Susan... verzweifelt gesucht

This movie has 5 great things going for it: Madonna, Rosanna Arquette, the soundtrack, shot in 1984 and in New York City. Arquette plays Roberta Glass, a bored and ignored housewife who is obsessed with a couple she reads about in the personals, Jim and Susan. Roberta reads that Jim and Susan will meet at Battery Park the following day, and goes down to watch the two. As Jim and Susan part again for a few days, Roberta decides to follow Susan (Madonna) though the streets and into a clothing store, where Susan trades the store-owner her pyramid jacket for some rhinestone boots. When Susan leaves, Roberta buys the jacket, goes home and finds a key in one of the pockets. Roberta then puts an ad in the paper for Susan to meet her at Battery Park to pick up the key she left in the jacket. As Susan gets to the park, she is arrested for short-changing the cab driver, just as a thug who is after Susan mistakes Roberta for her. Roberta knocks herself out cold accidentally and wakes up believing she is Susan. The rest of the film is non-stop comedic confusion and madness, played out by some great talents including Laurie Metcalf as Roberta's sister-in-law, Leslie, and Aidan Quinn, Robert Joy and Mark Blum as the hapless unfortunate love interests of our heroines. Directed by Susan Seidelman ("Smithereens"). Highly recommended.

Desperately Seeking Susan is one of those titles in a catalogue of definitive 80s movies. It is a fantastic little caper directed by the fantastic Susan Seidleman, and unfortuantely, was one movie that got pitched around a long time before someone finally picked it up.

Susan (played terrifically by Madonna in her pre-burnout years) is a sassy, flaky, and often witty young woman who's always looking for a good time, even when danger is afoot. Enter Roberta Glass (Rosanna Arquette) who could practically be her alter ego as she is everything Susan is not. She is shy and judicious and stuck in a boring marriage, looking for an escape. She is everything Susan is not, and wants to be everything that Susan is. And she will get her chance.

Roberta reads the personal ads frequently because that is how wordly traveller Susan reaches her boyfriend, Jimmy (Robert Joy). They place ads saying hello and telling each where to meet. Roberta is going to tag along when Susan posts a new ad telling Jimmy to meet her in battery park. This is where Roberta takes an interest in Susan, but not that in single white female kind of way, despite the sudden mix up that arises out of all of this. She follows Susan around the city and so forth.

Someone else is following Susan, too. A murderer (Patton) looking for a very expensive earring that was stolen from a museum. He is after Susan because he knows she has the earring. But, after an accident at the park and Roberta winding up with amnesia, the murderer is after the wrong Susan. With the help of Jim's friend Dez (Quinn), Roberta slowly has to figure out who she is, otherwise the murderer is going to kill her, thinking she has the find. In the meantime, Susan teams up with Roberta's totally idiotic husband, Gary (Mark Blum) to find out Roberta's whereabouts. Roberta is going to get exactly what she wanted: a little fun, a little adventure, and a little escape, that will have her rethinking her own course.

Desperately Seeking Susan is really a fun movie that takes place in New York City. Everybody in it, even Mark Blum as the obnoxious Gary Glass and Laurie Metcalf as his compulsive and mistrusting sister, Leslie. Rosanna Arquette is great in nearly everything I've seen her in for her 80s career of movies, and works perfectly as Roberta in her romance with Dez (Quinn). And, it is one of the few things that I actually like Madonna in. They tried to recreate her Susan image (and story) for the movie, Who's That Girl (with Griffin Dunne), but it just couldn't work as perfectly as it did here. Seidleman and writer Leora Barish did some good work in producing a fun film.

By the way, if you're ever in Greenwhich Village, 'Love Saves the Day' (the second hand clothing store that Susan goes into to buy boots) still exists. However, they mostly sell retro novelty toys.

As silly as the plot of this film is, it's gotten slightly better with age, containing as it does a little time capsule of the 1980's. There is Madonna's fashion sense and her song Into the Groove of course, but also little things, like how sushi was a new thing in America at the time, or a cameo from the triplets who were all the rage (see the documentary, Three Identical Strangers (2018)). As much as I loved seeing John Turturro and Laurie Metcalf in very early roles for them, I loved seeing comedian Steven Wright even more. He always cracked me up, though he isn't given a lot to work with here. Madonna was on top of the world at this time and is alluring as expected here, and there are feminist messages in both her character's strength and the bored housewife's (Rosanna Arquette) emerging understanding of just how disappointed she is in her husband's inattentiveness. There are massive plot contrivances, like the bonks on the head that conveniently produce amnesia and then later "no amnesia," but it's fun, light-hearted fare.

Desperately Seeking Susan (1985 Dir. Susan Seidelman) "Chicks" love this movie for the feminist, take charge of your life point of view, while guys enjoy this movie cuz there are plenty of bra shots. Madonna in her first starring (supporting really) role as a street-smart hustler being chased by some small time hoods. Rosanna Arquette gets mistaken for the Madonna character and therein lies the plot of this oh so '80s comedy.

Set in summer in Manhattan, the movie preserves like a time capsule so much of the decade: the hair, the clothes, the music. And of course there's Madonna clanking her balls from start to finish. Ms. Arquette (in the supposed starring role) had the movie not merely stolen, but ripped out of her hands by the unstoppable force of the 80s: Madonna!

Desperately Seeking Susan (Susan Seidelman, 1985) is an appealing, unconventional film about a shy, put-upon young married woman (Rosanna Arquette) who swaps places with a free-spirited man-eater (Madonna) after a bump on the head. A dated dramatic device, perhaps, but it's such a sweet, sassy and otherwise well-plotted affair we'll let it slide. The film inhabits a similar universe - and employs the same neon aesthetic - as Scorsese's ever-underrated comedy After Hours, but this is an altogether gentler affair. Sure it plunges its heroine into a seedy world dominated by shady, peroxide hit men and amorous conjurors, but it's in many ways preferable to the yuppie nightmare she's been living with all-time idiot-hole Mark Blum. At least here she's got love on her side, courtesy of kind-hearted Aidan Quinn (the psychotic drug-addled baddie in the Richard Dreyfuss-Emilio Estevez buddy movie Stakeout). Arquette, who played the lead in the classic John Sayles romcom Baby, It's You, is perfect as the doormat desperately seeking excitement, and while Madonna isn't a great actress, she's both hugely charismatic and ideally cast as the manipulative, posing, sex-obsessed Susan. Also look out for John Turturro in an early role as a nightclub compere. A little gem from out of left-field, this one, with an engaging storyline, memorable characters and a disarmingly peculiar sense of humour.

Trivia note: The new Madonna song on the soundtrack is Into the Groove. Not one of her best singles of the period, but still pretty damn decent.