In der Hitze von New York

Oscar-winners Tatum O'Neal and Irene Cara in an exploitation B-flick? Well, yes and no. "Certain Fury" was obviously made to appeal to the midnight-movie crowds, but there is strength in some of O'Neal's scenes with Cara (playing two girls on the lam after a courtroom shootout leaves blood and bodies everywhere). I liked it when Tatum suddenly turns maternal towards Irene and nurses her back to health (after rescuing her from a drug den). With Cara slung over one shoulder burbling about her mom, Tatum quietly says "I know, I know." This is a good scene; in fact, the picture has several good moments, but every bit with Cara's father (played by Moses Gunn on the verge of tears) is a bummer and Peter Fonda's cameo appearance is awful (you can't tell if he's slumming without effort or if he's just a lousy actor). There's an elaborately staged fight scene between O'Neal and her boy-toy which is unintentionally funny, and the dialogue is so perpetually profane it becomes a running joke.

As noted by other IMDb users here, "Certain Fury" is essentially an updating of the Sidney Poitier / Tony Curtis movie "The Defiant Ones", though changing the sex of the central characters as well as adding gratuitous exploitation material. Nothing really wrong with that idea, at least if you are as big a fan of exploitation movies as I am, but the end results are only partially successful.

The movie gets off to a great start, being swift and packing in much exploitation and other good stuff. Though after the first thirty or so minutes, the movie becomes greatly uneven. There is some good stuff to follow, but they are bright moments lost in a suddenly slowing storyline. The movie almost gets boring at times because of this. Also, the ending is kind of weak, written and directed in a way that seems to come out of a much more serious movie than this.

Is the movie worth seeing? Well, if you are a patient fan of B movie exploitation, and you can see the movie cheaply or for free, then you'll probably get a reasonable amount of enjoyment out of it. If not, you'll probably be in the title state long before the movie reaches the ending.

You can just imagine how they tried to sell this one. Two Oscar winners Tatum O'Neal and Irene Cara team up together in this very trashy, b-grade urban action-thriller exploitation; a modernized mould of "THE DEFIANT ONES".

After a full-on, adrenaline-fueled first half-hour of courthouse slaughter, bullets spray the screen, panic erupts and bloody exchanges occur. Escaping that frenzy the girls end up in the city's sewers fighting the underground elements, running from the authorities who want their blood and getting on each other's nerves, as sparks fly between two prisoners that couldn't be any more different in all walks of life. On the run they go, trying to survive, being wrongly fingered as accomplices to what went down. One costly mishap after another puts both in dangerous predicaments on the dirty side of town.

I thought this was going to be great; formulaic, yeah, but what an excessive opening with strong stunt-work. Instead by the time it hit the halfway mark, it had already peaked. There it becomes uneven, the tension from then onwards (other than the crackhouse fight) had little impact as scenes go on longer than they should and eventually it meandered to the (lousy) finish line. Sometimes it wanted to have its cake and eat it too, dipping into both half-baked exploitation and serious drama. The latter does get manipulatively cheesy by trying to strike up an emotional chord; like the (unnecessary) scenes with one of the girl's father (Cara). Even the low-brow dialogues make it hard to take seriously. Although I did like the combination between O'Neal and Cara, even though the character details are predictably wear-worn, yet their interactions engage, from the callous remarks/or actions to their growing bond. Both stars weren't afraid to get down and dirty, but while not particularly likeable O'Neal did standout in her hardened, street smart hooker turn. Someone who didn't is a paycheck collecting Peter Fonda who appears in one of the most ridiculously unconvincing staged moments in the film involving a nail-filer.

Thankfully this moves along at a quick pace! Otherwise you might be forced to notice that the plot stinks, dialog is just terrible, and there's basically no point to making, let alone watching this film!

Things start out fine with a bombastic courtroom shootout, with a stack of bodies and gallons of blood. However, during the chaos, two other lesser criminals (O'Neal and Cara) somehow end up on the lam through the underside of the city.That's pretty much the plot. Throw in the twist (no spoiler): Cara is the suburbanite daughter of a doctor, and O'Neal is the tough street kid from the ghetto. (That's hardly noticeable these days, but probably raised one or two eyebrows back then!)

The film moves along from one absolutely stupid or unrealistic scene to the next. Side characters are thin and just ridiculous. Hard to tell who wins the acting award here... I noticed at least one other review here ripping on Cara and praising O'Neal; well, I beg to differ! Either O'Neal just can't deliver bad lines with a crappy director, or she's a terrible actor. Cara, meanwhile, seemed to be perfectly fine throughout (despite some terrible lines).

Go figure.

Watch it if you have a gut full of really bad beer and are bored out of your skull. Or not, and save what few brain cells you have left for something more engaging.

"What a feeling..." Irene Cara must have thought. "Just a few years ago I was performing and winning Oscars for acclaimed musicals like "Fame" and "Flashdance", and now I'm undressing myself and racing through sewers in a cheap & sleazy exploitation B-movie!". "Tell me about it..." could have been the reply by Tatum O'Neal. "...Ten years ago, I had world at my feet for winning an Oscar as a 10-year-old in "Paper Moon". Now I'm depicting a street prostitute with a foul mouth in a cheap & sleazy exploitation B-movie."

Well, there's one advantage. People like me have zero interest in watching movies like "Flashdance" or "Paper Moon", but I am on a mission to watch as many cheapy and sleazy exploitation B-movies from the 80s as much as humanly possible! The starring of the two leading ladies with a slightly more glamourous background, plus a brief appearance by the charismatic Peter Fonda, make "Certain Fury" a curious must-see oddity for the fans.

What several other reviewers already stated is truthful. "Certain Fury" is a solid and vastly entertaining actioner; - or at least for a while. It's a story about two girls on the lam. They understandably panicked, following a brutal and unforeseeable incident in court, but now they're considered as hardened criminals and there isn't a way back. The first half hour is fantastic, and I genuinely thought I had stumbled upon one of the roughest and most violent flick since "Chained Heat" and "Escape from New York". The extended opening sequences in the courtroom and the subsequent escape through the dangerous sewers are top-notch entertainment. It's grim, bloody, relentless, and fast-moving. Loved it.

The whole concept collapses like a feeble house of cards shortly after that, however. A slowdown of pace was inevitable, I guess, but "Certain Fury" turns into a dull, melodramatic, and whiny mess instead. The girls seek refuge in the apartment of an abuse boyfriend/pimp, escape via numerous rooftops, end up in a massive drug house, etc. Oh yeah, they also become BFFs along the way, of course. The performances of both Cara and O'Neal are admirable, and Stephen Gyllenhaal (later responsible for the excellent "Paris Trout") is clearly a gifted director, but the script is full of really bad dialogues and unevenness. Watch it until after the sewer gas incident, and you've got yourself 20 minutes of genuine, unhinged exploitation.