Brazil

Sam Lowry works within the huge ministry of information in a near-future world of bureaucracy. A simple administration error leads to the death of an innocent man. Lowry finds himself drawn into a world where he is forced to go against the admin world that he works in with devastating results.

This is one of Gilliam's best films (the other being 12 Monkeys). His nightmare vision is complete with wonderful visual touches - some inspired, some very unnerving in their originality. This satire on the world of bureaucracy gone mad has some wonderful elements that don't seem too farfetched - tiny offices, never-ending paperwork, a government so keen to cut costs that people who are arrested are forced to fund their own defence etc. The dream scenes and the romance don't sit too easily beside this element but they help add to the hallucinatory effect of the whole film.

The feeling of paranoia runs wild through the film. Everything in it symbolises the uselessness of trying to work against a unbeatable system and the pointlessness of individual effort - witness Tuttle eventually overcome by the "paperwork" he once resisted. The only problem with the film is that the plot is mostly rubbish, at first it's hidden but in the middle section and the end the holes become obvious.

The cast is mostly excellent despite forced to work with very weird characters. Pryce is brilliant as the quiet bureaucrat pushed into a nightmare by his dreams, although Kim Greist is dull as the focus of his dreams, Jill. The rest of the cast consists of a range of extended cameos including Ian Holm, Michael Palin, Bob Hoskins and an excellent Robert De Niro as a guerrilla heating engineer.

The studio bosses wanted an upbeat happy ending to help sales - basically the final 45 seconds had to go. However Gilliam stuck by his guns and produced a film that is visually inspiring whilst being depressingly based in the real world - right up till the final credit has rolled. "Has anyone seen Lowry?" - everyone should.

One of my favorite novels of all time is George Orwell's 1984, and Brazil is very much a comedic interpretation of that. Brazil shows us a hilarious exaggeration of the monotony of machine like run bureaucracy, and man's constant voyage to avoid responsibility. "That's not my department." Everyone seems to say. Sam Lowry (Jonathan Pryce) is a low ranking government employee. When an error leads to the execution of engineer Archibald Buttle (Brian Miller) instead of terrorist Archibald Tuttle (Robert De Niro), Sam attempts to fix this, and inadvertently becomes an enemy of the state. Read that scenario again. This is a funny movie. It's a dark comedy/political satire, and almost every joke works. The nonchalant attitude of the government depicted in the film is where a big chunk of the humor comes from. It's a very smart comedy. Honestly if you like political satire, then Brazil is one we can all enjoy together.

Brazil(1985) is a great SCIFI feature that's one of the most visually rewarding films to watch. The movie deals with a computer error that causes havoc for the protagonist, Sam Lowry. Sam Lowry is someone who dreams of living as an individual, away from the system of Big Brother. The movie is heavily influenced by George Orwell's classic novel, 1984. Brazil(1985) is the closest thing to a perfect adaptation of 1984 for the big screen.

Brazil(1985) is more well known for what happened behind the scenes than anything that happens in the film. There was a bitter battle between the director and producer that ended up in the cutting of the film much to Terry Gilliam's disapproval. As a result there are three cuts of the film(director, studio, TV). I've seen both the 142Minute and 132Minute version. In my opinion, the 142Minute edition is the definite one to watch.

Jonathan Pryce as Sam Lowry does a great act in showing someone who is imprisoned by the system. Robert De Niro plays Sam Lowry's alter ego, Harry Tuttle in an eccentric role for the actor. At first De Niro wanted the role of Sam's best friend but instead got the role of the spy Harry Tuttle. The film retains the forbidden love affair between Sam Lowry and Jill Layton that is an important element in 1984. A lot of scens that involved Kim Griest were cut due to the dissatifaction of her performance from the director.

Brazil(1985) is Terry Gilliam's masterwork and a well directed piece by the filmmaker himself. The set designs are dazzling and the depiction of city life is nothing short of amazing. The title song is one of the most famous tunes. Much better then 12 Monkeys(1996) because this is a more complete film. Brazil(1985) is part of a trilogy that includes Time Bandits(1981) and The Adventures of Baron Munchausen(1988).

This trilogy is really about the progression of life that begins in Childhood, continues in Middleage, and ends with Old age. Brazil(1985) is really about the uncertainties of middleage. The samurai dream sequences are a marvalous example of the symbolisms they provide for the movie. Bob Hoskins gives a dark humorous act as a government plumber. The dream sequences with Sam Lowry and his dream girl are beautifully romantic.

In the mid 1990s, when I was teaching film studies to BTEC media students, I chose to show them 'Brazil'. A brilliant choice I thought, with so much to discuss. They pretty much all hated it!

Despite that experience, I still think Brazil is terrific and has much to say about modern life - even though at times it can be hard work.

The plot? Well, Sam Lowry (Jonathan Pryce) is a lonely office worker in a desperately dull job by day, and a romantic escapist dreamer by night. He survives in a dystopian rules-based society (think Orwell's 1984) until a simple clerical error puts his life at risk. All around him is broken, confusing chaos until he meets the girl of his dreams - could she be his escape from his oppressive world?

His workplace, his home, and the characters he meets are completely bonkers - nothing is normal or works as it should. The entire film is mad, unsettling, brutal and creatively brilliant.

There are many fine cameos in the film to enjoy, including Bob Hoskins as an eccentric cooling system repair technician, Robert De Niro as a competing freelance repair technician stroke terrorist (!), and Michael Palin as a benevolent boss turned torturer.

My only criticism of the film is that it is perhaps a tad long - it is such an assault on the senses that perhaps a shade under 2 hours would've been easier to digest. But any faults are forgiven as this is such an out there, brave and hallucinogenic film with so many memorable, funny and disturbing moments.

Difficult and brilliant in equal measures and certainly a recommended watch if you want something out of the ordinary - I only hope you'll enjoy it more than my students did.

I really can't tell you how much my first viewing of this movie knocked me out. Nearly twenty years ago, before Terry Gilliam's reputation is what it is today, seeing this in a cinema without knowing ANYTHING about it, it was one of the most unforgettable movie experiences of my life! Still is. I was a Python fan since childhood and well aware of Gilliam's animation work, but nothing could prepare you for just how bizarre, funny, scary and disturbing 'Brazil' is. It's still one of the most original and inventive science fiction movies ever made, with a surreal, retro future quite unlike anything seen on a movie screen before or since. Gilliam mixes Python's anarchic, intellectual humour with Orwell, Kafka and Theatre Of The Absurd elements and comes up with something really special. John Sladek kinda sorta wrote some stories in a similar territory before this, and Dean Motter has written some comics since, but 'Brazil' is really in a world of its own! Jonathan Pryce was fairly obscure at the time and an odd choice to play the leading role, but is perfectly cast, and it's hard to think of an actor who would have been as convincing and sympathetic. The rest of the cast includes an amusing cameo from Robert De Niro, Kim Greist (only her second movie, after 'C.H.U.D.' of all things!) as Pryce's love interest, Python's Michael Palin, and a bunch of excellent Brit character actors - Bob Hoskins, Ian Richardson, Ian Holm, Jim Broadbent, etc.etc. It goes without saying that when I praise 'Brazil' I am ONLY referring to Gilliam's cut. This is still an utterly brilliant movie, one of the very best of the last twenty-five years. I can't recommend this movie highly enough, it is a masterpiece pure and simple.