Die Killerakademie

Such a great film on so many levels! It is about a struggling Crime Wave writer that can only write the beginning and ending to any of his stories. Further more, he can only write by the luminance of the street light. But that is only the beginning, the whole film has such a delightfully surreal feel to it. Oh, and not to mention it is narrated by a small girl. There are murderous Elvis impersonators, bio suit wearing escapades, psychopathic cowboy doctors, truck driving dogs and that is just the tip of the bizarre ice berg. The film never gets boring and is just as clever as it is funny! A film that definitely thinks much outside the box to give the audience a thoroughly entertaining experience. The only downside is it is not on DVD at all. You must find an old copy of the VHS or hope your local independent theater is cool enough to screen it. If this ever gets a DVD release I know so many folks that buy it right up! It would come in from the North and move right to the top! (This last sentence will make more since once you see the film). :)

"The Top! One man made it!"

John Paizs's "Crime Wave" is one of the most original film produced. Although I'm sure you've heard that before about countless other movies, unless you've seen this film you likely can't imagine just how unique it is.

Writer/director John Paizs pulls triple duty by starring as Steven Penny, a "quiet man" who is intent on creating the perfect version of what he hopes will be the best color crime movie ever: Crime Wave. For this reason, he is often re-writing his script and changing the lead characters for his future film. However, he suffers from an inability to write the middles to any of his (somewhat) different versions of Crime Wave.

Steven lives in the apartment over a family's garage. Their daughter Kim is excited to have him living there, and strikes up a friendship with Steven. Kim is excited to have a "real movie person" living in her garage, and does her best to support Steven during his struggle to write his movie. He reciprocates by teaching her how color crime movies work, and by showing her his stuff.

When Steven loses hope, Kim finds an ad in "Colour Crime Quarterly" placed by Dr. C. Jolly. Dr. Jolly, the ad states, is seeking fresh young talent to collaborate on a script. She secretly send Dr. Jolly a letter and the unfinished middles to Crime Wave, and he responds by sending a bus ticket to Kansas and expense money so that Steven can meet with him.

The movie gets quite odd at this point.

Now, the plotline to John Paizs's "Crime Wave" (not Steven Penny's film of the same name) doesn't sound all that different. It's when you couple it with all the other pieces of the puzzle, however, that you notice that a film like this hasn't been made before or since:

Though he is one of the main characters, Steven Penny has no lines of dialogue in the film; it is narrated entirely by his friend Kim. Also, aside from writing (which he only does at night by streetlight), Steven hardly seems to actually do anything when other people aren't around. One scene has Kim going up to visit Steven, and we see that prior to her arrival he was doing nothing but standing motionless in the center of his suite.

John Paizs's acting, though wordless, is very expressive yet perfectly subtle. You can tell exactly what his character is thinking at all times, or if his character is thinking at all. Eva Kovacs (Kim) also turns in a great performance that completely fits into the world of this film. There are some cast members whose acting is a little on the weak side, but for some reason it all seems to fit in with the film and wouldn't work if it were otherwise. And of course, Neal Lawrie's Dr. Jolly is absolutely one of the most riveting performances I've seen. Ever.

It's a shame this film wasn't distributed better, as it would definitely show up on a lot more lists of cult classics. However, it does tend to make Crime Wave seem even more special when you finally end up owning a copy.

If you would like to locate this movie, don't worry -- it CAN be done! After combing through all the video stores in your area, you may try finding this title on various internet auction sites. It appears that many video rental outlets will liquidate stock this way. Also, there are admirers of this film who will provide you with a copy (don't ask me - I'm not one of them). Since all of the companies that distributed this movie are now defunct, I would imagine that this is the only method of obtaining a new copy until it is (hopefully) re-released.

Also, Canada's CBC television network will broadcast this movie -- usually in a 2:00am or similar time slot. This is how I became aware of Crime Wave, incidentally.

So if this film sounds interesting, get hold of it at any price you feel comfortable with. I guarantee you will not be disappointed with it no matter what you paid.

An absolute peach of a film about a "quiet man" Steven Penny (played by director John Paizs himself) and his desires to pen the greatest colour crime movie ever told. His attempts are lovingly documented by his chipper and inquisitive neighbour Kim (Eva Kovacs), who becomes fascinated by Steven after reading scraps from his discarded screenplays, which Steven has thrown to the trash. For you see, Steven is a tormented artist. He can write the beginnings and endings of screenplays, but not the middles... and what screenplays they are! They tell sordid tales of hapless and violent Elvis impersonators; murderous Amway recruits; self-destructive self-help gurus! Yet, however sordid these cutaways become, the film retains a giddy innocence amidst the darkness. It also achieves a feat that very few films achieve, which is to use kitsch in a way that is wholly earnest and sincere, rather than ironic. The whole film has the feel of an after-school special, or those awkwardly mannered edutainment titles reserved for the classroom, but the spirit of parody remains wholly affectionate and the film is often touching and beautiful. This is especially impressive for a film with such strong meta-fictional elements, since it would be easy for such an exercise to become distanced and cynical. However, when Kim educates the viewer about persistence of vision, passing on the knowledge given to her by Steven, we are simply caught up in the joy of it, rather than smirking some knowing smirk as to how clever-clever the enterprise is. With the entrance of criminally insane script doctor Dr. Jolly (Neil Lawrie) the film threatens to become rather dark, yet still retains a lightness of touch. It's a magical piece of filmmaking, quite unlike anything you've ever seen before, one infused with the joys of filmmaking, friendship and the wonder of childhood with the experience of being an adult. It's a beaut.

As far as commenting on the film is concerned, I can only echo what others have already said. "Crime Wave" is brilliant and beautifully filmed. I watched the film today and I found the Kodak film used is no longer available so perhaps another film with just this look will never be possible again?

Now to the exciting news: I have just purchased (and received on 8 February 2009) copies of "Crime Wave" and "Springtime in Greenland" on DVD.

The guidelines prevent me from linking directly to the site but just use Google and look for "John Paizs" and "Crime Wave". I hope the 'availability' clause still won't prevent this comment from appearing.

I'm a fan of cult movies so it's easy for me to say that Crime Wave is one of my favorite films of all time, and it inspired me to create and continues to do so.

It is a travesty that there is no DVD release of this film. I had to get a personal copy of it from a VHS bootleg at a convention. Limited accessibility is frustrating to me because, I feel that the film is not only entertaining, it's also educational.

In my opinion, there has never been a more accurate or hilarious portrayal of the struggles of the creative process than the one in Crime Wave.

The films is both riotously funny and, at times, heartwarming. It's a must watch if you're an artist who has attacks of self-doubt or just someone who enjoys wacky off-beat comedies.