IMDb-BEWERTUNG
6,0/10
18.749
IHRE BEWERTUNG
Auf dem Weg zur Arbeit entdeckt Teddy Charlotte, eine unglaublich schöne Frau in Rot. Er will sie wirklich treffen, aber was würde seine Frau dazu sagen?Auf dem Weg zur Arbeit entdeckt Teddy Charlotte, eine unglaublich schöne Frau in Rot. Er will sie wirklich treffen, aber was würde seine Frau dazu sagen?Auf dem Weg zur Arbeit entdeckt Teddy Charlotte, eine unglaublich schöne Frau in Rot. Er will sie wirklich treffen, aber was würde seine Frau dazu sagen?
- Regie
- Drehbuch
- Hauptbesetzung
- 1 Oscar gewonnen
- 2 Gewinne & 1 Nominierung insgesamt
Kelly LeBrock
- Charlotte
- (as Kelly Le Brock)
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The movie begins with Teddy apparently about to jump off a ledge nine stories up. Why? He starts to tell us how it all began, and we go back to that day with the scene straight out of 'Seven Year Itch', only Charlotte has dark hair and is dressed in red. And it turns out she is a model for the San Francisco cable car ad campaign, which Teddy is involved with. Despite that, Teddy has a lot of trouble meeting this woman, and his attempts meet with humorous results. For example, on more than one occasion he thinks he is talking to her but it turns out to be Ms. Milner, and this is good for a number a laughs.
Teddy, however, shouldn't be thinking about another woman. He is married to Didi and they have two daughters. If Teddy needed any incentive to behave himself, he should keep in mind what happened to Joey when he cheated on Teresa (Joey and Teresa's young son is staying with Teddy and Didi). And apparently he is not destined to have a relationship with Charlotte, because his attempts are just one disaster after another.
Gene Wilder is good as always, especially with physical comedy and when he has to talk his way out of jams. Kelly LeBrock is pleasant and sweet, with a slightly naughty side (I saw an edited version, so I surely didn't see all there was of her). Gilda Radner is nasty in a way that didn't appeal to me, but others might like it. I liked most of the songs by Dionne Warwick and Stevie Wonder, some of which they did together--though one gets played entirely too much on the radio all these years later and I got tired of it long ago. There is some physical comedy, but plenty of funny situations too. But the movie is not all funny. Some of it is touching, and some parts are depressing.
Some highlights, in addition to Joey's nasty surprise and Ms. Milner's bizarre behavior:
-We hear one side of what may be a very naughty phone conversation at Teddy's workplace.
-A hilarious scene in a nice restaurant where one of Teddy's friends pretends to be blind and causes chaos.
-Shelly, whose hairstyle sort of looks Native American (while black on the sides, it's red and blonde in the middle) even though his parents are Jewish, has come to take Teddy's daughter Missy to a David Bowie concert.
-Didi explains what happened to Joey and Teresa but doesn't say everything.
-Teddy and Didi are getting ready for a big night, but that gets interrupted.
-Teddy's grandmother Mama Dell is celebrating her 85th birthday. I can't say more, but from the time Teddy arrives at her apartment until the end of the movie, everything is great and most of it is very funny. I can say, since this is how the movie began, that Teddy does end up out on a ledge.
This was a pleasant, slightly naughty farce that was really worth seeing.
Teddy, however, shouldn't be thinking about another woman. He is married to Didi and they have two daughters. If Teddy needed any incentive to behave himself, he should keep in mind what happened to Joey when he cheated on Teresa (Joey and Teresa's young son is staying with Teddy and Didi). And apparently he is not destined to have a relationship with Charlotte, because his attempts are just one disaster after another.
Gene Wilder is good as always, especially with physical comedy and when he has to talk his way out of jams. Kelly LeBrock is pleasant and sweet, with a slightly naughty side (I saw an edited version, so I surely didn't see all there was of her). Gilda Radner is nasty in a way that didn't appeal to me, but others might like it. I liked most of the songs by Dionne Warwick and Stevie Wonder, some of which they did together--though one gets played entirely too much on the radio all these years later and I got tired of it long ago. There is some physical comedy, but plenty of funny situations too. But the movie is not all funny. Some of it is touching, and some parts are depressing.
Some highlights, in addition to Joey's nasty surprise and Ms. Milner's bizarre behavior:
-We hear one side of what may be a very naughty phone conversation at Teddy's workplace.
-A hilarious scene in a nice restaurant where one of Teddy's friends pretends to be blind and causes chaos.
-Shelly, whose hairstyle sort of looks Native American (while black on the sides, it's red and blonde in the middle) even though his parents are Jewish, has come to take Teddy's daughter Missy to a David Bowie concert.
-Didi explains what happened to Joey and Teresa but doesn't say everything.
-Teddy and Didi are getting ready for a big night, but that gets interrupted.
-Teddy's grandmother Mama Dell is celebrating her 85th birthday. I can't say more, but from the time Teddy arrives at her apartment until the end of the movie, everything is great and most of it is very funny. I can say, since this is how the movie began, that Teddy does end up out on a ledge.
This was a pleasant, slightly naughty farce that was really worth seeing.
I first saw this movie about 18 years ago and found it below average. The main reason for viewing it was may admiration for Gene Wilder after the early Mel Brooks movies... Gene Wilders appearances in The Producers, Blazing Saddles, Young Frankenstein and, not to forget although not from Mel Brooks, Silver Streak are rightfully and indisputably regarded as masterpieces by now. Compared to these highlights, I actually found The Woman in Red slightly dull.
Watching it on Cable-TV yesterday, i.e. January 2006, I got a completely different impression. I don't know if the difference is just me being 20 years older and more tuned-in with the main character, but now I experienced a warm, enjoyable movie filled with a mild madness I found most appealing. The spirit of the early 80's is very evident, this is not a timeless movie. Nevertheless, I find it more up-to-date with human emotions and behavior than most contemporary attempts in the "daily life comedy" genre.
Finally, if you - just like me - was disappointed by this one twenty years ago, give another try!
Watching it on Cable-TV yesterday, i.e. January 2006, I got a completely different impression. I don't know if the difference is just me being 20 years older and more tuned-in with the main character, but now I experienced a warm, enjoyable movie filled with a mild madness I found most appealing. The spirit of the early 80's is very evident, this is not a timeless movie. Nevertheless, I find it more up-to-date with human emotions and behavior than most contemporary attempts in the "daily life comedy" genre.
Finally, if you - just like me - was disappointed by this one twenty years ago, give another try!
Teddy Pierce (Gene Wilder) works in a San Francisco ad agency and finds himself on a ledge wondering what went wrong. Four weeks previous, he sees the woman in red Charlotte (Kelly LeBrock) doing the Seven Year Itch dance in the parking lot. He tries to make a date with her despite being happily married to Didi (Judith Ivey) with kids. Miscommunication leads to Ms. Milner (Gilda Radner) getting the call who assumes that she's going on the date. His womanizing friend Joey (Joseph Bologna) loses his wife who takes everything. He continues with plans for the affair anyways while the guys Buddy (Charles Grodin) and Mikey take Joey for a night out. He has second thoughts and stands up Ms. Milner while Charlotte doesn't even know who he is.
There is no redeeming Teddy's antics but Gene Wilder gets a few good laughs in. I love Gilda Radner in this when she takes it out on Gene. The movie works best when Teddy gets put down. It doesn't work as much knowing he's lying to his wife. This movie should have more misadventures and hitting Teddy's nuts.
There is no redeeming Teddy's antics but Gene Wilder gets a few good laughs in. I love Gilda Radner in this when she takes it out on Gene. The movie works best when Teddy gets put down. It doesn't work as much knowing he's lying to his wife. This movie should have more misadventures and hitting Teddy's nuts.
Saw this when I was pretty young. I just remember Kelly being gorgeous, and the Pantene lady in a movie. Is it comedy? Not really. It's just a bunch of middle aged guys messing around, but there's Gilda Radner too! Love her. They sort of even out the cheating thing with his wife messing with her daughter's bf. Flirty.
Wilder's best loved comedy. It's nice to see him behind the camera also in this witty picture about a man enthralled by this model of beauty, played sumptuously by LeBrock, only to find that there's more to loving someone than just a great body. Wilder performs some of his finest screwball comedy and is given great support from Grodin, Ivey, Bologna and Gilda Radner. Stevie Wonder's song is also catchy and adds plenty of flavor to a fun romantic-comedy.
Wusstest du schon
- WissenswertesThe film was the second of three collaborations of Gilda Radner and Gene Wilder. Their other films were Hanky Panky (1982) and Hochzeitsnacht im Geisterschloß (1986). While in France to promote this film, the pair took a brief break from their professional duties and quietly married.
- PatzerIn the opening scene, Theodore Pierce is shown on a ledge with his back up against the building. The ledge is reasonably wide, and his feet are clearly at least a couple of feet from the edge. When the camera goes in for a closeup, however, his feet are right at the edge, implying a much narrower ledge. In addition to the above, in the long shot, he is standing in front of the window . . . the seagull lands . . . and cut to the closeup, he is now on the ledge between two windows. There was not enough "real time" for him to move sideways on the ledge.
- Crazy CreditsOuttakes and throwaway shots from scenes play over the end credits. There also appears to be an unused/deleted scene where Didi is seen fending of Shelly's advances outdoors.
- VerbindungenEdited into The Green Fog (2017)
- SoundtracksIt's You
Written by Stevie Wonder
Piano, synthesizers, harmonica: Stevie Wonder
Bass: Nathan Watts
Drums: James Allen
String Arrangement: Jeremy Lubbock
Vocals: Dionne Warwick and Stevie Wonder
Produced by Stevie Wonder
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsland
- Sprache
- Auch bekannt als
- La chica de rojo
- Drehorte
- 1000 Mason Street, North Beach, San Francisco, Kalifornien, USA(Charlotte's apartment where Teddy is invited into)
- Produktionsfirma
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 9.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 25.308.147 $
- Eröffnungswochenende in den USA und in Kanada
- 3.159.811 $
- 19. Aug. 1984
- Weltweiter Bruttoertrag
- 25.349.388 $
- Laufzeit
- 1 Std. 27 Min.(87 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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