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The Breakfast Club

  • 1985
  • 12
  • 1 Std. 37 Min.
IMDb-BEWERTUNG
7,8/10
461.385
IHRE BEWERTUNG
BELIEBTHEIT
622
25
The Breakfast Club (1985)
Trailer for The Breakfast Club 30th Anniversary Edition
trailer wiedergeben1:21
25 Videos
99+ Fotos
Drama für JugendlicheErwachsenwerdenTeenie-KomödieDramaKomödie

Fünf Highschool-Schüler treffen sich samstags beim Nachsitzen und entdecken, dass sie viel mehr gemeinsam haben, als sie eigentlich gedacht hatten.Fünf Highschool-Schüler treffen sich samstags beim Nachsitzen und entdecken, dass sie viel mehr gemeinsam haben, als sie eigentlich gedacht hatten.Fünf Highschool-Schüler treffen sich samstags beim Nachsitzen und entdecken, dass sie viel mehr gemeinsam haben, als sie eigentlich gedacht hatten.

  • Regie
    • John Hughes
  • Drehbuch
    • John Hughes
  • Hauptbesetzung
    • Emilio Estevez
    • Judd Nelson
    • Molly Ringwald
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    7,8/10
    461.385
    IHRE BEWERTUNG
    BELIEBTHEIT
    622
    25
    • Regie
      • John Hughes
    • Drehbuch
      • John Hughes
    • Hauptbesetzung
      • Emilio Estevez
      • Judd Nelson
      • Molly Ringwald
    • 1KBenutzerrezensionen
    • 146Kritische Rezensionen
    • 66Metascore
  • Siehe Produktionsinformationen bei IMDbPro
    • Auszeichnungen
      • 4 wins total

    Videos25

    The Breakfast Club: 30th Anniversary Edition
    Trailer 1:21
    The Breakfast Club: 30th Anniversary Edition
    What to Watch After "I Am Not Okay With This"
    Clip 3:39
    What to Watch After "I Am Not Okay With This"
    What to Watch After "I Am Not Okay With This"
    Clip 3:39
    What to Watch After "I Am Not Okay With This"
    The Breakfast Club: 30th Anniversary Edition
    Clip 1:27
    The Breakfast Club: 30th Anniversary Edition
    The Breakfast Club: 30th Anniversary Edition
    Clip 1:30
    The Breakfast Club: 30th Anniversary Edition
    The Breakfast Club: 30th Anniversary Edition
    Clip 1:11
    The Breakfast Club: 30th Anniversary Edition
    The Breakfast Club: 30th Anniversary Edition
    Clip 1:09
    The Breakfast Club: 30th Anniversary Edition

    Fotos301

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    Topbesetzung15

    Ändern
    Emilio Estevez
    Emilio Estevez
    • Andrew Clark
    Judd Nelson
    Judd Nelson
    • John Bender
    Molly Ringwald
    Molly Ringwald
    • Claire Standish
    Ally Sheedy
    Ally Sheedy
    • Allison Reynolds
    Paul Gleason
    Paul Gleason
    • Richard Vernon
    Anthony Michael Hall
    Anthony Michael Hall
    • Brian Johnson
    John Kapelos
    John Kapelos
    • Carl
    Perry Crawford
    • Allison's Father
    Mary Christian
    • Brian's Sister
    Ron Dean
    Ron Dean
    • Andy's Father
    Tim Gamble
    • Claire's Father
    Fran Gargano
    • Allison's Mom
    Mercedes Hall
    • Brian's Mom
    Jonathan Chapin
    Jonathan Chapin
    • Janitor
    • (Nicht genannt)
    John Hughes
    John Hughes
    • Brian's Father
    • (Nicht genannt)
    • Regie
      • John Hughes
    • Drehbuch
      • John Hughes
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen1K

    7,8461.3K
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    Zusammenfassung

    Reviewers say 'The Breakfast Club' is praised for its authentic portrayal of high school life and relatable characters, exploring themes of self-discovery and societal labels. Critics appreciate its message about breaking down stereotypes. However, some find the film relies on clichés and feels dated, with problematic handling of sensitive topics like sexual harassment and homophobia. Despite these issues, many still value its universal message about finding common ground among diverse individuals.
    KI-generiert aus den Texten der Nutzerbewertungen

    Empfohlene Bewertungen

    Misspoe93

    Classic 80s for all Generations

    Ah the Breakfast Club. Although I am a child of the 80's, I came along at the tail end of Generation X. The cast of The Breakfast Club were actors that I looked up to as a child, and still enjoy as an adult. I remember my own mother was a big fan of this movie, even though she was an adult with children.

    Of all the "Brat Pack" movies, this remains my favorite. Even over two decades later, the movie still holds generations of people captive and sends us all into deep thoughts of our own glory days when we thought that life was BS, and that we had it tough. We were just a few years shy of seeing how tough life would be once we escape the protective circus tent known as high school.

    Over and over you hear people wishing that a sequel to this film had been made. I am very glad there was not one. Surely we can't imagine this would have been a happily ever after for these characters. They came together one day, but like most high school relationships, all good things must come to an end. The closest thing to a sequel for this movie would be "St. Elmo's Fire" and again.....all good things must come to an end.

    One thing that I loved most about this movie was the tell tale showing of intelligence in the least thought of places; the school janitor. The movie portrayed the janitor as being a hell of a lot smarter than the assistant principal. I have found in my life's experience this is quite believable. It's also sad. I believe that those employed by the education system could learn a very important lesson about young adults and the way their minds work. Youth knows when it's elders have forgotten how to see things. Youth knows how to use that against them. The moral is simple; stay young!
    bppihl

    One of the best portrayals of adolescent life ever done

    John Hughes is in my opinions the "king of teens." Each of his teen films is great, from "Sixteen Candles", "Pretty in Pink" (which he co-wrote and produced), and "Ferris Bueller's Day Off." They all have funny and serious moments and are classics. By the same token, "The Breakfast Club" is no exception. However, it stands out as doing the best job of the above films at portraying 80s teen life (and perhaps even teen life today) as it really was (is). Hence the familiar plot: Five high school students from different crowds in school (a nerd, a jock, a prom queen, a delinquent, and a loner) are thrown together for a Saturday detention in their school library for various reasons. Detention is supervised by the gruff and demeaning principal Richard Vernon, believably portrayed by Paul Gleason. As the day progresses, each member tells the story of why they are in detention, and by day's end they realize they have more in common than they ever imagined.

    What makes the film unique is that each character tells his or her own story with credibility and persistence. Jock Andrew Clark (Emilio Estevez) is under pressure from his father to perform up to high standards, which Mr. Clark believes will add to his (dad's) lost youth. Nerd Brian Johnson (Anthony Michael Hall) excels academically, but is failing shop class. Neither he nor his family can accept an F. Delinquent John Bender (Judd Nelson), while tough on the exterior, masks a difficult home life. Prom queen Claire(Molly Ringwald) has pressure to conform from her friends, as well as issues with her parental unit. Loner Allison (Ally Sheedy) has few if any friends, wears all black, and has similar problems at home. Can the emotional bonding they share in detention hold true beyond the library, and can stereotypes be broken?

    "The Breakfast Club" presents no-doubt stereotypical characters, and every member represents countless real-life examples. But what makes it so enjoyable is that applies a variety of themes to its context: prejudice/discrimination, acceptance/tolerance, diversity, class/status differences, family matters, group dynamics, etc. It also encourages us to look at others and ourselves beyond surface-level appearances. Finally, "The Breakfast Club" has great 1980s pop culture and societal integrations, from the soundtrack with Simple Minds "Don't You (Forget about Me), to wealthy, surburban American life (haves and have nots), and superficial values of the "me" decade. It reminds us that there truly is diversity in all of us. We are different, but we are all "the same" in one way or another.
    hazel_inverse

    Remember yourself

    We all remember being a teenager. A crazy, intense time when your high were higher and your lows were lower, and every experience was that much more significant.

    John Hughes movie brilliantly captures that environment, that era in our lives, and all the social rifts that we all helped to create for ourselves. I have heard it said that "The Breakfast Club" is melodramatic, overacted, and simplistic. If you subscribe to that flippant perspective you might as well join Vernon in his office because you are doing the same thing that he did. Seeing the movie as you want to see it, in the simplest terms and the most convenient definitions.

    If you really want to understand this film, think back to your own high school days. Think about your last year there. Dig out your old diary or book of angstful poems and reaquaint yourself with who you were then, when you felt things more deeply. "The Breakfast Club" does not exist not for highschool kids, as some suggest. Why would they need it? They live there. It exists for all of us who have already been through there, who feel that they are above it now. It exists so that we can remember what it was like and better understand ourselves, and the next generation. Because you can't dismiss something you understand.
    8kosmasp

    Time of your life

    Depending on when you watched this first (or will watch it), it will determine how much impact this will have. Obviously if you've watched it back in the day, sentiment will kick in too. And while I wouldn't go as far as to say this hasn't aged well at all, there are some indicators that the impact today for some new viewers will not be the same as back then.

    Having said that, the movie still holds up, as we get some missfits thrown in together and mixed up. All with different backgrounds, all with different issues and problems. All rebelling in their own way though. Against the "teacher" of course. But the authority figure here stands for more and the class struggle, the growing up struggle, the maturing struggle, the being in school struggle - all stand for something. So while you may not feel the biggest association with any of the characters, if you really dig into the movie, there is much to find here
    8michaelRokeefe

    You pay after you play.

    One of the best if not the best brat pack flick. John Hughes writes and directs this dramatic comedy about five Chicago high school kids that are from different circles and stations in life being forced to spend a Saturday together in detention. Before the day is over this group finds out that they have more in common than they thought and even some friendships are created. The very impressive cast includes:Emilio Estevez, Ally Sheedy, Judd Nelson, Anthony Michael Hall and Molly Ringwald. Paul Gleason plays the hapless teacher trying to contain the group and then there is John Kapelos as the custodian. This is a don't miss and is fun to watch over and over again. Spit that gum out and remember to ask for a hall pass.

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    Handlung

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    Wusstest du schon

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    • Wissenswertes
      The scene in which all characters sit in a circle on the floor in the library and tell stories about why they were in detention was not scripted. Writer and director John Hughes told them all to ad-lib.
    • Patzer
      When the kids are running through the halls of the school, they run past a window that seemingly reveals it is dark outside. In actual fact, they are running past doors leading into classrooms, in which the lights are turned off because it is the weekend.
    • Zitate

      Andrew Clark: We're all pretty bizarre. Some of us are just better at hiding it, that's all.

    • Crazy Credits
      Opens with the following which then explodes from the screen. "And these children that you spit on as they try to change their worlds; are immune to your consultations, they are quite aware of what they are going through." -David Bowie
    • Alternative Versionen
      When they sneak out of the library, there is a scene where Dick is at the vending machine getting some candy. He loses his money and starts kicking the machine. Every one has to run by this door one at a time to get where they are going. They all run by just missing being noticed. Ally Sheedy however slowly walks by stops and stares at Dick kicking the machine then slowly walks past unnoticed. Molly Ringwald then says "She's nuts but she's cool"
    • Verbindungen
      Edited into The Breakfast Club: Deleted Scenes (2018)
    • Soundtracks
      Don't You (Forget About Me)
      Music and lyrics by Keith Forsey and Steve Schiff

      Produced by Keith Forsey

      Performed by Simple Minds

    Top-Auswahl

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    FAQ23

    • How long is The Breakfast Club?Powered by Alexa
    • How does Andrew know Bender "lies about everything anyway" if he never met Bender before the detention?
    • What does Bender's joke mean?
    • Why does Mr. Vernon hate Bender so much?

    Details

    Ändern
    • Erscheinungsdatum
      • 5. Juli 1985 (Westdeutschland)
    • Herkunftsland
      • Vereinigte Staaten
    • Offizieller Standort
      • Official Facebook
    • Sprache
      • Englisch
    • Auch bekannt als
      • Breakfast Club - Der frühstücksclub
    • Drehorte
      • Maine North High School - 9511 Harrison Street, Des Plaines, Illinois, USA(school exterior, school interior hallways, library used as model for re-build in gym, football field - fist-pump scene)
    • Produktionsfirmen
      • Universal Pictures
      • A&M Films
      • Channel Productions
    • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

    Box Office

    Ändern
    • Budget
      • 1.000.000 $ (geschätzt)
    • Bruttoertrag in den USA und Kanada
      • 45.875.171 $
    • Eröffnungswochenende in den USA und in Kanada
      • 5.107.599 $
      • 18. Feb. 1985
    • Weltweiter Bruttoertrag
      • 51.525.171 $
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

    Ändern
    • Laufzeit
      • 1 Std. 37 Min.(97 min)
    • Farbe
      • Color
    • Sound-Mix
      • Mono
      • Dolby Digital
    • Seitenverhältnis
      • 1.85 : 1

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