Dämonen 2

Demons (Demoni) is directed by Lamberto Bava and Bava co-writes the screenplay with Dario Argento, Dardano Sacchetti and Franco Ferrini. It stars Urbano Barberini, Natasha Hovey, Karl Zinny, Paola Cozzo, Fiore Argento and Geretta Giancarlo. Music is by Claudio Simonetti and cinematography by Gianlorenzo Battaglia.

A wonderfully nutty spiced Spaghetti Horror, plot has a group of people trapped in a Berlin movie theatre that suddenly comes under attack by ravenous demons.

It could reasonably be argued that Bava's movie has some cheeky narrative depth underneath the gloop and schlock, this is after all purposely set in a movie theatre and features a film that basically becomes real, sort of. But really it's a pic that's set up for like minded horror buffs to feast upon, to jump head first into its feverish horror comic book glee.

The script is as poor as the dubbing is, with a roll call of cardboard cut out characters and loose end scenarios jettisoned in readiness for the next plasmatic explosive sequence. Yet the care free abandon of the gruesome killings on show, and the rapid pace of it all, ensures it's a fun packed ride.

Even the musical score is schizo as it ranges from typical 1980s synth plods to heavy metal thunder - joyous. 7/10

In West Berlin, a stranger wearing a mask randomly distributes tickets for the reopening of the Metropol movie theater on the streets for different persons, including a blind man. Cheryl (Natasha Hovey) gets two tickets in the subway and invites her friend Kathy (Paola Cozzo) to skip their music class and go to the movie theater to watch the film. The viewers come to the restored Metropol without having any information about the film they will see in the advance screening. While waiting for the beginning of the preview, a woman sees an exposed promotional mask of a demon and accidentally scratches her face with the object. When the film begins, the foregoing woman transforms in a monster in the same way it is happening on the screen with the characters of the film, in a kind of weird connection. She attacks the audience, and each viewer that is infected by a monster, is contaminated and transformed in another monster, threatening the rest of the defenseless persons. Sooner the survivors realize that they are trapped in the locked building.

The first time I saw "Demons" was in the mid 80's. I recall that it made me feel very uncomfortable. Then I saw this film many other times on VHS and today (04 November 2010) I have just seen it on DVD. This claustrophobic and sick film is a scary horror movie indeed. The story recalls "The Night of the Living Dead", only using gruesome demons instead of zombies. The disgusting make-up and special effects are excellent and compensate the weak performances of most of the cast. Bigas Luna used part of this idea in his 1987 "Angustia". The music score is awesome and this movie is only recommended for fans of trash-movies and is a classic in the genre. My vote is seven.

Title (Brazil): "Demons – Filhos das Trevas" ("Demons – Sons of the Darkness")

My status as a film buff seems to exist in two separate states. On the one hand, I will wax lyrical about the subtle genius of Godard, Fassbinder, and Bertolucci. I'll watch pretentious European art-house cinema of the most stereotypical variety without even a hint of irony. I will regard Ingmar Bergman as a literal god-figure to worshiped in all of his glory. On the other hand, I will spend forty-plus dollars on a blu-ray of Dario Argento's Phenomena and gush over the sheer lunacy of B-movies. Demons (or Demoni, in its native Italy) is everything a geek like me could want. Gratuitous gore and violence, questionable dubbing, explosions, and a kick-ass eighties soundtrack. Co-written and produced by Italian horror maestro Dario Argento (Suspiria, Deep Red), Demons came from Argento's desire to create a purely commercial film after tasting such success with 1978's Dawn of the Dead. Thus, Demons is a film with little in the way of a coherent plot or deep characterization. And yet somehow it manages to be wholly appealing at the same time. The plot, which follows the spread of a zombie-like form of demonic possession spreading through a Berlin movie theater, exists solely to facilitate the numerous action and scare sequences. The score by Argento regular Claudio Simonetti (of Goblin fame) manages to be exciting, creepy, and perfectly suited to adrenaline-soaked visuals. This film is entertainment, pure and simple. To anyone looking to get into B-movies or Italian horror (or better yet, both) I highly recommend this film as it's a very accessible entry point into both genres. Just sit back, open a can of Coke, shut your brain off, and prepare to have the time of your life.

Gruesome picture in acceptable budget plenty of chills , suspense , screams , lots of gore , blood and guts . This actually is a very terrifying and frightening film ; dealing with a demonic infection spreads people in modern cinema . Selected at random , people on the street are invited to an advance screen of a new horror movie . There a prostitute is bitten and becomes a drooling , fanged demon . In a killing rage , she tears apart other in the movie theater . As a group of people are trapped in a large movie theater in West Berlin that is infected by ravenous , clawed demons who proceed to kill and posse the humans one-by-one, transforming into bloody creatures who attack the remaining humans , thereby multiplying their numbers . When the members of the cinema attempt to getaway , they find themselves caught within .

This exciting picture contains thrills, chills , graphic violence , action-filled with fierce fights and loads of gore and guts. The horror and action moments are fast moving and compactly realized . This is an effective and simple movie ; it results to be an acceptable Italian horror , including functional special effects realized in traditional style , but also some plot elements are plain stupid . The creepy images of wide range from the genuinely horrifying to the bizarre along with scary and amazing frames . The flesh-eating demons appearance deliver the goods, plenty of screams, shocks and tension . The picture displays shocking and well-crafted transformation in charge of expert make-up artist Sergio Stivaletti . The make-up assistants create a truly horrible cannibal demons , zombies-alike . A poster for ¨4 flies on grey velvet¨ is visible in the lobby of the theatre: it's the title of writer/producer Dario Argento's third film ; there also appears other posters such as : ¨Nosferatu¨ , ¨Metropolis¨ and ¨Non Nukes¨ . Commercial musical score , full of hard rock and catching songs performed by known singers as Billy Idol and Rick Springfield . Good production design , as the building used for the exteriors of the Metropol theater still stands in Berlin ; it's a club called Goya that's been host to several horror conventions thanks to its appearance in this film.

The motion picture was compellingly directed by Lamberto Bava , he cites this as his personal favorite of the flicks he has filmed and in which he shows nice visual style . His father, Mario Bava (1914-1980), was a legendary filmmaker ; he entered the cinema as his father's personal assistant, starting with ¨Planet of horror ¨(1965). Bit by bit he gained experience from his father, who made him the assistant director for most of the rest of his films. He even co-wrote the screenplay for ¨Shock¨ (1977) . Lamberto enjoyed his best commercial success to date with this "Demons" , produced by Dario Argento, co-written by Dardano Sacchetti and filmed in West Berlin, Germany . This international hit smash allowed him to co-write, produce and direct a sequel, Demons II (1986) that was also successful and turned out to be an improvement on previous film . He also directed a remake of his father's "Black Sunday" (1960), which was titled "La Maschera del Demonio" or International title "Demons 5: The Devil's Veil¨ . He used the pseudonym of "John Old Jr." , which was a tribute to his father Mario, who often used the pseudonym "John M. Old" . Lamberto has directed films about all kind of genres such as : ¨Blastfighter¨ , ¨A blade in the dark¨ , ¨Shark: red on the ocean¨, and ¨Macabro¨ that achieved critical fame in some quarters ; however , today Bava Jr. only directs television movies : ¨Fantaghiro¨ and sequels , ¨Caribbean pirates¨ , among others . Rating : Acceptable and passable atmospheric film-making from genre master Bava's son that achieved great acclaim among gore buffs . A must see for horror fans .

For an 80s gore-fest, you couldn't want anything more. This is another one of those "kitchen sink" movies that's in the same vein as "From Dusk Till Dawn". Put the same scenario in a movie house, back in the 80s, substitute the vampires with demons, and you pretty much get the picture. You can definitely see the influence here. With that said, if you liked "From Dusk.." and don't mind dubbing, then you should be right at home with "Demons".

There isn't a whole lot there in the way of plot. Some random folks are invited to a screening in an old movie theater. As the movie that they are viewing gets more and more violent, real life starts to imitate art and pretty soon, they discover that they are locked inside and what we're watching becomes a survival flick. That's pretty much it.

As far as gore, there is PLENTY of the red stuff with enough eye-gouging, throat ripping, and blood spurting to satisfy even the most ravenous gore hound. To say much more would give away a lot of the surprises, but it's well worth a rental. Check it out.