone through a terrible civil war. We, Greeks, have our experience which, sadly, is more "fresh" - lots of people that lived through it are still around to talk about it. Kids being taken from their mothers' arms to be transported..where? Brother killing brother (literally!) and generally bringing down whatever was once dear. Who's the bad guy? Which brother gets moral high ground? The one who took to mountains, kidnapped young ones to put them through a grim life behind the Iron Curtain, laid waste to his land and his home? Or the other, who after suffering all that, imprisoned those left behind (the majority of which were not part of the armed struggle and suffered along too), exiled them to desolate barren islands (there are more than we need of those in the Aegean), made them "dance" with cats in a sack (interesting how democracy, or "democracy", can be as horrendous as communism or any other totalitarian regime) and generally held them at the "border" of society until 1974. Who gets praise and who gets blame? You don't know? I think you do!
History was always written by victors, this is no exception. What is an exception in this case is that this particular "victor" (Gage) abstained his country's drama until it "suited" him to be a part of it. Having lost a loved one, a parent, in war is no unique to him, millions of people did! Did he live the ongoing "plague" that the civil war was? From the comfort of his house, half a world away. It is almost as if I, who have never been to the US, write a book about the drama of the Indians. Whatever moral high ground he possessed he lessened being that "distanced" from the whole scenery of it and its consequences. In short, this book and film portray HIS side, not his ideology's side but his personal side. It is easy to place blame, very hard to do so for one side only!
I will not go into the politics of that period, that is for another place and another time. Decent film, worth a viewing if not for anything else for an accurate portrayal of the "scenery". No stars awarded as I have not seen it all, just bits and pieces.
So, is this propaganda? Of course it is BUT with more grains of truth than your average propaganda film, especially an American made. Yes, Mr Gatzoyannis (unless he is ashamed to use his real family name and resorts to "Gage") had lost his mother during the civil war. He is supposed to be one-sided, who wouldn't? He wrote a book about it, good for him. Someone made a film based on it, good for them. And now, many of us are bickering about what it is, propaganda or not, who are the good and who are the bad ones and so on...
A commentator before said that war is the end of civilization. True! A civil war though makes an "ordinary" war look quite civilized and "noble". Americans surely have their experience, they have gone through a terrible civil war. We, Greeks, have our experience which, sadly, is more "fresh" - lots of people that lived through it are still around to talk about it. Kids being taken from their mothers' arms to be transported..where? Brother killing brother (literally!) and generally bringing down whatever was once dear. Who's the bad guy? Which brother gets moral high ground? The one who took to mountains, kidnapped young ones to put them through a grim life behind the Iron Curtain, laid waste to his land and his home? Or the other, who after suffering all that, imprisoned those left behind (the majority of which were not part of the armed struggle and suffered along too), exiled them to desolate barren islands (there are more than we need of those in the Aegean), made them "dance" with cats in a sack (interesting how democracy, or "democracy", can be as horrendous as communism or any other totalitarian regime) and generally held them at the "border" of society until 1974. Who gets praise and who gets blame? You don't know? I think you do!
History was always written by victors, this is no exception. What is an exception in this case is that this particular "victor" (Gage) abstained his country's drama until it "suited" him to be a part of it. Having lost a loved one, a parent, in war is no unique to him, millions of people did! Did he live the ongoing "plague" that the civil war was? From the comfort of his house, half a world away. It is almost as if I, who have never been to the US, write a book about the drama of the Indians. Whatever moral high ground he possessed he lessened being that "distanced" from the whole scenery of it and its consequences. In short, this book and film portray HIS side, not his ideology's side but his personal side. It is easy to place blame, very hard to do so for one side only!
I will not go into the politics of that period, that is for another place and another time. Decent film, worth a viewing if not for anything else for an accurate portrayal of the "scenery". No stars awarded as I have not seen it all, just bits and pieces.
I weep because my family is portrayed in this film. It reminds me of the pain they went through but refused to speak about. A story that received no fanfare but brought pain to many. I see through the eyes of the director and the words of Nick Gage what they went through. A beautiful, love letter to a strong mother.
Other people commenting on this film complain about its being mere propaganda against communism and supporting fascism. What a lot of baloney. It's about mothers and children, and about how, no matter what kind of brawl is going on, the men run to the hills, leaving the women and children behind to be brutalized. And it's about how one woman lost her life because she refused to give her children up to the state, no matter who that state was.
Wusstest du schon
- WissenswertesAdditional flashback scenes were filmed featuring Alfred Molina as Nick's father Christos (played by Steve Plytas in the 1980s scenes). Although Molina was credited as "Young Christos" in press materials, and his scenes were shown in publicity photos, his role was almost completely cut from the final version, and his name does not appear in the credits. Molina's only remaining footage in the released film is a single shot of Christos taking a photograph of Eleni, Nikola and family, with his face partially obscured by his camera.
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Details
Box Office
- Budget
- 12.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 305.102 $
- Eröffnungswochenende in den USA und in Kanada
- 27.875 $
- 3. Nov. 1985
- Weltweiter Bruttoertrag
- 305.102 $
- Laufzeit1 Stunde 54 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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