IMDb-BEWERTUNG
5,3/10
870
IHRE BEWERTUNG
Während einer Schießerei im Gerichtssaal müssen sich ein jugendlicher Arbeiter und ein Kleinganove gemeinsam durch die Drogenunterwelt kämpfen.Während einer Schießerei im Gerichtssaal müssen sich ein jugendlicher Arbeiter und ein Kleinganove gemeinsam durch die Drogenunterwelt kämpfen.Während einer Schießerei im Gerichtssaal müssen sich ein jugendlicher Arbeiter und ein Kleinganove gemeinsam durch die Drogenunterwelt kämpfen.
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Oscar-winners Tatum O'Neal and Irene Cara in an exploitation B-flick? Well, yes and no. "Certain Fury" was obviously made to appeal to the midnight-movie crowds, but there is strength in some of O'Neal's scenes with Cara (playing two girls on the lam after a courtroom shootout leaves blood and bodies everywhere). I liked it when Tatum suddenly turns maternal towards Irene and nurses her back to health (after rescuing her from a drug den). With Cara slung over one shoulder burbling about her mom, Tatum quietly says "I know, I know." This is a good scene; in fact, the picture has several good moments, but every bit with Cara's father (played by Moses Gunn on the verge of tears) is a bummer and Peter Fonda's cameo appearance is awful (you can't tell if he's slumming without effort or if he's just a lousy actor). There's an elaborately staged fight scene between O'Neal and her boy-toy which is unintentionally funny, and the dialogue is so perpetually profane it becomes a running joke.
Thankfully this moves along at a quick pace! Otherwise you might be forced to notice that the plot stinks, dialog is just terrible, and there's basically no point to making, let alone watching this film!
Things start out fine with a bombastic courtroom shootout, with a stack of bodies and gallons of blood. However, during the chaos, two other lesser criminals (O'Neal and Cara) somehow end up on the lam through the underside of the city.That's pretty much the plot. Throw in the twist (no spoiler): Cara is the suburbanite daughter of a doctor, and O'Neal is the tough street kid from the ghetto. (That's hardly noticeable these days, but probably raised one or two eyebrows back then!)
The film moves along from one absolutely stupid or unrealistic scene to the next. Side characters are thin and just ridiculous. Hard to tell who wins the acting award here... I noticed at least one other review here ripping on Cara and praising O'Neal; well, I beg to differ! Either O'Neal just can't deliver bad lines with a crappy director, or she's a terrible actor. Cara, meanwhile, seemed to be perfectly fine throughout (despite some terrible lines).
Go figure.
Watch it if you have a gut full of really bad beer and are bored out of your skull. Or not, and save what few brain cells you have left for something more engaging.
Things start out fine with a bombastic courtroom shootout, with a stack of bodies and gallons of blood. However, during the chaos, two other lesser criminals (O'Neal and Cara) somehow end up on the lam through the underside of the city.That's pretty much the plot. Throw in the twist (no spoiler): Cara is the suburbanite daughter of a doctor, and O'Neal is the tough street kid from the ghetto. (That's hardly noticeable these days, but probably raised one or two eyebrows back then!)
The film moves along from one absolutely stupid or unrealistic scene to the next. Side characters are thin and just ridiculous. Hard to tell who wins the acting award here... I noticed at least one other review here ripping on Cara and praising O'Neal; well, I beg to differ! Either O'Neal just can't deliver bad lines with a crappy director, or she's a terrible actor. Cara, meanwhile, seemed to be perfectly fine throughout (despite some terrible lines).
Go figure.
Watch it if you have a gut full of really bad beer and are bored out of your skull. Or not, and save what few brain cells you have left for something more engaging.
Badly acted, written, and directed, Certain Fury provides a fair amount of unintentional laughs. Tatum is the 'bad' girl, Irene the 'good' girl gone bad. One of the funniest scenes had Tatum spitting in Peter Fonda's face. He responds by slashing her face (in unconvincing close-up) with his nail file. When she falls to the ground screaming, he blurts out to his hench-men, "Get this bleeding bitch off my boat!" If you like 'good bad films' then this one is for you. If you prefer quality...well then you've been warned.
You can just imagine how they tried to sell this one. Two Oscar winners Tatum O'Neal and Irene Cara team up together in this very trashy, b-grade urban action-thriller exploitation; a modernized mould of "THE DEFIANT ONES".
After a full-on, adrenaline-fueled first half-hour of courthouse slaughter, bullets spray the screen, panic erupts and bloody exchanges occur. Escaping that frenzy the girls end up in the city's sewers fighting the underground elements, running from the authorities who want their blood and getting on each other's nerves, as sparks fly between two prisoners that couldn't be any more different in all walks of life. On the run they go, trying to survive, being wrongly fingered as accomplices to what went down. One costly mishap after another puts both in dangerous predicaments on the dirty side of town.
I thought this was going to be great; formulaic, yeah, but what an excessive opening with strong stunt-work. Instead by the time it hit the halfway mark, it had already peaked. There it becomes uneven, the tension from then onwards (other than the crackhouse fight) had little impact as scenes go on longer than they should and eventually it meandered to the (lousy) finish line. Sometimes it wanted to have its cake and eat it too, dipping into both half-baked exploitation and serious drama. The latter does get manipulatively cheesy by trying to strike up an emotional chord; like the (unnecessary) scenes with one of the girl's father (Cara). Even the low-brow dialogues make it hard to take seriously. Although I did like the combination between O'Neal and Cara, even though the character details are predictably wear-worn, yet their interactions engage, from the callous remarks/or actions to their growing bond. Both stars weren't afraid to get down and dirty, but while not particularly likeable O'Neal did standout in her hardened, street smart hooker turn. Someone who didn't is a paycheck collecting Peter Fonda who appears in one of the most ridiculously unconvincing staged moments in the film involving a nail-filer.
After a full-on, adrenaline-fueled first half-hour of courthouse slaughter, bullets spray the screen, panic erupts and bloody exchanges occur. Escaping that frenzy the girls end up in the city's sewers fighting the underground elements, running from the authorities who want their blood and getting on each other's nerves, as sparks fly between two prisoners that couldn't be any more different in all walks of life. On the run they go, trying to survive, being wrongly fingered as accomplices to what went down. One costly mishap after another puts both in dangerous predicaments on the dirty side of town.
I thought this was going to be great; formulaic, yeah, but what an excessive opening with strong stunt-work. Instead by the time it hit the halfway mark, it had already peaked. There it becomes uneven, the tension from then onwards (other than the crackhouse fight) had little impact as scenes go on longer than they should and eventually it meandered to the (lousy) finish line. Sometimes it wanted to have its cake and eat it too, dipping into both half-baked exploitation and serious drama. The latter does get manipulatively cheesy by trying to strike up an emotional chord; like the (unnecessary) scenes with one of the girl's father (Cara). Even the low-brow dialogues make it hard to take seriously. Although I did like the combination between O'Neal and Cara, even though the character details are predictably wear-worn, yet their interactions engage, from the callous remarks/or actions to their growing bond. Both stars weren't afraid to get down and dirty, but while not particularly likeable O'Neal did standout in her hardened, street smart hooker turn. Someone who didn't is a paycheck collecting Peter Fonda who appears in one of the most ridiculously unconvincing staged moments in the film involving a nail-filer.
I Love the movie certain fury. I have been searching for this movie for years and years.I love both actresses, Irene Cara and Tatum Oneal, These are both talented women I would have liked for them to make a part2 of this movie. They both did a great job. I would like to see these women make another movie together soon. Both actresses have there own unique style therefore you can not judge them.
Come on Stephen and Micheal what do you say, They say twice is always nice. Or have another another action and drama with them together with Kristy Mcnikol. I think with these three women will be a blast. with actors Denzel Washington and Ethan Hawk.
Thank you for taking the time out to read my comments.
Come on Stephen and Micheal what do you say, They say twice is always nice. Or have another another action and drama with them together with Kristy Mcnikol. I think with these three women will be a blast. with actors Denzel Washington and Ethan Hawk.
Thank you for taking the time out to read my comments.
Wusstest du schon
- WissenswertesThe film cast includes two Oscar winners: Tatum O'Neal and Irene Cara; and one Oscar nominee: Peter Fonda.
- VerbindungenReferenced in Erben des Fluchs: Brain Drain (1988)
Top-Auswahl
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Details
Box Office
- Bruttoertrag in den USA und Kanada
- 1.381.091 $
- Weltweiter Bruttoertrag
- 1.381.091 $
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