Das Geheimnis der Phantomhöhlen

Rupert 'Wolf' Wolfsen works for the US government, he is liaising with the US military in central America to help find a suitable cave where they wish to instigate a new top secret radio device for submarines?. They have trouble finding such a location until after a large landslide an entrance to just such a cave reveals itself. After setting up their equipment, they retire to base camp only to find that when they return the next morning, their irreplaceable transmitter has been taken and the guards dead. A search and rescue mission is authorised to go into the furthest reaches of the cave. Preposterous premise aside this was rather good fun, What Waits Below can only be described as a cross between Marshall's The Descent and Universals The Mole People, right down to the latter's albino civilisation who live there. Don Sharp just about retains an air of quality to proceedings, there may even be some pseudo political message in the ending.

In terms of plot, mid '80s subterranean horror/adventure What Waits Below is a lot like Neil Marshall's The Descent (2005), both films revolving around a group of speleologists running into trouble when the cavern that they are exploring turns out to be home to a race of savage underground humanoids. In execution, however, the two films couldn't be more different...

Where The Descent is an expertly crafted white-knuckle thrill ride that delivers cool cannibalistic creatures guaranteed to scare the bejeezuz out of the viewer, What Waits Below is a plodding cheeze-fest that offers up slimy hand-puppet snake monsters and laughable albinos with silly haircuts.

Robert Powell, who is most renowned for his titular role in Jesus of Nazareth, makes for an extremely lacklustre hero (could this guy really find work as a mercenary? He looks more like a hairdresser to me) and Lisa Blount is bland as the token babe with a brain. The real stars of the film are the stunning underground locations, but as awe inspiring as the spectacular caverns and colourful rock formations undoubtedly are, they cannot possibly adequately compensate for the stodgy direction, weak acting, cruddy props and terrible dialogue ("In a cave, the only predictable element is the unpredictable").

3.5/10, generously rounded up to 4 for the surprisingly gory shot of a dead soldier with his face all messed up.

This British film set in the US is a fine example of what UK cinema used to be before they adopted gangsters & football hooligans as their only subject matter.

Starring Robert "The Detectives" Powell it revolves around a specialist sent into assist the military in setting up a transmitter deep within an unexplored cave complex. Once inside they discover a lost civilisation who aren't all too happy to see intruders.

Robert Powell is excellent and demonstrates again why he has always been a very underutilized actor. The presentation is brilliant as is the score.

Allegedly the movie was filmed a couple of miles down in a real cave complex, if so that is highly impressive though a fair few scenes look like they were more likely located in a studio.

Not sure why this deserved an R rated but regardless is a damn fine effort and an enjoyable piece of British cinema.

The Good:

Looks great

Robert Powell

Decent story

The Bad:

Falls apart a bit near the end

I just finished watching this movie and I must admit I didn't have high hopes. To my pleasant surprise this turned out to be a quite good movie. It wasn't a great movie, but I am very glad I got to watch it! During a test of a low frequency transmitter two men and the transmitter disappear. A team is gathered to search the caves where the test took place. Caves that never before have been explored by man. But, what waits them below they could never imagine.

This story turns out quite original and I think that is maybe what makes the movie so good. The script is far from perfect, but it works. The acting is probably the best with the whole movie. It is generally good. The cinematography could, however, been better. I find it too boring. It's too straight. Though they did a pretty good job in creating the atmosphere and the mood. There were some pretty chilling sequences.

When it comes to effects what can you expect from a 1984 B-movie? Well, they did OK on most of it, except for the monster. It was actually pretty bad and in fact personally I think they should have cut the whole monster. They way I see it, it rather took then give anything to the movie.

I can recommend this movie because of it's story. There are few cliché there. As for the rest of this movie it is OK, but nothing out of the ordinary. However, well worth to watch.

I had to principal reasons to check out the relatively obscure 80's cave-horror movie. First of all because I read in several reviews that the film can be considered as an antecedent of Neil Marshall's acclaimed 2005 hit "The Descent", in which a bunch of extreme sport chicks encounter a strange breed of predators in a previously unexplored cave. The second reason is because this was the last meaningful film of Don Sharp. This underrated Australian-born director made a few very cool movies for Hammer studios, like "Kiss of the Vampire" and "Rasputin: The Mad Monk", as well as a few other sadly overlooked genre gems like "Dark Places" and "Psychomania" (about a gang of zombie bikers!). "What Waits Below" has a peculiar but potentially interesting premise, and dark ominous caves have always been effective settings for horror flicks. Whenever a group of teenagers, scientists or speleologists plummets down a cavern, there's always some type of monster or estranged civilization to knock them off. The problem here, however, is that takes an enormous long time before something happens and when the menace does eventually gets personified, you'll only feel underwhelmed and maybe even tempted to chuckle. Robert Powell, who starred in some bizarre horror films before like "The Survivor" and "Harlequin", plays a caving expert hired by the army to install a radio transmitter inside a Central American cave. I think it was to remain in contact with submarines, or something… I didn't quite understand that part. Anyway, not important, because the radio as well as the soldiers on guard mysteriously vanish during the first night and Powell leads an expedition deeper down into the cavern. Plentiful of dull conversations and false scares later, the group stumbles upon a whole community of albino dorks. The cave people seriously don't look the least bit scary. Earlier in the film, there' a confusing sequence with some sort of snake monster that peeps out of a hole in the stone wall and kills off one of the soldiers. Even though that creature is a lot more horrific – albeit also a bit cheesy and typically 80's – it would have been a better idea to revolve the film on. Don Sharp generates a bit of morbid atmosphere in the beginning of the descent, but it quickly becomes tedious and too enticing to fast forward. Still, good performances by Lisa Blount and Timothy Bottoms as the despicable army superior.