Früher Frost: Ein Fall von Aids

An Early Frost reflects the underlying principal that love and compassion are stronger than fear. In this respect, the broadcast fueled an operative for the gay community, and world at large, to learn from and build upon.

The acting is uniformly excellent. The script allows the actors excellent opportunities. Aiden Quinn (whose voice and approach is reminiscent of Montgomery Clift) goes through the emotional gamut with grace and believability. As his grandmother, veteran actress Sylvia Sidney's skill easily fuels two tear-inducing scenes that not only provide emotional release for the viewer, but drive the message home. While Michael is hospitalized from a seizure, we see Sidney and her daughter(Gene Rowlands)outside trimming roses. Sidney comments about "an early frost … nipping them in the bud." She reflects on how people shunned her husband when he had died of cancer. At a loss for words the two embrace—capturing the heartache that envelops them.

The cast, in true ensemble spirit allow their characters to reach the power point of unconditional love. The film was instructive on the basic ramifications of the AIDS virus, and helped dispel the unnecessary fear and rumors surrounding it. An Early Frost made people think about the senseless vitriol that was being aimed at the gay community.

I don't know why I do this to myself. I've been HIV+ since 1994, and every once in awhile, I feel the need to torture myself and watch something like this. I remember clearly when it was first on. It didn't mean much to me then, but I just watched it tonight on LOGO, and I cried my eyes out. The information on AIDS is soooo dated, but the emotions are so real. Aiden Quinn was terrific, as were Gena Rowlands and Ben Gazzara. John Glover seems to have made a mini-career out of playing the role he plays here, as he played it again in "Love, Valour, Compassion" (also excellent). Whatever happened to D.W. Moffat? I think, if I recall correctly, that this was the first movie or TV show to really deal with AIDS. The disease had only been named in 1981, so it was only 4 years later. It still holds up.

Eight years before "Philadelphia" Aidan Quinn starred in this groundbreaking film about AIDS. Even though this was "Made for TV", it is superbly done. Gena Rowlands is wonderful (as usual). Some might think that this film is dated, however, sometimes it is good to look back to see the way things were in the past to face the future.

Great film was groundbreaking at the time of its premiere, the information is obviously dated now but it doesn't diminish the pictures message.

Aidan Quinn is strong in the lead giving a firm center to the story and he's surrounded by top flight costars. Gena Rowlands and Ben Gazzara, both excellent as his parents, add to the film substance with the small details in their interactions with each other presenting them as a long time married couple reacting differently to devastating news but always believably being who they are. Sylvia Sidney is equally good as the loving, wise grandmother and John Glover wry and touching as a fellow victim who has been deserted by his family.

A powerful experience and a reminder of how fragile life can be.

This 1985 TV Movie, was early for it's time in bringing out the truth of the "gay" disease of A.I.D.S. It showed great courage and sensitivity in it's telling the story of a young gay attorney, played with incredible honesty by Aidan Quinn, who comes down with the illness and must proceed to tell his parents, played with equal honesty by Gena Rowlands and Ben Gazzara of his lifestyle let alone that he is sick.

This is a must see film. It still holds up in it's approach to not only tell the story but educate us as to the disease and how it can affect those around us. It was written by Ron Cowen (QUEER AS FOLK writer and SUMMERTREE) and Daniel Lipman and well directed by John Erman. Also in this astounding cast are Sylvia Sidney, one of her last appearances, as the Grandmother who is not afraid to hold and love her grandson, D.W. Moffett, prior to his CROSSING JORDAN TV series, as the lover to Quinn who might have given him the disease through a disloyal tryst in the baths, Sydney Walsh as the pregnant sister afraid to touch her brother for fear he might infect her unborn child. Don't worry she eventually comes around to his side and John Glover, that underrated actor, LOVE VALOUR COMPASSION, as a man dying of the disease whom Quinn befriends in the hospital. Glover looks so much like the dying man he portrays, it's frightening.

This film seemed to be a labor of love for certainly all the actors were giving such dedicated performances. And some of the moments were so real you felt it in your heart. This is one of Quinn's early performances before he went on to do such films as LEGENDS OF THE FALL. He brings gentleness and sensitivity to the role. I'd like to see him do the story of Montgomery Clift one day as he reminds me of Clift's style of acting. The relationship between Quinn and Moffett was well played and not stereotyped. The scene when Quinn tells his parents his disease was brilliant. You could feel in their not saying a word what was going on in their hearts.

A beautiful film, ahead of it's time, brilliantly presented with such an accomplished roster of performers, director and writers.