L'assassino è ancora tra noi

#260 The Killer is Still Among Us (AKA: L'assassino è ancora tra noi) - 1986 (This Film Rates a C ) This Italian horror film tells the story of a serial killer targeting young couples in the midst of intimate moments. The murders follow a ritualistic pattern, with the killer mutilating the female victims' bodies. Criminology student Christina becomes increasingly obsessed with the case, despite her boyfriend Alex's disapproval. As Christina digs deeper, she receives strange phone calls and uncovers a connection to a previous murder from 1974. As the killer's brutality escalates, Christina's suspicions turn to Alex, leaving the audience questioning his true identity. The film's climax is somewhat effective in its twist, living up to its title. While the gore and special effects are limited, they are well-built up to, and the film features some graphic content. This includes nipple cutting, genital and throat slicing plus lots of gun shots. However, the film's dialogue falls flat, making some scenes feel overly long. The setting and cinematography are authentic, but the soundtrack is subpar. The inclusion of nudity adds an element of exploitation. Ultimately, the film's shortcomings outweigh its few redeeming qualities, making it a mediocre giallo slasher.

"L'assassino è ancora tra noi" (The killer is still among us) is a suspenseful but not conventional giallo. It is based on the true story of a killer that terrorized Florence for some decades – the victims were couples in cars, tents etc… that used the nearby Florentine hills for their rendezvous. He was known as "the Monster of Florence".

The main character is Cristiana (Mariangela D'Abbraccio), a student of criminology that is writing a thesis for her degree – she chose the "Monster of Florence" as the subject of her thesis. It seems to her that it will be an easy task – she knows an important criminologist and also the detective inspector in charge of the case, so it isn't difficult for her to investigate on her own. But some people near her try to convince her to change the subject of her thesis and Cristiana herself is not prepared for the nastiness of the crimes. She starts receiving threatening telephone calls. She decides to investigate more – her investigation leads her to the voyeurs (well-organized and informed), they like to meet in the Devil's Tavern… but as she gets to know more, Cristiana becomes afraid and mistrusts even those that are nearer her. Suddenly fear. Will the killer attack her? Who is he or she?

The film is atmospheric and there are good moments of suspense. No one has a clue who the killer might be, uncertainty prevails. "The killer is still among us" is not like the usual blockbusters where the bad is easy to recognize and the good will prevail. It could be defined as a thriller with psychological undertones, and in spite of being inspired by true events, the film is of course fantasy (there's even a bizarre element thrown into the story that left me wondering), and the story follows the honored giallo tradition - lots of red herrings or puzzling evidences (and if you let yourself be led astray by them your mind will boggle), and bits of nastiness and sex.

If you like films in which the story is told in a non-conventional way (far away from the Hollywood blockbusters), then this film is for you. I would also like to recommend a similar-themed film called the "The Monster of Florence" (Il mostro di Firenze) – it was made about the same time – the 80s -, but it's a different film – a giallo about a writer and a puzzle (the monster of Florence), and as he goes on shadows and sun mix themselves and run and run. Where?

If you thought that GIALLO A VENEZIA took the giallo genre to its logical conclusion of violence, this one wins hands down. It was made pretty late for a giallo (late 80s) and I guess that is reflected by the outrageous bloodshed that presumably was tacked on to get some kind of financial return on this one...

Stylistically, this is reasonably effective. It has a bit of a "TV movie" look that I really don't like. The atmosphere that my favourite gialli (such as DON'T TORTURE A DUCKLING or EYE OF THE LABYRINTH) manage to conjure up is simply not present here. Still, the plot seems pretty neat if a little too straightforward for a film of this nature (then again I'm a sucker for the contrived and complex!).

Once again, the sexual violence is the focus of this film. The scene in the tent is really very nasty and explores the farthest reaches of sexual exploitation, only dabbled with previously by the likes of THE BEAST IN HEAT and DELIRIUM...

Still, it's worth a look I guess. I'd still rather watch a well-crafted but less excessive giallo any day of the week.

Along with "Giallo a Venezia"(1979,Mario Landi)and "The New York Ripper"(1982,Lucio Fulci)this is possibly the nastiest Italian giallo ever made.It is based on the still unsolved series of murders in Florence and that lack of closure makes its over-the-top sexual violence all the more unsettling.A criminology student named Christina Marelli decides to write her thesis about a mysterious serial killer terrorizing couples in lover's lane.As she starts searching around she gets obscene phone calls.Is the killer her boyfriend Alex or maybe someone else?This forgotten Italian giallo is truly shocking.The scenes of sexual violence and mutilations are extremely well-done(brilliant special effects by Roberto Pace)and disturbing.A young couple is murdered in a tent.The boy has his throat cut open,while the girl is shot several times.The killer then slowly slices off her right nipple and cuts apart her vagina in close-up.This sequence is so graphic and sick that I almost threw up during it.The film is also suspenseful and bizarre in some scenes(check out the Devil's Bar moments)."The Killer Is Still Among Us" is certainly not for everybody,but if you like extreme cinema give this one a look.Highly recommended.

It's notoriously difficult to get your hands on an English language version of this late Giallo, and while I did manage to get one; my copy is very dark which did perhaps mean I didn't get the best out of this film as a lot of it takes place at night. Even so, it's clear that The Killer Is Still Among Us is not among the best of the genre. Its reputation suggests it to be nasty, which it is; but despite a promising beginning and the odd interesting moment, this is a sadly misguided and lacklustre effort. The film begins with a scene that sees a couple in a car butchered by an unseen assailant. The action then switches to a girl named Cristina who is studying criminology. With all these murders going on right under her nose, she naturally decides to use them for her thesis and begins looking into the murders by way of the victims. This soon turns out to be a big mistake as Cristina begins receiving threatening phone calls and then her acquaintances begin getting picked off by the same killer she is investigating.

The film often gets compared to the likes of The New York Ripper and Giallo a Venezia as it's along the same lines in terms of nastiness. This film is probably more violent than the latter two titles; but it's not done with as much style and while the violence is good (if you like that sort of thing), it's not enough to lift the film sufficiently. It's clear that director Camillo Teti was not the most sensitive man to ever live, as an interesting fact about this film is that there actually was a killer on the loose around the Florentine area at the time this was made! The story is really not all that interesting; the first half flows well and lead me to believe that it might develop into something noteworthy but unfortunately it never does; which is quite surprising considering that the screenplay was written by Giallo luminary Ernesto Gastaldi. It all boils down to a very odd conclusion that takes place in a cinema and doesn't make a whole lot of sense, though it does lead to the film's most shocking sequence. Overall, The Killer is Still Among Us is not of the Giallo greats and is actually one of the worst that I've seen.