IMDb-BEWERTUNG
6,3/10
14.780
IHRE BEWERTUNG
Ein scheinbar normaler Junge entpuppt sich als streng geheimer, vom Militär geschaffener Roboter mit übermenschlichen Fähigkeiten.Ein scheinbar normaler Junge entpuppt sich als streng geheimer, vom Militär geschaffener Roboter mit übermenschlichen Fähigkeiten.Ein scheinbar normaler Junge entpuppt sich als streng geheimer, vom Militär geschaffener Roboter mit übermenschlichen Fähigkeiten.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 1 Gewinn & 2 Nominierungen insgesamt
Ed Grady
- Mr. Bergen
- (as Ed L. Grady)
Empfohlene Bewertungen
Although the script of the film is somewhat incomplete and there are some parts of the film that could be improved; I even found the film quite good, with good actors, good special effects and the history of the film is quite original. Of course it's not the best movie ever (it's a long way from being), but I still liked the movie anyway. Highly recommend.
This is one of my favorites film ever.It's a very nostalgic film for me because I saw it a lot when I was small,even now that I'm 19,I have the video and I never get bored of it. Barret Oliver is just fantastic as Daryl,it's very sad that he stop acting because he was truly talented.Now that films are just about sex,Blood,and more sex it's good to turn to a feel good film like Daryl.I would also like to say that the title song of the film (Somewhere I belong)is very nice and the lyrics go very well with the film. My personal ratings would be 10/10
DARYL is an enjoyable and thought-provoking kids' film. The central premise is fantastic and high-concept - a rare thing for children's films. Daryl, a military experiment that combines the body and senses of a child with a microchip for a brain, is set free from his creators and settles in mid-America suburbia with a loving adoptive family. The high-jinks that result from an apparently normal ten-year-old who has super-intelligence living in normal surrounds is light, predictable and great fun in patches.
The coup for this movie, however, is the thought-provocation that arises from the evolution of Artificial Intelligence lifeforms to the point when you can no longer tell them apart from humans. This complex issue is dealt with sensitively and thoughtfully in the context of a film not aimed at philosophers or AI scientists (clearly, however, the topic continued to prey on the mind of one of the screenwriters - Ambrose went on to write the excellent novel, Mother of God, which is the "grown-up" heir apparent to DARYL).
The familiar faces of Mary Beth Hurt, Michael McKean and Josef Sommer are ideally cast in the roles of parents and scientist respectively. Equally, the young actors playing Daryl and best-friend Turtle are excellent. The set-pieces fly through with surface levity and implied poignancy in equal measure (how easy it is to dismantle a computer, how difficult when the computer is encased in the flesh and blood of a child). Stagey action scenes and the odd moment of wooden acting from minor support actors are the major blights on the film. Overall, though, it is fun and entertaining.
The coup for this movie, however, is the thought-provocation that arises from the evolution of Artificial Intelligence lifeforms to the point when you can no longer tell them apart from humans. This complex issue is dealt with sensitively and thoughtfully in the context of a film not aimed at philosophers or AI scientists (clearly, however, the topic continued to prey on the mind of one of the screenwriters - Ambrose went on to write the excellent novel, Mother of God, which is the "grown-up" heir apparent to DARYL).
The familiar faces of Mary Beth Hurt, Michael McKean and Josef Sommer are ideally cast in the roles of parents and scientist respectively. Equally, the young actors playing Daryl and best-friend Turtle are excellent. The set-pieces fly through with surface levity and implied poignancy in equal measure (how easy it is to dismantle a computer, how difficult when the computer is encased in the flesh and blood of a child). Stagey action scenes and the odd moment of wooden acting from minor support actors are the major blights on the film. Overall, though, it is fun and entertaining.
'D.A.R.Y.L.' is an adorable little sci-fi children's film from the Eighties and will certainly conjure feelings of nostalgia in those who watched it as children. The film revolves around ten-year-old Daryl, who is found wandering alone in the wilderness and is fostered by childless couple Joyce and Andy Richardson. He quickly befriends their neighbours' son Turtle and goes from strength-to-strength in his new home. However, it soon becomes apparent that Daryl isn't quite normal. His intellect is vast, he has excellent sporting reflexes and acts in an oddly adult manner. Then, when two military scientists turn up at the Richardsons' home to retrieve him, it turns out Daryl is not a human child but a Data Analysing Robot Youth Lifeform, created in a science lab to serve the military. When the military orders that Daryl be destroyed, the fight to save him and return him to the family home where he was loved is on...
Barret Oliver plays the title character of Daryl, gives an effective performance and nicely depicts his character gradually changing from being odd and awkward to acting like a typical boy of ten. Mary Beth Hurt and Michael McKean, as Joyce and Andy, also give good depictions of foster parents desperate for a child, uncertain about the strange nature of Daryl yet coming to love him as if he were their own. Josef Sommer plays the scientist who begins to question the boundaries of what is considered human once he starts to know Daryl, the robot he created, properly. And Ron Frazier, as General Graycliffe who is intent on seeing Daryl destroyed, depicts his character in a suitably loathsome light!
Besides the nostalgia factor for those in their twenties and early thirties, this film will not only be enjoyable for children of today but, as we live in the computer age, brings up very relevant issues that they can consider such as what being a human means and why blood relations doesn't always matter when it comes to family. Daryl, for younger viewers, is the equivalent of Data from 'Star Trek: The Next Generation' so perhaps making this film a good choice for parents wishing to introduce their young kids to the sci-fi genre.
This is definitely an Eighties kids' classic but also one for all the family.
Barret Oliver plays the title character of Daryl, gives an effective performance and nicely depicts his character gradually changing from being odd and awkward to acting like a typical boy of ten. Mary Beth Hurt and Michael McKean, as Joyce and Andy, also give good depictions of foster parents desperate for a child, uncertain about the strange nature of Daryl yet coming to love him as if he were their own. Josef Sommer plays the scientist who begins to question the boundaries of what is considered human once he starts to know Daryl, the robot he created, properly. And Ron Frazier, as General Graycliffe who is intent on seeing Daryl destroyed, depicts his character in a suitably loathsome light!
Besides the nostalgia factor for those in their twenties and early thirties, this film will not only be enjoyable for children of today but, as we live in the computer age, brings up very relevant issues that they can consider such as what being a human means and why blood relations doesn't always matter when it comes to family. Daryl, for younger viewers, is the equivalent of Data from 'Star Trek: The Next Generation' so perhaps making this film a good choice for parents wishing to introduce their young kids to the sci-fi genre.
This is definitely an Eighties kids' classic but also one for all the family.
I love this film and feel it is an underrated classic. Although I am a 90s kid, I am very fond of the movies of the 80s, Amadeus, Clue, Back to the Future, Indianna Jones, Beetle Juice, ET, Annie, Secret of NIMH, NeverEnding Story, Stand By Me, Legend, Princess Bride and Who Framed Roger Rabbit to name a few. D.A.R.Y.L has very nice cinematography, colourful sets and costumes without being too fancy and good special effects, while the soundtrack is cool. I liked the script too, it was funny and heart-warming and the story was engaging and poignant as well as briskly paced. The direction I had no problem with either, while the acting is fine especially with Barrett Oliver who is simply wonderful in the lead. Overall, I think D.A.R.Y.L is a classic, and one of the most underrated films of the 80s if not ever. 10/10 Bethany Cox
Wusstest du schon
- WissenswertesThe scenes with all of the computers at the military base were filmed in the backstage computer rooms at Walt Disney World's EPCOT Center.
- Patzer(at around 36 mins) When Joyce teaches D.A.R.Y.L. how to play the piano, D.A.R.Y.L. demonstrates his grasp of the piece's rhythm by saying, "Whole note, two half notes, and four quarters to a measure", a perfect description of 4/4 time. However, they play a piece in 6/8 time.
- Zitate
Dr. Ellen Lamb: General, a machine becomes human when you can't tell the difference anymore.
- VerbindungenFeatured in At the Movies: D.A.R.Y.L./Cocoon/Return to Oz (1985)
- SoundtracksSomewhere I Belong
Music by Marvin Hamlisch
Lyrics by Dean Pitchford
Performed by Teddy Pendergrass
Produced by Nile Rodgers
Available on Elektra/Asylum Records & Tapes
Top-Auswahl
Melde dich zum Bewerten an und greife auf die Watchlist für personalisierte Empfehlungen zu.
Details
- Erscheinungsdatum
- Herkunftsländer
- Offizieller Standort
- Sprache
- Auch bekannt als
- D.A.R.Y.L.
- Drehorte
- 716 Euclid Avenue, Orlando, Florida, USA(house: home of Andy and Joyce Richardson)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 10.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 7.840.873 $
- Eröffnungswochenende in den USA und in Kanada
- 2.649.832 $
- 16. Juni 1985
- Weltweiter Bruttoertrag
- 7.840.873 $
- Laufzeit
- 1 Std. 39 Min.(99 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1
Zu dieser Seite beitragen
Bearbeitung vorschlagen oder fehlenden Inhalt hinzufügen