Ein Teenager muss sich damit auseinandersetzen, dass seine Freundin ihn zwischen Familienkrisen, mörderischen Zeitungsjungen und einem rivalisierenden Skifahrer fallen lässt.Ein Teenager muss sich damit auseinandersetzen, dass seine Freundin ihn zwischen Familienkrisen, mörderischen Zeitungsjungen und einem rivalisierenden Skifahrer fallen lässt.Ein Teenager muss sich damit auseinandersetzen, dass seine Freundin ihn zwischen Familienkrisen, mörderischen Zeitungsjungen und einem rivalisierenden Skifahrer fallen lässt.
- Regie
- Drehbuch
- Hauptbesetzung
Dan Schneider
- Ricky Smith
- (as Daniel Schneider)
Joe W. Davis
- Roy's Ski Buddy #2
- (as J. Warren Davis)
Empfohlene Bewertungen
Better off Dead is definitely one of John Cusack's better 80's teen movies and far superior to the dull 'Say Anything'. The surreal situations and characters (the dreadful cook mother, the homicidal paper boy, Lane's best friend) are wonderful and recall the best work of the Coen brothers, while Cusack's hangdog performance is excellent, standing alongside 'the grifters' and grosse pointe blank as one of the best of his career. It stands as one of the most interesting and original teen movies to ever grace the genre and it is a great shame that writer/director Savage Steve Holland never hit these highs again, spending the remiander of his career languishing in TV hell.
I cannot praise this film enough.
**** out of five
I cannot praise this film enough.
**** out of five
BETTER OFF DEAD is an impressively energetic debut feature for writer/director Savage Steve Holland. First time director Holland is conspicuously the new kid on the block as he saturates his film with so many ideas, a clear giveaway that he is yet to trust himself enough to release the reigns enough to let his movies breath. The results are spectacularly manic but it really works. Amidst the zany comedy and plentiful sight gags (the cereal boxes with all the giveaways cut out, for example), Holland throws in some amusing cel animation, a stop-motion fantasy sequence, and a cameo from Barney Rubble. Yet despite all the mania, the film's comedy has a level of discipline and restraint that ensures all the jokes land and humorous plot points established early on are satisfyingly resolved.
One of my favourite characters in the film is super-enthusiastic maths teacher Mr Kerber, played by late-great character actor Vincent Schiavelli. Telling maths formula jokes to his spellbound class, Schiavelli spins comedy gold using that discomfortingly warm tone that made him such a sought-after talent. His is one of several casting choices that are pitch perfect: John Cusak as the self-involved teen who wants to end it all when his vapid girlfriend (Amanda Wyss) dumps him for someone more popular; Laura Waterbury as the odious loud-mouthed neighbour and gas guzzling mother of shy bullish nerd Ricky Smith (perfectly played by Dan Schneider); Kim Derby as the timid clueless stay-at-home mom who makes slime-ridden meals that seem somehow sentient and slide off the plate by themselves (her "Frawnch" dinner party host is unforgettable); Curtis Armstrong ostensibly reprising his role from REVENGE OF THE NERDS gets the lion's share of one-liners and he delivers them with so much aplomb; Chuck Mitchell reprising his PORKY'S role is perfect as bad-tempered burger baron Rocko; Diane Franklin as the hapless frustrated French exchange student who is both a fairy godmother and the surprise love interest; monster child Scooter Stevens who wields newspapers as weapons and to whom two dollars means the world; and the super talented David Ogden Stiers as the priggish father attempting to bridge the generation gap with his checked-out son.
BETTER OFF DEAD is not for everyone and the film is most likely best enjoyed by those who lived through the 80s and understand its cultural peccadilloes, but if you have watched your fair share of 80s comedies like SCREWBALLS, 16 CANDLES, BACHELOR PARTY, PORKY'S, NATIONAL LAMPOON'S VACATION, REAL GENIUS, ZAPPED, or POLICE ACADEMY, you might wanna give BETTER OF DEAD a chance. Who knows, after seeing how everybody wants some, you may just want some too!
One of my favourite characters in the film is super-enthusiastic maths teacher Mr Kerber, played by late-great character actor Vincent Schiavelli. Telling maths formula jokes to his spellbound class, Schiavelli spins comedy gold using that discomfortingly warm tone that made him such a sought-after talent. His is one of several casting choices that are pitch perfect: John Cusak as the self-involved teen who wants to end it all when his vapid girlfriend (Amanda Wyss) dumps him for someone more popular; Laura Waterbury as the odious loud-mouthed neighbour and gas guzzling mother of shy bullish nerd Ricky Smith (perfectly played by Dan Schneider); Kim Derby as the timid clueless stay-at-home mom who makes slime-ridden meals that seem somehow sentient and slide off the plate by themselves (her "Frawnch" dinner party host is unforgettable); Curtis Armstrong ostensibly reprising his role from REVENGE OF THE NERDS gets the lion's share of one-liners and he delivers them with so much aplomb; Chuck Mitchell reprising his PORKY'S role is perfect as bad-tempered burger baron Rocko; Diane Franklin as the hapless frustrated French exchange student who is both a fairy godmother and the surprise love interest; monster child Scooter Stevens who wields newspapers as weapons and to whom two dollars means the world; and the super talented David Ogden Stiers as the priggish father attempting to bridge the generation gap with his checked-out son.
BETTER OFF DEAD is not for everyone and the film is most likely best enjoyed by those who lived through the 80s and understand its cultural peccadilloes, but if you have watched your fair share of 80s comedies like SCREWBALLS, 16 CANDLES, BACHELOR PARTY, PORKY'S, NATIONAL LAMPOON'S VACATION, REAL GENIUS, ZAPPED, or POLICE ACADEMY, you might wanna give BETTER OF DEAD a chance. Who knows, after seeing how everybody wants some, you may just want some too!
Better Off Dead is a childhood favorite that I still enjoy as an adult. Yes, the filmmaking is a little amateurish, but that's part of the charm. This movie has so many quotable quotes ("I want my two dollars!" "Gee, I'm really sorry your mom blew up, Ricky.") and moments that make me smirk. I don't think they'd ever make a movie like this these days, so I'm glad they did in the 80s.
Savage Steve Holland, who went on to create the insanely wonderful Saturday morning cartoon series Eek! the Cat, combined two 80s genres - John Hughes romantic comedies and gag-a-second movies like Airplane! to create one of the more unusual teen comedies of the 80s.
The movie stars John Cusack as a jilted teen pining for his ex while oblivious to the absurdly perfect girl across the street, the two girls falling into the classic 80s stereotypes of the cold blonde and the magical, quirky brunette.
Cusack is more emotionally unstable than a Hughes protagonist, spending much of the movie in inept attempts to kill himself.
He also has to deal with living in an insane world. His mom makes weird gloppy dishes that crawl away on their own power, a newspaper boy seems to be the beta version of the Terminator, Cusack's best friend snorts all his food. The movie is frequently hilarious, resulting in a minor classic.
The movie stars John Cusack as a jilted teen pining for his ex while oblivious to the absurdly perfect girl across the street, the two girls falling into the classic 80s stereotypes of the cold blonde and the magical, quirky brunette.
Cusack is more emotionally unstable than a Hughes protagonist, spending much of the movie in inept attempts to kill himself.
He also has to deal with living in an insane world. His mom makes weird gloppy dishes that crawl away on their own power, a newspaper boy seems to be the beta version of the Terminator, Cusack's best friend snorts all his food. The movie is frequently hilarious, resulting in a minor classic.
This one's hilarious! My family have borrowed several lines from this film and use them as inside jokes. John Cusak stars in this film about a teenager whose girlfriend dumps him for the Captain of the ski team. The film has enough skiing in it to satisfy most ski buffs, but it's not really about skiing. It's about relationships more than anything and the results are absolutely hilarious. This is destined to be a classic and it's a permanent part of my film library.
Wusstest du schon
- WissenswertesAccording to Savage Steve Holland, the film is mostly autobiographical. He was suicidal when his high school girlfriend left him for the captain of the ski team. Following the film's release, his ex-girlfriend contacted him to apologise.
- PatzerAt the final race, the race official signals Lane to go first. The official then sends Roy 5 seconds later, thus suggesting that the race is based on time. Lane beats Roy by only a fraction of a second. Therefore, Roy had the better time and should have won the race.
- Crazy CreditsThe last line of the credits reads The film's over... you can go now.
- Alternative VersionenNetwork TV/HBO versions include two additional shots at the end of the film, one being a wide angle shot of the baseball stadium, and the other being a close up shot of Monique and Lane kissing together. Because of the deletion of these shots, the music and sound effects on the current video release are not synchronized with the picture.
- SoundtracksBreakin' Up Is Hard To Do
Written by Neil Sedaka and Howard Greenfield
Performed by Neil Sedaka
Courtesy of RCA Records
Top-Auswahl
Melde dich zum Bewerten an und greife auf die Watchlist für personalisierte Empfehlungen zu.
Details
Box Office
- Bruttoertrag in den USA und Kanada
- 10.297.601 $
- Eröffnungswochenende in den USA und in Kanada
- 56.371 $
- 25. Aug. 1985
- Weltweiter Bruttoertrag
- 10.297.601 $
Zu dieser Seite beitragen
Bearbeitung vorschlagen oder fehlenden Inhalt hinzufügen