Fünf Highschool-Schüler treffen sich samstags beim Nachsitzen und entdecken, dass sie viel mehr gemeinsam haben, als sie eigentlich gedacht hatten.Fünf Highschool-Schüler treffen sich samstags beim Nachsitzen und entdecken, dass sie viel mehr gemeinsam haben, als sie eigentlich gedacht hatten.Fünf Highschool-Schüler treffen sich samstags beim Nachsitzen und entdecken, dass sie viel mehr gemeinsam haben, als sie eigentlich gedacht hatten.
- Auszeichnungen
- 4 wins total
Jonathan Chapin
- Janitor
- (Nicht genannt)
John Hughes
- Brian's Father
- (Nicht genannt)
Zusammenfassung
Reviewers say 'The Breakfast Club' is praised for its authentic portrayal of high school life and relatable characters, exploring themes of self-discovery and societal labels. Critics appreciate its message about breaking down stereotypes. However, some find the film relies on clichés and feels dated, with problematic handling of sensitive topics like sexual harassment and homophobia. Despite these issues, many still value its universal message about finding common ground among diverse individuals.
Empfohlene Bewertungen
This movie is one of the best, if not THE best, 80's film there is. The fact is, every teen character in this movie can be related to someone we knew in high-school. As a child of the 80's, I can honestly say that this is a representative cross-section of every high school in North America. The geek, the jock, the outcast, the rich pretty-girl snob, and the future criminal. They all exist, to some degree or another, in the classrooms of every high school on the continent.
What makes this film rise above the rest is the character development. Every character in this film is three-dimensional. They all change, in one way or another, by the end of the film. Whether or not things remain the way they are long after this film ends is unknown, and that adds to the rama. The most important scene in this film is when the characters, as a group, all open up to one-another and describe the hell that their daily school routines are in a personal fashion. Nobody likes the role they must inevitably portray in the high-school scene, but the fact is, it is often inescapable. This film gives the viewer some insight into how the other people around them might have felt during that particular time in their lives.
Each of the main characters in this film shines, but Judd Nelson (John Bender) and Emilio Estevez (Andrew Clark) rise above the rest. Simply put, these two actors each put their heart and soul into their respective characters, and it shows.
At the end of the film, the viewer is left to make their own conclusions as to how things will carry forth. And I'm sure that most people will do that. This is one movie that left me feeling both happy and sad for each of the characters, and it isn't easy to make me care about a film in that way. Even if you aren't a fan of the 80's genre, this isn't one you would want to miss.
My Rating: 10/10
What makes this film rise above the rest is the character development. Every character in this film is three-dimensional. They all change, in one way or another, by the end of the film. Whether or not things remain the way they are long after this film ends is unknown, and that adds to the rama. The most important scene in this film is when the characters, as a group, all open up to one-another and describe the hell that their daily school routines are in a personal fashion. Nobody likes the role they must inevitably portray in the high-school scene, but the fact is, it is often inescapable. This film gives the viewer some insight into how the other people around them might have felt during that particular time in their lives.
Each of the main characters in this film shines, but Judd Nelson (John Bender) and Emilio Estevez (Andrew Clark) rise above the rest. Simply put, these two actors each put their heart and soul into their respective characters, and it shows.
At the end of the film, the viewer is left to make their own conclusions as to how things will carry forth. And I'm sure that most people will do that. This is one movie that left me feeling both happy and sad for each of the characters, and it isn't easy to make me care about a film in that way. Even if you aren't a fan of the 80's genre, this isn't one you would want to miss.
My Rating: 10/10
One of the best if not the best brat pack flick. John Hughes writes and directs this dramatic comedy about five Chicago high school kids that are from different circles and stations in life being forced to spend a Saturday together in detention. Before the day is over this group finds out that they have more in common than they thought and even some friendships are created. The very impressive cast includes:Emilio Estevez, Ally Sheedy, Judd Nelson, Anthony Michael Hall and Molly Ringwald. Paul Gleason plays the hapless teacher trying to contain the group and then there is John Kapelos as the custodian. This is a don't miss and is fun to watch over and over again. Spit that gum out and remember to ask for a hall pass.
John Hughes was truly a magnificent writer for teenagers of the 80's. Even though a lot of people hated his previous works, it doesn't matter since many people have flaws in their career once in a while. Well, this is one of John Hughes's well-written classics: The Breakfast Club. It follows a group of teenage kids who have done something to get them to have detention on Saturday!(Bummer having to stay in that school on a weekend!) Sounds pretty simple huh? Well, later on the characters get to know each other thanks to the brilliant writing from John Hughes! Judd Nelson plays Bender who in the movie is called "the Criminal" and is a straight up asshole but in a cool way. The lovely Molly Ringwald plays Claire who attempts to hide things from people kinda like bottling her emotions. Plus there are other characters I wont get into. My favorite character is obviously Bender since he throws out the jokes which makes this movie funny. Now, be warned! You may start tearing up because there are a lot of issues covered in this movie that relates to real life. The stories the characters tell are very poignant and moving and riveting. So don't be surprised if you start crying during the movie. This is a brilliant John Hughes movie that launched his career next to Sixteen Candles(which is another good Hughes film). What makes this movie so great you say? The way the characters develop is genius thanks to the magnificent directing! The jokes are CLEVER unlike so many other comedies *cough Meet the Spartans*. However, while this movie is great it does have some flaws. One is its a little too long for my taste and its tone is a little mixed up at times. Like is this supposed to be a comedy or a drama? But thats a minor thing for me since I can relate to this movie as a teenager next to Fast Times at Ridgemont High. Plus, there are so many memorable quotes in this movie! Go see John Hughes's finest written film! Sincerely Yours, The Breakfast Club
10brs5261
After reading some of the negative comments made about this movie, i decided to make some of my own. Yes, to younger viewers,this movie will appear to be outdated. The only thing "outdated" is the clothing styles and the music. It doesnt matter what year you went to high school or what school you even went to, there will always be a "criminal", a "jock", a "princess", a "nerd", and a "basket case". This movie is the best teenage movie, no matter when you are a teenager!
I must admit that I was a true loner in high school, and essentially I'm now at 33 I'm still a loner who has become a bit more jaded with the passage of time. With that said, John Hughes "The Breakfast Club" seems to me to be a sort of love letter to all of us who just seemed to blend into the background during our high school years. Of course like everyone I also have a favorite character in the film, and my choice is Allison who is wonderfully played by Ally Sheedy. So, my advice to all who have read this far is to try and watch this film with your emotions rather than trying to analyze the film to death.
Wusstest du schon
- WissenswertesThe scene in which all characters sit in a circle on the floor in the library and tell stories about why they were in detention was not scripted. Writer and director John Hughes told them all to ad-lib.
- PatzerWhen the kids are running through the halls of the school, they run past a window that seemingly reveals it is dark outside. In actual fact, they are running past doors leading into classrooms, in which the lights are turned off because it is the weekend.
- Zitate
Andrew Clark: We're all pretty bizarre. Some of us are just better at hiding it, that's all.
- Crazy CreditsOpens with the following which then explodes from the screen. "And these children that you spit on as they try to change their worlds; are immune to your consultations, they are quite aware of what they are going through." -David Bowie
- Alternative VersionenWhen they sneak out of the library, there is a scene where Dick is at the vending machine getting some candy. He loses his money and starts kicking the machine. Every one has to run by this door one at a time to get where they are going. They all run by just missing being noticed. Ally Sheedy however slowly walks by stops and stares at Dick kicking the machine then slowly walks past unnoticed. Molly Ringwald then says "She's nuts but she's cool"
- VerbindungenEdited into The Breakfast Club: Deleted Scenes (2018)
- SoundtracksDon't You (Forget About Me)
Music and lyrics by Keith Forsey and Steve Schiff
Produced by Keith Forsey
Performed by Simple Minds
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizieller Standort
- Sprache
- Auch bekannt als
- Breakfast Club - Der frühstücksclub
- Drehorte
- Maine North High School - 9511 Harrison Street, Des Plaines, Illinois, USA(school exterior, school interior hallways, library used as model for re-build in gym, football field - fist-pump scene)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 1.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 45.875.171 $
- Eröffnungswochenende in den USA und in Kanada
- 5.107.599 $
- 18. Feb. 1985
- Weltweiter Bruttoertrag
- 51.525.171 $
- Laufzeit
- 1 Std. 37 Min.(97 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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