IMDb-BEWERTUNG
6,6/10
28.691
IHRE BEWERTUNG
Eine Gruppe willkürlich ausgewählter Personen wird zu einer Vorführung eines mysteriösen Films eingeladen, nur um dann im Theater mit gefräßigen Dämonen gefangen zu sein.Eine Gruppe willkürlich ausgewählter Personen wird zu einer Vorführung eines mysteriösen Films eingeladen, nur um dann im Theater mit gefräßigen Dämonen gefangen zu sein.Eine Gruppe willkürlich ausgewählter Personen wird zu einer Vorführung eines mysteriösen Films eingeladen, nur um dann im Theater mit gefräßigen Dämonen gefangen zu sein.
- Auszeichnungen
- 2 Nominierungen insgesamt
Geretta Geretta
- Rosemary
- (as Geretta Giancarlo)
Giuseppe Mauro Cruciano
- Hot Dog
- (as Giuseppe Cruciano)
Eliana Miglio
- Edith, woman in tent (Horror Film)
- (as Eliana Hoppe)
Empfohlene Bewertungen
Lamberto Bava's "Dèmoni" aka. "Demons" of 1985 is a gory, stylish and very entertaining horror flick written by the master, Dario Argento. I'm sure getting acknowledged in Horror cinema wasn't easy for director Lamberto Bava , being the son of Mario Bava, beyond doubt one of the all-time greatest horror geniuses in motion picture history. Expectations must have certainly been high. But although Lamberto Bava does certainly not manage to reach his father's brilliance, "Demons" is definitely worth watching.
Cheryl (Natasha Hovey) is given free tickets for a sneak preview by a mysteriously dressed man at a Berlin subway station. Accompanied by a friend, she goes to see the movie at the eerie-looking 'Metropol' cinema. Before the film starts, a woman scratches herself on a creepy silver mask in the waiting hall. The film, which turns out to be a Horror flick tells the story of a prediction by Nostradamus, connected with a demonic mask.
The plot is not that original, but the film is made in a very stylish manner, with a good cinematography, and great color play in the tradition of Mario Bava and Dario Argento. The gore is intense, lots of slicing, stabbing cutting and biting. The cast may not be phenomenal, but Natasha Hovey delivers a good leading performance and there are a bunch of funny characters, such as a black pimp named Tony (played by Bobby Rhodes) and the two hookers he is accompanied by, as well as a strange blind guy and his wife and a very strange usherette. The main part of the score was composed by Claudio Simonetti of the great Progressive Rock band Goblin, whose ingenious soundtracks have also complimented many of Dario Argento's movies.
Being a huge fan of Dario Argento, I must say that "Dèmoni" does definitely not live up to most of the movies Argento directed himself. Nevertheless, it is an extremely entertaining Horror flick that doesn't scant with blood and gore, and especially the gory sequences are very stylishly made. If you expect the quality of Argento's or Mario Bava's masterpieces, you will probably be disappointed. Just expect a very stylish, gory and extremely entertaining Horror flick, and your expectations will easily be fulfilled. Recommended. 7/10
Cheryl (Natasha Hovey) is given free tickets for a sneak preview by a mysteriously dressed man at a Berlin subway station. Accompanied by a friend, she goes to see the movie at the eerie-looking 'Metropol' cinema. Before the film starts, a woman scratches herself on a creepy silver mask in the waiting hall. The film, which turns out to be a Horror flick tells the story of a prediction by Nostradamus, connected with a demonic mask.
The plot is not that original, but the film is made in a very stylish manner, with a good cinematography, and great color play in the tradition of Mario Bava and Dario Argento. The gore is intense, lots of slicing, stabbing cutting and biting. The cast may not be phenomenal, but Natasha Hovey delivers a good leading performance and there are a bunch of funny characters, such as a black pimp named Tony (played by Bobby Rhodes) and the two hookers he is accompanied by, as well as a strange blind guy and his wife and a very strange usherette. The main part of the score was composed by Claudio Simonetti of the great Progressive Rock band Goblin, whose ingenious soundtracks have also complimented many of Dario Argento's movies.
Being a huge fan of Dario Argento, I must say that "Dèmoni" does definitely not live up to most of the movies Argento directed himself. Nevertheless, it is an extremely entertaining Horror flick that doesn't scant with blood and gore, and especially the gory sequences are very stylishly made. If you expect the quality of Argento's or Mario Bava's masterpieces, you will probably be disappointed. Just expect a very stylish, gory and extremely entertaining Horror flick, and your expectations will easily be fulfilled. Recommended. 7/10
Watching "Demons" I came to the conclusion that, no matter how many of the "Scream" films they make, nothing compares to this horror flick!. I'm not saying it's the greatest horror flick of all time. But it certanly entertains, and scares the hell out of you. Even after several viewings. The setting for the film is just right.The music terrific too! honestly I've seen this flick like 1000 times. And it still freaks me out. I've not seen parts 3 or 4 yet but from the reviews I've heard, they sound pretty interesting, so I'm certanly going to track them both down. For those of you who think that the 90's versions of horror films are the only saving grace to this genre, do yourself a favour catch a few of the 80's horror flicks like "Demons" they are what horror movies should be!
Michele Soavi as the man with the half human half metal face!!! Fun times. The plot is filled with holes, like why do some people take so long to turn when others it takes seconds, and what was up with thee usherette being so menacing..she did squat. Over 30 or so people get trapped inside a really creepy theater after they are all given free movie tickets. When a very annoying prostitute puts on a demonic mask on display in the lobby, within fifteen minutes later she has pus bubbles exploding from her face, and is attacking her other prostitute friends. One by one people are transformed, as gory as any italian horror movie can get. The direction is actually really good and Lamberto Bava goes all out on colors and angles (which horror italian director doesn't)and the soundtrack goes well with the eighties look. I also really had fun times with the 4 punks snorting coke outside the theatre, but they really added nothing to the plot and at times just seem to be there to fill time, without a doubt though the gore is the highlight of this flick. Throats getting ripped open, scalps getting teared off, puke and pus splatter continuously,a huge tongue sliding out one of the demons mouth, demons getting hacked with a sword, the most gruesome scene is definitely the blind man getting his empty eye sockets gouged out..HARSH. The characters are so hard to tell apart and we don't evn see some of the patrons faces. I don't remember any characters really except the coolest "pimp" Tony, the sexy usherette, the four punks and the "GEORGE" character (mainly only cause i recognized him from OPERA), but this movie obviously isn't meant for character development.
So all in all I give Demons **1/2 out of **** It's really cool, but only worth watching for cool visuals, soundtrack, and gore.
So all in all I give Demons **1/2 out of **** It's really cool, but only worth watching for cool visuals, soundtrack, and gore.
For an 80s gore-fest, you couldn't want anything more. This is another one of those "kitchen sink" movies that's in the same vein as "From Dusk Till Dawn". Put the same scenario in a movie house, back in the 80s, substitute the vampires with demons, and you pretty much get the picture. You can definitely see the influence here. With that said, if you liked "From Dusk.." and don't mind dubbing, then you should be right at home with "Demons".
There isn't a whole lot there in the way of plot. Some random folks are invited to a screening in an old movie theater. As the movie that they are viewing gets more and more violent, real life starts to imitate art and pretty soon, they discover that they are locked inside and what we're watching becomes a survival flick. That's pretty much it.
As far as gore, there is PLENTY of the red stuff with enough eye-gouging, throat ripping, and blood spurting to satisfy even the most ravenous gore hound. To say much more would give away a lot of the surprises, but it's well worth a rental. Check it out.
There isn't a whole lot there in the way of plot. Some random folks are invited to a screening in an old movie theater. As the movie that they are viewing gets more and more violent, real life starts to imitate art and pretty soon, they discover that they are locked inside and what we're watching becomes a survival flick. That's pretty much it.
As far as gore, there is PLENTY of the red stuff with enough eye-gouging, throat ripping, and blood spurting to satisfy even the most ravenous gore hound. To say much more would give away a lot of the surprises, but it's well worth a rental. Check it out.
My status as a film buff seems to exist in two separate states. On the one hand, I will wax lyrical about the subtle genius of Godard, Fassbinder, and Bertolucci. I'll watch pretentious European art-house cinema of the most stereotypical variety without even a hint of irony. I will regard Ingmar Bergman as a literal god-figure to worshiped in all of his glory. On the other hand, I will spend forty-plus dollars on a blu-ray of Dario Argento's Phenomena and gush over the sheer lunacy of B-movies. Demons (or Demoni, in its native Italy) is everything a geek like me could want. Gratuitous gore and violence, questionable dubbing, explosions, and a kick-ass eighties soundtrack. Co-written and produced by Italian horror maestro Dario Argento (Suspiria, Deep Red), Demons came from Argento's desire to create a purely commercial film after tasting such success with 1978's Dawn of the Dead. Thus, Demons is a film with little in the way of a coherent plot or deep characterization. And yet somehow it manages to be wholly appealing at the same time. The plot, which follows the spread of a zombie-like form of demonic possession spreading through a Berlin movie theater, exists solely to facilitate the numerous action and scare sequences. The score by Argento regular Claudio Simonetti (of Goblin fame) manages to be exciting, creepy, and perfectly suited to adrenaline-soaked visuals. This film is entertainment, pure and simple. To anyone looking to get into B-movies or Italian horror (or better yet, both) I highly recommend this film as it's a very accessible entry point into both genres. Just sit back, open a can of Coke, shut your brain off, and prepare to have the time of your life.
Wusstest du schon
- WissenswertesThe building used for the exteriors of the Metropol theater still stands in Berlin. It's a club called Goya that's been host to several horror conventions thanks to its appearance in this film.
- PatzerAt the end scene during the motorcycle chase, Nina's demonic character is not wearing any demonic makeup.
- Crazy CreditsThere is a jump-scare about halfway through the credits as a character turns demonic.
- Alternative VersionenUK cinema and video versions were cut by 1 min 5 secs by the BBFC with edits to eye gougings, a hand being mutilated in the wheel of a bike, a demon vomiting blood and bile on a woman, closeups of a woman's teeth falling out during her transformation into a demon and a scene where cocaine is scraped off a woman's breast with a razor-blade. Some cuts were restored for the 2000 DIVID release (minus 42 secs from the cocaine scene) though the Platinum DVD, released at the same time, mistakenly featured the uncut print. The cuts were fully waived in 2004 for the reissued 'Director's Cut' Platinum DVD.
- VerbindungenEdited into Cent une tueries de zombies (2012)
Top-Auswahl
Melde dich zum Bewerten an und greife auf die Watchlist für personalisierte Empfehlungen zu.
Details
Box Office
- Budget
- 1.800.000 $ (geschätzt)
- Weltweiter Bruttoertrag
- 2.932 $
- Laufzeit
- 1 Std. 28 Min.(88 min)
- Farbe
- Seitenverhältnis
- 1.66 : 1
Zu dieser Seite beitragen
Bearbeitung vorschlagen oder fehlenden Inhalt hinzufügen