Der Tempel des blutigen Goldes

Director Matt Cimber kicks off Yellow Hair and the Fortress of Gold in the style of a Saturday morning serial adventure, introducing the viewer to his characters (to the cheers of an appreciative audience) before plonking the viewer in the middle of an ongoing story. It's a lively way to start proceedings, but that's where the fun ends, the exploits of half-breed Yellow Hair (statuesque blonde Laurene Landon) and lovable rogue The Pecos Kid (Ken Roberson) proving stupefyingly tedious despite plenty of noisy action—shooting, explosions, fights and chases, including the obligatory classic stagecoach stunt that sees our heroes falling between the horses.

One can't fault Cimber for trying, I suppose, but his terrible script, lacklustre direction and unengaging characters make for a virtually joyless experience. The shambolic plot meanders aimlessly throughout, there's way too much boring conversation, the comedy is exceptionally weak, and star Landon displays little in the way of acting ability. About the only aspect I enjoyed was the occasional spot of mean spirited violence: a commanchero is thrown off his horse over the edge of a cliff, another is slowly lynched, and one poor guy has his head dipped in molten gold before being decapitated.

In the tradition of the serials it seeks to emulate, the film ends on a cliffhanger, suggesting that a sequel was planned: thankfully, it never materialised.

Simple and plain Chorizo Western with breathtaking outdoors filmed in Almeria , Spain . This is an amusing Gazpacho Matinée Western plenty adventure , gold-lust clichés , and action-packed especially in its final part ; ending in an abrupt, ironic denouement . Paella Western with a fiery female lead , Laurene Landon , taking on multiple adventures and fierce battles . Gorgeous blonde mestizo Yellow Hair (Laurene Landon of All the marbles , Hundra, Maniac cop) and her sympathetic ,courageous sidekick Pecos Kid (Ken Robertson , also producer) are after a lot of gold in Aztec temple . This delightful action/adventure romp deals with a half-breed called Yellow Hair , a valiant warrior who was adopted in a tribe of fierce Comanches , but her origin is unknown . The brave duo have run-ins with an army of Mexican soldiers commanded by an effeminate general (Luis Lorenzo) , a gang of dastardly outlaws led by Flores (Aldo Sambrell), a mean saloon owner named Tortuga (easygoing Ramiro Oliveros) and a deadly tribe of Aztec warriors led by a fearsome Aztec chieftain named Shayowteewah (John Ghaffari) while searching the countryside for said gold treasure . Thrilling and stirring movie full of imagination and fantasy that introduces us a brave heroine , female counterpart to Jeronimo . Yellow Hair is superior to any male, woman of beauty ,a warrior of strength ,a hunter of man . Yellow Hair finds her mother (Claudia Gravy) slain and takes a vow of lethal vendetta until one day she meets her match .

This exciting film packs noisy action , adventure and rip-roaring fights . Dumb images , unintentionally hilarious and lots of amusement and entertainment . Made on a fairly middling scale with passable set design , glimmer photography and acceptable musical score . The film is a crossover from ¨Spaghetti Western genre¨ , ¨Raiders of the lost ark¨ (Spielberg) , ¨Against a crooked spy¨ (Earl Bellamy) and ¨MacKenna's gold¨ (J.L.Thompson) with fantastic inspiration in the rare Indians and the spectacular outdoors . This entertaining picture contains frenetic action , struggles and moving action scenes , including blood and beheading . The film is full of freaks and bemusing situations ; it is quite entertaining because being a laborious and intriguing adventure tale with some unintentional humor . The picture was made at the same time to ¨Hundra¨ sharing similar technician and artistic team . Sympathetic performance by Laurene Landon as Yellow Hair , a valiant woman who has been raised to despise the influence of men , she the finest warrior of her people . Agreeable support cast full of Spanish actors such as Ramiro Oliveros, Luis Lorenzo and Spaghetti usual as Eduardo Fajardo , Daniel Martin and Frank Braña . Colorful and evocative cinematography by John Cabrera as the film gets sensational landscapes wonderfully shot . Very derivative special effects , acceptable production design and matte paintings . The picture was shot in Texas Hollywood-Fort Bravo , Almeria, Spain and ¨Condor¨ fortress , where was filmed several Spaghetti as ¨ Blind man, Massacre at Fort Holman¨, ¨A man called Noon¨ , ¨El Condor¨ and ¨Conan the Barbarian¨ .

The motion picture was middlingly directed by Matt Cimber . He has directed all kind of genres , in the mid 70s did three immensely enjoyable blaxploitation pictures : The Black Six (1973), Lady Cocoa (1975) and the terrifically trashy The Candy Tangerine Man (1975) . Matt made a rare foray into the horror genre with the disturbing psychological shocker The Witch Who Came from the Sea (1976). His next work was based on a Mario Puzo story, a World War II drama A Time to die(1982) starring Rex Harrison and Rod Taylor. Later that year Matt teamed up with Pia Zadora for two films: the underrated Butterfly (1982 ) ,Orson Welles last film, and the fun Fake-out (1982). The following year Matt joined forces with actress Laurene Landon for Hundra (1983) and Yellow Hair & the Pecos Kid (1984) . The film will appeal to adventure buffs with enough action to make it worth looking in on . In other words, it seem likely Spaghetti Western enthusiasts and juvenile viewers will be delighted because thrills , action and adventures are regularly presented and edited to offer the enough impact. Rating : 6 ; it's an old-fashioned B film on an acceptable scale and basically enjoyable because of it.

With a title like Yellow Hair and the Fortress of Gold, you would be forgiven for thinking you were in for a sword-and-sandal actions flick, especially given the popularity of that revived sub-genre in the mid 80's. But surprisingly this one turns out to be a hybrid of the western and adventure genres, so you have to at least acknowledge that it is at the very least coming from a slightly different direction to most. Its director Matt Cimber had made a film the previous year for Crown International Pictures called Hundra, which was a feminist fantasy adventure of sorts. The star of that one, Laurene Landon, returns here in the role of the title character Yellow Hair. She and her brother, the Pecos Kid, are whites who were raised by Apaches. They take on a tribe of mysterious Mayans and an army of Mexicans in their quest for gold.

I thought it was really interesting that this one opens in a theatre with the audience anticipating the feature we are about to watch. All the main characters are introduced with their names on screen, after that we crack on into the action, with the film-within-a-film thing returning at the end with a cliff hanger which shows scenes from next week's instalment (scenes that obviously were never returned to). I guess this could be considered under the bracket of the Paella western given its Spanish origins and filming location. It also stars a few familiar faces from Italian/Spanish westerns, including Aldo Sambrell who appeared in every instalment of Sergio Leone's 'Dollars Trilogy', needless to say in this one like those he plays another bad tattie, in this case a mute henchman. But I think what stood out most to me about this one was the whole story thread about the lost civilisation, who lived underground and carried out weird and sinister rituals – this stuff I guess must have been inspired by Indiana Jones and the Temple of Doom, although both movies were admittedly released the same year so it may just be a coincidence. Whatever the case, I thought this one had enough oddness about it to give it pass marks. Don't expect anything great but you will at least get something slightly different.

YELLOW HAIR AND THE FORTRESS OF GOLD is a Crown International release, which we all know what that means: acting, production values, dialogue are all questionable. Seriously, this movie looks like one of the bigger budgeted CI flicks but that doesn't mean the movie itself is better than the average CI release. While watching it, the film reminded me more of Spaghetti Westerns than the Indiana Jones type of movies it's being advertised as. The title and the video's cover box are very deceptive. YELLOW HAIR AND THE PECOS KID is a more apt title. Though there are some moments about a lost civilization and treasures, the whole stale flick is nowhere near the type of action seen in RAIDERS OF THE LOST ARK, even if both movies use old time serials as their source of inspiration.

The film itself was dull and creaky. Lotsa slow motion gun action, typical in Westerns made in the 1960s. Seeing that this movie was made in the 1980s, YELLOW HAIR has a very outdated feel to it. Spaghetti Westerns weren't being made in the 1980s anymore. It's seems the producers of this stillborn action/western weren't aware of this. The acting was mostly bad. The ineffectual heroine, Yellow Hair, is unfortunately nicknamed "Yella" throughout the movie. The whole film is politically incorrect but not in a fun P.I. way. Some of the stunts involving horses were obviously harmful to the animals. All in all, a pretty forgettable and pointless Spaghetti Western film, deceptively advertised as an action movie.

Despite the distinctive title, YELLOW HAIR AND THE FORTRESS OF GOLD turns out to be an absolute dog of a movie, and that's from somebody with a penchant for early '80s fare. This is some kind of shambolic comedy adventure in which a feisty heroine and her sidekick roam around a barren landscape, fighting off warriors and gunslingers in a hunt for mystical treasure.

The plotting's okay, I suppose, but it's the execution where this film really fails: it's treated as a dumb-as-nails comedy, with awful dialogue that sounds like it's been dubbed in, and execrable performances. It says something when the statuesque but wooden Laurene Landon (HUNDRA) gives the best performance in a film otherwise chock full of actors gurning, hamming it up, performing tired slapstick routines, and the like.

The running time is overlong and the exaggerated direction, with its repeated use of slow motion, soon wears on the viewer. If they had taken things seriously then this might have been halfway enjoyable, but the repeated (and repetitive) attempts at dumb humour absolutely sink it. Yeah, I hated it.